Andy warhol director (23 Ergebnisse)

Trade paperback. Zustand: Very Good. Front cover includes a work by Andy Warhol of Pat Hearn. The Armory Show presents the world?s leading international galleries showcasing works from both modern masters and cutting-edge contemporary artists, and helps the art market thrive through making buying, selling, and discovering art more accessible. Pat Hearn (1955-2000) was an American art dealer who operated Pat Hearn Gallery from 1983 until 2000 in New York City. She was married to art dealer Colin De Land who ran American Fine Arts Co. with whom she founded the Armory Show. …

Vintage lobby card for the German release of the 1974 film. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. 11.75 x 9.5 inches. Near Fine. Criterion Collection 28. Severin Films 721.…

Vintage borderless photograph of Joe Dallesandro and Tom Hompertz from the 1968 film. Hilarious and tedious, Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys (including Dallesandro and Hompertz), ranch lady Romana D'Alvarez (Viva) and her stoned nurse (Taylor Mead), handsome drifter Julian (Tom Hompertz), and a drag queen Sheriff (Francis Francine). Set in and shot on location in Arizona. 9.5 x 7.25 inches. Near Fine, some light creasing and light edgewear.…

Vintage pressbook for the 1973 film. An X-rated, Andy Warhol-produced take on Mary Shelley's 1818 classic novel, featuring Warhol superstar Udo Kier as Baron von Frankenstein, a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Rome, Italy and Vojvodina, Serbia. Three pages, partially bound with a single staple at the top right corner, 19 x 12 inches. Very Good plus, with a horizontal crease affecting the center of the book, and a few small creases to the bottom left corner of the first leaf. Restored and released in 4K UHD format by Vinegar Syndrome in 2021. …

Zustand: Near Fine. N.p.: Cultura, 2002. First Edition. Oversized tabloid format (58x42cm); pictorial self wrappers. [32]pp.; full color photographs throughout. Previous fold, else Near Fine. Substantial tabloid-style brochure issued to accompany the Cultura fashion house's Warhol-inspired line at the 2002 Fashion Week.…

Two vintage oversize borderless color reference photographs from the 1974 film. Printed labels specific to the film's French release affixed to the verso. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. 11.5 x 8.5 inches. Very Good plus, with light wear at the corners. Severin Films 721. Criterion Collection 28.…

Four vintage borderless reference photographs from the 1969 German release of the US film. With printed mimeo snipes on the verso. Andy Warhol's final film, an attempt to represent sex between a man and a woman (Warhol superstars Louis Waldon and Viva, respectively) as naturalistically as possible. A groundbreaking, influential production insofar as it was the first adult film to receive wide theatrical release in the US. Set and shot on location in New York. 7 x 5 inches. Near Fine. …

Two vintage black-and-white double weight still photographs from the 1968 film. Both photographs feature the film's lead actor, Viva, one a head shot that is a variant on the familiar image used on the cover of Viva's later autobiography, "Superstar," the other a waist-up shot. 8 x 10 inches, white border, with film credits at the bottom margin of the recto, along with mention of the film's first distributor, Sherpix. Fine.…

Four vintage borderless small-format reference photographs from the 1977 film. Printed mimeo snipes in German affixed to the versos. A beauty salon owner moonlighting as the secret leader of a group of hit women allows a young male drifter to join her group on a trial basis. Set and shot on location in New York. 7 x 5 inches. Near Fine.…

Vintage borderless photograph of actress Jane Forth and producer Andy Warhol attending the German premiere of the 1970 film, which took place on February 19, 1971, in Berlin. Printed mimeo snipe affixed to the verso. Actor Joe Dallesandro's fifth film with director Paul Morrissey, and the film debuts of Factory regulars Holly Woodlawn (in a role that George Cukor unsuccessfully put forth as a write-in candidate for an Academy Award) and Jane Forth. 6 x 8.25 inches. Very Good plus, slightly wavy on the bottom edge.…

Two vintage reference photographs from the 1971 film, both showing actress Candy Darling. Annotations in manuscript pencil on the versos. A satire of the women's liberation movement, starring Warhol superstars Darling, Jackie Curtis, and Holly Woodlawn, about three New York women who join a militant feminist group, Politically Involved Girls (P.I.G.), in an attempt to find happiness apart from men. The last film to use footage filmed directly by Andy Warhol himself. Set and shot on location in New York. 10 x 8 inches. Very Good plus, one with faint discoloration on the center right of the verso.…

Vintage studio still photograph of Gerard Malanga from the 1966 film. Disregarding formal narrative, the film follows various residents of the Chelsea Hotel in New York City during 1966, presented in a split screen with a single audio track associated with only one side of the screen. The release marked a critical moment in Andy Warhol's career, as it was the first film he directed to receive international success and distribution, or even be screened outside cine-clubs in New York City. Set and shot on location in Chelsea, New York. 8 x 10 inches. Very Good plus.…

Three vintage borderless reference photographs from the 1974 film, including one showing director Paul Morrissey sitting with Udo Kier and Joe Dallesandro on the set. Annotations in manuscript ink in French on the versos. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. Approximately 7.25 x 9.25 inches. Near Fine. Criterion Collection 28. Severin Films 721.…

Five vintage lobby cards from the Dutch release of the 1974 film. Stamps of Meteor Film on the versos, and all six with blindstamps on the corners. Count Dracula travels from Transylvania to pre-fascist Italy in search of virgin blood to drink, but soon discovers there are no longer any virgins to be found in the entirety of Italy. One of Andy Warhol's two horror films (the other being "Frankenstein," released the same year on a double bill), both USA/Italy/France co-productions, and the pinnacle of his film career in terms of popularity outside avant-garde circles. Set in Italy, shot on location in Italy and Serbia. 11 x 9 inches. Very Good plus, with pinholes and light wear at the corners. Criterion Collection 28. Severin Films 721.…

Two vintage reference photographs from the 1965 film. A short, mostly improvised film, shot on Fire Island by Andy Warhol and longtime collaborators Paul Morrissey and Chuck Wein over Labor Day weekend in 1965, about a young, blond hustler and his humorous and strange interactions with his older clientele. A predecessor to "Midnight Cowboy" (1969). 10 x 8 inches. Near Fine.…

Seven vintage borderless reference photographs from the 1973 film. An X-rated, Andy Warhol-produced take on Mary Shelley's 1818 classic novel, featuring Warhol superstar Udo Kier as Baron von Frankenstein, a man obsessed with creating a new Serbian race to obey his every command. Shot on location in Vojvodina, Serbia. 7 x 9.25 inches. Near Fine.…

Vintage reference photograph of actors Jane Forth, Joe Dallesandro, and Holly Woodlawn, with director Paul Morrissey on the set of the 1970 film. Mimeo snipe and "Auditing Dept." stamp on the verso, dated August 1, 1970. Actor Joe Dallesandro's fifth film with Morrissey, and the film debuts of Factory regulars Holly Woodlawn (in a role that George Cukor unsuccessfully put forth as a write-in candidate for an Academy Award) and 17-year-old model Jane Forth. 8 x 10 inches. About Fine, with a hint of wear at the corners.…

Vintage black-and-white double weight still photograph of director Paul Morrissey and actor Joe Dallesandro, shot during the making of Andy Warhol's 1968 film "Flesh." Photographer Werner Bokelberg's rubber stamp and manuscript pencil annotations to the verso. Morrissey's first production for Warhol, Dallesandro's second leading role, and an intentionally envelope-pushing film, Dallesandro plays a bisexual prostitute who tricks in order to fund his wife's lover's abortion. "Flesh" was considered so explicit that it was confiscated by the police in 1970 during one of its early screenings, and features an overabundance of scenes that depict our main character's genitalia. The two would work together on five more Warhol films following "Flesh," including "Lonesome Cowboys," and "Heat." 9.5 x 11.75 inches. About Near Fine.…

Vintage reference photograph from the 1964 film. A short silent film directed by Andy Warhol, showing the face of an uncredited DeVeren Bookwalter as he (purportedly) receives fellatio from an unseen partner. While shot at 24 frames per second, Warhol specified that the film should be projected at 16 frames per second, slowing the film down by a third. Shot on location in New York. 8 x 10 inches. Near Fine.…

Collection of 13 vintage studio still photographs from the 1968 film. Andy Warhol and Paul Morrissey's satirical take on Hollywood Westerns features five gay cowboys, a rowdy ranch lady and her stoned nurse, handsome drifter Julian, and a drag queen sheriff. Set and shot on location in Arizona. 10 x 8 inches. Lightly toned on the edges, else about Near Fine.…

Vintage poster for the 1967 film. Two versions of the film were shot - one with an all nude, all male cast that was never released publicly, and one with both male and female actors wearing G-strings, which was originally screened at the Hudson Theater in New York. A stylistic breakthrough, in that the film entirely jettisons any pretense to plot, dramatic action, or sex found in Andy Warhol's previous sexploitation experiments, instead featuring extended monologues by superstar Viva, and conversations with others that touch on a variety of controversial topics. One of Warhol's most overtly political films, also starring draft resister Andrew Duggan, and the first pairing of Viva with Taylor Mead, who would appear together in several more Warhol films. 19 x 25 inches, rolled, on archival linen, with a small amount of professional restoration and repair. Near Fine, with minor soil. Murphy, The Black Hole of the Camera. Warholstars.…

Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in a 95-minute version, although this cut is considered lost. A 109-minute version would screen in 1968 as the first film shown at the New Andy Warhol Garrick Theater, renamed as such after Warhol recovered from being shot by Valerie Solanas. One of several sexploitation influenced films made by Warhol, an episodic story of a biker who has no bike, and is both eroticized by the camera and emasculated by various Warhol superstars throughout. 19 x 25 inches, rolled. Near Fine with some light soil, and an almost imperceptible professional repair to a tear at the top edge. Murphy, The Black Hole of Cinema. Warholstars.…

Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in New York in a 99-minute version. In early 1968, a 110-minute cut played at the Cinematheque 16 in Los Angeles. This poster, which mentions the Los Angeles screenings and contains a blurb from the L.A. Free Press, corresponds to the latter version. A final 95-minute cut was completed later in 1968, and is the version available today. Andy Warhol's first attempt to make a "commercial" sexploitation film, eight unconnected scenes in which actor Tom Baker attempts to convince various women to have sex with him. Originally intended to star The Doors' Jim Morrison and unsimulated sex, the finished film contains neither. 19 x 25 inches, rolled, on archival linen, with minor professional repair and restoration. Near Fine. Murphy, The Black Hole of the Camera. Warholstars. …