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Andreas marks kida takuya (9 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Tuttle Publishing, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: INDOO, Avenel, NJ, USAINDOO

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    Zustand: Neu

    EUR 23,48

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  • Sprache: Englisch

    Verlag: Tuttle Publishing, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: California Books, Miami, FL, USACalifornia Books

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    Zustand: Neu

    EUR 25,74

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  • Sprache: Englisch

    Verlag: Tuttle Publishing, US, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: Rarewaves USA, HEBRON, KY, USARarewaves USA

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    Zustand: Neu

    EUR 30,65

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    Anzahl: 8 verfügbar

    Paperback. Zustand: New. A stunning survey of the avant-garde in Japanese ceramics from 1948 to 1990, from renowned art historian Andreas Marks.For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.In 1948, a group of five ceramic artists, including Yagi Kazuo (1918-1979), Yamada Hikaru (1923-2001), and Suzuki Osamu (1926-2001), founded Sodeisha-literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919-1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.…

  • Sprache: Englisch

    Verlag: Tuttle Publishing, US, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes KönigreichRarewaves.com USA

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    Zustand: Neu

    EUR 40,66

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    Paperback. Zustand: New. A stunning survey of the avant-garde in Japanese ceramics from 1948 to 1990, from renowned art historian Andreas Marks.For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.In 1948, a group of five ceramic artists, including Yagi Kazuo (1918-1979), Yamada Hikaru (1923-2001), and Suzuki Osamu (1926-2001), founded Sodeisha-literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919-1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.…

  • Sprache: Englisch

    Verlag: Tuttle Publishing, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: Russell Books, Victoria, BC, KanadaRussell Books

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    Zustand: Neu

    EUR 36,73

    EUR 17,84 Versand 
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    Anzahl: 15 verfügbar

    paperback. Zustand: New. Special order item direct from the distributor.

  • Sprache: Englisch

    Verlag: Tuttle Publishing, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books

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    Zustand: Neu

    EUR 38,11

    EUR 17,91 Versand 
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    Paperback. Zustand: Brand New. 144 pages. 9.00x2.00x12.00 inches. In Stock.

  • Sprache: Englisch

    Verlag: Tuttle Publishing, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books

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    Zustand: Neu

    EUR 38,11

    EUR 17,91 Versand 
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    Anzahl: 2 verfügbar

    Paperback. Zustand: Brand New. 144 pages. 9.00x2.00x12.00 inches. In Stock.

  • Sprache: Englisch

    Verlag: Tuttle Publishing, US, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: Rarewaves USA United, HEBRON, KY, USARarewaves USA United

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    Zustand: Neu

    EUR 32,54

    EUR 44,63 Versand 
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    Anzahl: 8 verfügbar

    Paperback. Zustand: New. A stunning survey of the avant-garde in Japanese ceramics from 1948 to 1990, from renowned art historian Andreas Marks.For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.In 1948, a group of five ceramic artists, including Yagi Kazuo (1918-1979), Yamada Hikaru (1923-2001), and Suzuki Osamu (1926-2001), founded Sodeisha-literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919-1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.…

  • Sprache: Englisch

    Verlag: Tuttle Publishing, US, 2026

    4805320796 / 9784805320792

    • Softcover

    Anbieter: Rarewaves.com UK, London, Vereinigtes KönigreichRarewaves.com UK

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    Zustand: Neu

    EUR 42,64

    EUR 77,61 Versand 
    Versand von Vereinigtes Königreich nach USA

    Anzahl: 8 verfügbar

    Paperback. Zustand: New. A stunning survey of the avant-garde in Japanese ceramics from 1948 to 1990, from renowned art historian Andreas Marks.For many Japanese artists, the process of conceptualizing and producing artwork underwent fundamental change after the end of World War II in 1945. The long-standing emphasis on continuity, as was embedded for centuries in traditional media, formats, and hereditary lineages, was rejected by some in favor of a radical new approach, particularly within the field of ceramics. The emergence of an avant-garde and a formal pursuit of innovation can be traced across multiple media. One significant development was the shift by certain artists toward the creation of sculptural forms rather than functional objects.In 1948, a group of five ceramic artists, including Yagi Kazuo (1918-1979), Yamada Hikaru (1923-2001), and Suzuki Osamu (1926-2001), founded Sodeisha-literally, the Crawling through Mud Association. The group remained active until 1998. While more than 60 artists were associated with Sodeisha over time, not all ceramic artists pursuing innovative sculptural work chose to join. Artists such as Kawamoto Goro (1919-1986) and Morino Taimei (born 1934) worked independently, developing distinct artistic paths.Individualism remains a defining characteristic of contemporary Japanese ceramics. This volume examines the origins of that shift by presenting works created before 1990 by both independent artists and members of Sodeisha, tracing the early rupture with established ceramic traditions.…