Angela strassheim (9 Ergebnisse)

Exhibition Announcement Cards. This is not a book. SIGNED. The original announcement card for an exhibition of photographs by Angela Strassheim, titled "Story Telling," and held at the Andrea Meislin Gallery, NYC, September 12 - October 26, 2013. The card has been SIGNED BY STRASSHEIM on the inside, no inscription. C-fold card stock; 6 pages; essay by Sarah Lehat; 4 color illustrations; 5.75 x 9 inches. Condition: Fine card pamphlet with a hint of rubbing to the edges. Includes an unsigned copy. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

0 Very good. very lightest of shelfwear, fine.

Hardcover. Zustand: Very Good. 1st Edition. Glossy pictorial boards. Folio. Inscribed by the photographer. Essay by Jean Dykstra. The first monograph on the rising photographer, Angela Strassheim features a concise selection of photographs which center around her born-again Christian family and other domestic narratives inspired by her odd childhood and even more unusual adult life. This copy is warmly inscribed by her "For Marcello- Thanks for believing in me, for giving me a fantastic introduction into the "real" art world. It's been a great ride this far. All my best, Angela Strassheim 2007". There is also a handwritten note laid in apologizing for the delay in getting this signed copy to him. A very good copy with some light soiling and wear. The contents are clean and fine. Inscribed by Illustrator(s).…

Hard Cover. Zustand: Fine. This is a fine hardcover copy without dust jacket as issued with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at Faulconer Gallery Grinnell College, from October 8 to December 10, 2006. Essay by Jean Dykstra. Illustratrd in color. Checklist with 27 works catalogued. 12" high X 10" wide. Large heavy book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. …

Hardcover without dustjacket as issued; unpaginated with 27 illustrations; new condition; still sealed in shrinkwrap; clean and crisp. Foreign shipping may be extra.

Hardcover. Zustand: New. Hardcover. 4to. Published by Faulconer Gallery, Grinnell, Iowa, 2006. 60 pgs. Brand new and still sealed in shrinkwrap. DJ has light shelf-wear present to the DJ extremities. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. An old woman with pink skin and suit, lying in a pink coffin; a family saying Grace in a McDonald's; a little girl in her ballet costume, standing in a windowsill . This first monograph on the rising photographer, Angela Strassheim, whose work was noted at last year's Whitney Biennial, features a concise selection of recent photographs which center around her born-again Christian family and other domestic narratives inspired by her odd childhood and even more unusual adult life. (Strassheim received her MFA in photography from Yale University in 2003, but she is also a certified forensic and biomedical photographer who has worked as a crime-scene and autopsy photographer in Miami, New York and Richmond, Virginia. ) As essayist Jean Dykstra writes, Strassheim's photographs are characterized by a steady, unwavering gaze, which can be as unexpectedly intimate as it is unnerving. "They are so carefully observed, and so fantastically inconclusive, that they keep us looking too." ; 9.75 X 0.25 X 11.5 inches; 60 pages.…

Soft cover. Zustand: Near Fine. No Jacket. Signed by Angela Strassheim on title page. Published in conjunction with the exhibition "Angela Strassheim" at the Monterey Museum of Art, October 11, 2008 - February 1, 2009. Covers show light crease near center of spine edge. Volume is otherwise Fine. Signed by the Photographer. …

Hardcover. Zustand: New. An old woman with pink skin and suit, lying in a pink coffin; a family saying Grace in a McDonald's; a little girl in her ballet costume, standing in a windowsill . This first monograph on the rising photographer, Angela Strassheim, whose work was noted at last year's Whitney Biennial, features a concise selection of recent photographs which center around her born-again Christian family and other domestic narratives inspired by her odd childhood and even more unusual adult life. (Strassheim received her MFA in photography from Yale University in 2003, but she is also a certified forensic and biomedical photographer who has worked as a crime-scene and autopsy photographer in Miami, New York and Richmond, Virginia.) As essayist Jean Dykstra writes, Strassheim's photographs are characterized by a steady, unwavering gaze, which can be as unexpectedly intimate as it is unnerving. "They are so carefully observed, and so fantastically inconclusive, that they keep us looking too.".…

Encuadernación de tapa blanda. Zustand: Muy bien. Zustand des Schutzumschlags: Bien. Para celebrar el quinto aniversario de nuestra revista trimestral, EXIT #20 Familia se ha dedicado a un tema tan comunitario y conciliador, aparentemente, como es la familia. Sin embargo, a través de sus páginas se pueden encontrar diferentes problematizaciones del tema desde la óptica artística y fotográfica, en consonancia, muchas veces, con la propia quiebra o replanteamiento de la noción de familia en la sociedad de hoy. Entidad natural y sociológica, núcleo estructurador biológico, histórico y social, con todo su colectivo de personajes y tramas internas, la familia se convierte a través de la mirada artística en un tema que fluctúa entre lo formativo y lo lúdico, y un ámbito de vivencias y experiencias que van desde el cálido bienestar hasta el amor fraternal, pero también desde la crítica socioeconómica hasta lo grotesco y parafreudiano. Genealogías y puestas en escena familiares para todos los ojos se reúnen en este EXIT #20 con el que se cumplen ya cinco años de existencia de la revista. Familia Feliz es el título del editorial de Rosa Olivares con el que se abre este número. Un título que es más un deseo que la posibilidad real del hallazgo de la felicidad en el seno familiar. La prestigiosa escritora y comisaria de exposiciones londinense, Val Williams, analiza en su artículo Mundos Fantasmas: Fotografía y Familia, la relación que entre familia y fotografía se ha desarrollado desde el inicio de la historia de la fotografía y de cómo la familia, en sus más diversas posibilidades, está presente hasta nuestros días. Por su parte, Marta Gili se pregunta ¿Qué se entiende hoy por familia? Y traza un mapa de las variaciones, cambios y situaciones transversales que hoy definen una idea amplia y cambiante de lo que es la familia en una sociedad que intenta redefinir sus mitos. Seis artistas sirven de eje central de la revista con sus respectivos portfolios. En estos dossieres, todos muy diversos, nos podemos encontrar desde las familias de clase alta, neoyorquinas y europeas, que registra Tina Barney, hasta el ocaso del sueño americano personificado en la serie Asuntos de familia de Mitch Epstein; la estética cutre la aporta el británico Richard Billingham con las instantáneas de sus padres, mientras los argentinos Sebastián Friedman, con su serie Familia y Doméstica y sus dípticos de familias empleadoras y familias de empleadas, y Oriana Eliçabe, con Madres Lesbianas como nuevas tipologías de convivencia y maternidad, evidencian una mirada más cálida y sociológica; por último, el español Enrique Marty irrumpe en la intimidad cómplice de su familia con el tono de teleserie grotesca de sus Polaroids. Además, otros artistas, algunos ya clásicos y otros más novedosos o incluso casi desconocidos, aportan diversas miradas para configurar entre todos el retrato colectivo de las mil y una caras de la familia: Darren Almond, Mario de Ayguavives, Norbert Becwar, Mira Bernabeu, Tatiana Donoso, Elliott Erwitt, Valie Export, Weng Fen, Jim Goldberg, Barbara Kruger, Sally Mann, Yurie Nagashima, Nicholas Nixon, Bill Owens, Aldo Sodoma, Angela Strassheim, Hiroshi Sugimoto, Larry Sultan y Ana Torralva. Toda una genealogía artística para recorrer los avatares sufridos por la noción de la familia de siempre hasta su representación en los tiempos actuales.…