Antonucci robert (23 Ergebnisse)

paperback. Zustand: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Hardcover. Zustand: Very Good. 1999 hardcover published without DJ. Very minor shelf wear to covers and edges. Notes and underlining on some pages.

Soft cover. Zustand: Very Good. 1st Edition. Single sheet folded three times into narrow 4to, with eight panels. An illustrated catalogue by Emil Antonucci devoted mostly to his Lax publications. A handful of cross marks in pen, the whole folded once horizontally, otherwise Very Good.

Soft cover. Zustand: Good. Tight binding, black and white pictorial, very lightly edge-rubbed wraps, slightly foxed blank pages early and late not affecting text, otherwise unmarked pages throughout. In mylar sleeve. FYI to reader: Though not noted in book, this is from the library of Wilfrid Sheed, essayist, novelist and book critic whose collection we purchased. Drawings and design by Emil Antonucci (illustrator). …

Original Wraps. Zustand: Near Fine. First Edition (Softcover issue). Near fine copy with faintest touch of edgewear -- photogr. wraps. The softcover issue. An excellent copy of "perhaps the greatest English-language poem of the century" - so according to New York Times at time of publication. Drawings and design by Emil Antonucci. Antonucci, Emil (illustrator). …

First edition, first printing Has become quite scarce. Back in this period Robert Lax was often associated with the artist Emil Antonucci in New York City. A wonderful combination between poet and artist. Tall stapled wraps with creasing to bottom edge; otherwise hard to find.

First edition, first printing Another wonderful contribution and assemblage between Robert Lax and the artist Emil Antonucci with drawings and designs by Emil Antonucci. Near fine illustrated by Emil Antonucci oversize wraps with age toning to front cover. Text itself is quite clean and bright. Has become scarce.…

First edition, first printing Another wonderful contribution and assemblage between Robert Lax and the artist Emil Antonucci with drawings and designs by Emil Antonucci. Near fine illustrated by Emil Antonucci oversize wraps with age toning to front cover. Text itself is quite clean and bright. Has become scarce.…

First edition, first printing Another wonderful contribution and assemblage between Robert Lax and the artist Emil Antonucci with drawings and designs by Emil Antonucci. Near fine illustrated by Emil Antonucci oversize wraps with age toning to front cover. Text itself is quite clean and bright. Has become scarce.…

Zustand: Very good. New York: Journeyman Press, 1970., 1970. Very good. - Small quarto, 8-3/8 inches high by 8-1/2 inches wide. Softcover, bound in stapled blue-gray wrappers featuring a title design by Antonucci. The spine is lightly faded. [32] pages printed on blue-gray stock, with full page illustrations by Emil Antonucci on the rectos. The top front corners of the covers and pages are bumped. Very good. First edition.…

Paperback. Zustand: Good for Age. No Jacket. 1st Edition. This first edition has some rubbing of the covers, worn spots. The foot of the spine section has rubbed paper covering, small tear. Interior text has yellowed with age, spotting and early foxing. Owner's name inked neat upper verso of front cover. Otherwise unmarked and tight in binding. Antonucci, Emil {drawings} / Harbutt, Charles {cover photos} (illustrator).…

Soft cover. Zustand: Very Good. 1st Edition. Superb clean and well bound copy of this collaboration between Robert Lax and Emil Antonucci for Journeyman Press from 1966. 16 pgs in stapled wraps with 7 black and white illustrations accompanying the sparse poems of Lax. Excellent copy with just the teeniest bit of rubbing to the back cover and a faint line indent to 4 pages and to some minor degree the back cover. Now in mylar. Many other Lax / Antonucci / Journeyman titles currently available.…

Soft cover. Zustand: Very Good. 1st Edition. One of the mnost charming little booklets published by Robert Lax and Emil Antonucci for their Journeyman Press. 12 pages in stapled wraps with excellent design work accompanying the minimal poems. Excellent copy overall, with some color bleed / rub on the front which appears from production ( its a purple color, so appears to have been a bleed of some kind between the titular red and blue). A tiny bit of this shows through the inside cover and then some teeny purple dots on the back, making this copy unique. No other wear, now in mylar. A few other Lax / Antonucci / Journeyman titles currently available.…

Soft cover. Zustand: Near Fine. Zürich, 1983. First edition ; text in English, with German translation on facing pages. Paperback. 16mo. 101, [2] p. ; 20 cm. Plain card wrappers in a printed paper cover that is glued on at spine, with fold-in flaps front and rear (Ger. "Englischbroschur"). Crisp copy ; rare.…

First edition. Octavo. pp [8]. Wrappers. The title words are given different sequences and geometric accompaniments. Could be categorised as concrete poetry. One of 250 copies.Fine. Scarce.

First edition, first printing SIGNED [Cid Corman]. Has become quite scarce. Back in this period Robert Lax was often associated with the artist Emil Antonucci in New York City. A wonderful combination between poet and artist. A quite scarce Robert Lax title issued in tall stapled wraps with age tone to cover. Text itself is bright throughout. From the library of poet, translator and editor of Origin Cid Corman with his small bookplate signature to the back cover. Corman and Lax were contemporaries and associates.…

No Binding. Zustand: Near Fine. 1st Edition. Book. 6pp book in printed wraps, black & white printing. Drawings and design by Emil Antonucci. 202mm square. As ever stylish minimal poetry/ artist's book. Condition: very good.Very slight rust to staples, minor mark to cover. mark to the side of text on centre page.…

Slight toning to edge of decorated wrappers else VG bright tight copy in decorated wrappers. 8pp. Artists book with title words given different sequences and Geometric Accompaniments.

Zustand: Very good. New York: Journeyman Books, 1966., 1966. Very good. - Tall thin folio, 14 inches high by 2-3/4 inches wide. Softcover, bound in light brown stapled stiff wraps decorated with an arrow in black on the front cover. 12 pages printed on stiff light brown stock, with the text decorated by arrows on the facing pages. The corners are slightly bumped. Near fine. Concrete poetry by Robert Lax with designs & drawings by Emil Antonucci. RARE.…

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. Z : 103 Seiten/pages, b/w illustrations.

Saddle-stitched. Octavo, unpaged. In Very Good minus condition. Spine is staple bound. Price unclipped: "$2.00". Cover is grey , black print, illustration; light peripheral toning. Illustrated: b&w drawings. NOTE: Shelved in Netdesk office, Case #2 - New Ephemera Box #5. 1406573. FP New Rockville Stock.…

First edition of 250. Saddle-stapled 8vo printed on heavy card stock. Unpaginated (12 pp.) A remarkable work of concrete poetry by Robert Lax illustrated with abstract geometric artwork by Emil Antonucci who also designed the book. An intimate and collaborative artists' book between these two artists. Trace amounts of toning along cover extremities, bumps to corners, and a small faint area of ink offset from the printing process at top of inside back cover. Else near fine.…

POOR.OLD.TIRED.HORSE. Numbers 9-25,1961 -1967 - all original. 17 issues in total. Edited by Ian Hamilton Finlay, POOR.OLD.TIRED.HORSE. is seen as the most important concrete poetry journal of the 1960s in Britain. The journal title comes from Robert Creeley's poem "Please" (1959). The early numbers are black & white, but later numbers involve colour (often silkscreen) illustrations as the concrete poetry movement blossomed. It has become highly influential for both poets and artists (see for example the ICA group exhibition POOR.OLD.TIRED.HORSE. of 2009). Issue no. 10 is 'a concrete number', including Augusto de Campos, Eugen Gomringer, Dom Sylvester Houédard and Edwin Morgan. Issue no. 12 is a 'Visual Semiotic Concrete' edition. Issue no. 18 is a collaboration, with writings and script by Ad Reinhardt and drawings and layout by Bridget Riley. Issue no. 25 the final issue is dedicated to one-word poems. Contributors include : Ian Hamilton Finlay, Pete Brown, Anselm Hollo, Lorine Neidecker, Gael Turnbull, Marvin Malone, Cid Corman, Jerome Rothenberg, Guillaume Appolinaire, Larry Eigner, Lawrence Ferlinghetti, Edwin Morgan, Cesar Lopez Nunez, Jonathan Williams, Tom McGrath, Spike Hawkins, Georg Trakl, Robert Garioch, Ernst Jandl, Paul de Vree, Robert Creeley, Vladimir Mayokovsky, Yury Pantratov, Libby Houston, Eugen Gomringer, Michael Shayer, Mary Ellen Solt, Peter Stitt, Dom Sylvester Houédard, Peter Lyle, Margot Sandemann, Heinz Gappmayr, Pedro Xisto, Hamish MacLaren, George Macklay Brown, Eli Seigel, Pierre Albert-Birot, Francis Ponge, Edward Wright, Emil Antonucci, Charles Biederman, Jim Nicholson, Ronald Johnson, Bernard Kops, Larry Eigner, Robert Creeley, Augusto de Campos, Edgard Braga, Bridget Riley, Ad Reinhardt, Robert Lax, Jeffrey Steele, Kenelm Cox, Stephen Bann, Hansjorg Mayer, Edward Lucie-Smith, Alan Riddell, Astrid Gillis, Aram Saroyan et al. Ref: IN NUMBERS (PPP Editions, Switzerland, 2009) pages 9, 18, 314-321. Also exhibited in the show of that name, ICA, 2012. Murray pages 2-3. Condition: most issues near fine, some very good with slight bruising to edges (see image of issues 9, 16, 17, 19, 20, 22, 25 showing edgewear/handling marks).…