Aranke sampada (99 Ergebnisse)
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The Everywhere Studio
Gartenfeld, Alex [Editor]; Moreno, Gean [Editor]; Seidel, Stephanie [Editor]; Aranke, Sampada [Contributor]; Buchmann, Sabeth [Contributor];
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hardcover. Zustand: New. Brand New (2017).
Art Journal - Winter 2020 (Vol. 79, No. 4)
Jordana Moore Saggese, Sarah Louise Cowan, Kim Bobier, Sampada Aranke, Leigh Raiford, et al
Verlag: Taylor & Francis Group, Philadelphia, PA, 2020
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- Magazin//Zeitschrift
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In den WarenkorbSoft cover. Zustand: Near Fine. 143 pgs. Includes artists' projects by Allison Janae Hamilton & Chanell Stone, articles on Howardena Pindell, Glen Ligon's Mllion Man March series, and more. Near fine+, with trace wear.
A Site of Struggle: American Art against Anti-Black Violence
Dees, Janet [Editor]; Aranke, Sampada [Contributor]; Baker, Courtney R. [Contributor]; Copeland, Huey [Contributor]; Dees, Janet [Contributor]; Harris, Leslie [Contributor]; Ward, LaCharles [Contributor];
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hardcover. Zustand: As New. Brand new item. Sealed in plastic. Gift quality condition. Our feedback says it all! Feel confident when you order from Hilltop Book Shop.
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Paperback. Zustand: As New. Text clean and tight; The Visual Arts Of Africa And Its Diasporas; 8vo 8" - 9" tall; 232 pages.
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paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.
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Paperback. Zustand: New. In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred Hampton, and George Jackson to construct a visual histor…y of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton's afterlife through visual meditations on his murder. Printmaking and political posters surrounding Jackson's murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy.
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Made in L.a. 2025
Harden, Essence (EDT); Pobocha, Paulina (EDT); Aldridge, Taylor (CON); Aranke, Sampada (CON); Bianconi, Giampaolo (CON)
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Made in L.a. 2025
Harden, Essence (EDT); Pobocha, Paulina (EDT); Aldridge, Taylor (CON); Aranke, Sampada (CON); Bianconi, Giampaolo (CON)
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Zustand: As New. Unread book in perfect condition.
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Paperback. Zustand: new. Paperback. In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred Hampton, and George Jackson to construct a vi…sual history of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton's afterlife through visual meditations on his murder. Printmaking and political posters surrounding Jackson's murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy. Examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil Bobby Hutton, Fred Hampton, and George Jackson to construct a visual history of the 1960s and 1970s Black Power era. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Site of Struggle : American Art Against Anti-black Violence
Dees, Janet (EDT); Aranke, Sampada (CON); Baker, Courtney R. (CON); Copeland, Huey (CON); Dees, Janet (CON)
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A Site of Struggle: American Art Against Anti-Black Violence Format: Hardcover
Dees, Janet ; Aranke, Sampada ; Baker, Courtney R ; Copeland, Huey ; Dees, Janet ; Harris, Leslie ; Ward, Lacharles
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Site of Struggle : American Art Against Anti-black Violence
Dees, Janet (EDT); Aranke, Sampada (CON); Baker, Courtney R. (CON); Copeland, Huey (CON); Dees, Janet (CON)
- Hardcover
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A Site of Struggle: American Art Against Anti-Black Violence Format: Hardcover
Dees, Janet ; Aranke, Sampada ; Baker, Courtney R ; Copeland, Huey ; Dees, Janet ; Harris, Leslie ; Ward, Lacharles
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Paperback. Zustand: Brand New. 208 pages. 9.00x6.00x0.50 inches. In Stock.
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Paperback. Zustand: New. In Death's Futurity Sampada Aranke examines the importance of representations of death to Black liberation. Aranke analyzes posters, photographs, journalism, and films that focus on the murders of Black Panther Party members Lil' Bobby Hutton, Fred Hampton, and George Jackson to construct a visual histor…y of the 1960s and 1970s Black Power era. She shows how Black radicals used these murders to engage in political action that imagined Black futurity from the position of death. Photographs of Hutton that appeared on flyers and posters called attention to the condition of his death while the 1971 documentary The Murder of Fred Hampton enabled the consideration of Hampton's afterlife through visual meditations on his murder. Printmaking and political posters surrounding Jackson's murder marked the transition from Black Power to the prison abolition movement in ways that highlighted the relationship between surveillance, policing, incarceration, and anti-Black violence. By foregrounding the photographed, collaged, filmed, and drawn Black body, Aranke demonstrates that corporeality and corpses are crucial to the efforts to shape visions of a Black future free from white supremacy.
- Softcover
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Zustand: New. 2023. Paperback. . . . . .
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- Hardcover
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Hardback. Zustand: New. An important examination of how artists have grappled with anti-Black violence and its representations from the late nineteenth century to the presentFrom the horrors of slavery and lynching to the violent suppression of civil rights struggles and recent acts of police brutality, targeted violence of Blac…k lives has been an ever-present fact in American history. Images of African American suffering and death have constituted an enduring part of the nation's cultural landscape, and the development of creative counterpoints to these images has been an ongoing concern for American artists. Investigating the conceptual and aesthetic strategies artists have used to engage with the issue of anti-Black violence, A Site of Struggle highlights diverse works of art and ephemera from the post-Reconstruction period of the late nineteenth century to the founding of the Black Lives Matter movement.Foregrounding the perspectives of African American cultural producers, this book examines three major questions: How are graphic portrayals of violence enlisted to protest horrors like lynchings? How have artists employed conceptual strategies and varying degrees of abstraction to avoid literal representations of violence? And how do artists explore violence through subtler engagements with the Black body? Ultimately, A Site of Struggle highlights the ubiquity and impact of anti-Black violence by focusing on its depictions; by examining how art has been used to protest, process, mourn, and memorialize this violence; and by providing the historical context for contemporary debates about its representation. The book's essays offer new perspectives from established and emerging scholars working in the fields of African American studies, art history, communications, and history.Contributors include Sampada Aranke, Courtney Baker, Huey Copeland, Janet Dees, Leslie Harris, and LaCharles Ward.Published in association with the Mary and Leigh Block Museum of Art, Northwestern UniversityExhibition ScheduleThe Mary and Leigh Block Museum of Art, Northwestern UniversityJanuary 26-July 10, 2022Montgomery Museum of Fine Arts, Montgomery, AlabamaAugust 13-November 6, 2022.
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Hardcover. Zustand: new. Hardcover. The first major exhibition and catalog dedicated to the work of groundbreaking painter and filmmaker Mike Henderson. Mike Henderson (b. 1944) is a painter, filmmaker, and professor emeritus at University of California, Davis. Published to accompany his first museum retrospective, this catalog…surveys Hendersons paintings and films from 1965 to 1985, which are rooted as much in Francisco Goyas horror of humanity as in Sun Ras hope for a new Black future. In the work of that time, Henderson depicted scenes of racial violence, heteromasculinity, and abject social conditions with force and unflinching directness. In 1985, a studio fire damaged much of Hendersons output from the previous two decades, obscuring vital ideas about a time of tumult and change, often referred to as a world on fire. Mike Henderson: Before the Fire, 19651985 addresses Hendersons multifaceted art of that period, which examined and offered new ideas about Black life in the visual languages of protest, Afrofuturism, and surrealism. Published in association with the Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis Exhibition dates: Jan Shrem and Maria Manetti Shrem Museum of Art January 29June 25, 2023 "A monograph of paintings and films by Mike Henderson accompanying the artist's major retrospective exhibition "Mike Henderson: Before the Fire, 1965-1985"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardback. Zustand: New. The first major exhibition and catalog dedicated to the work of groundbreaking painter and filmmaker Mike Henderson. Mike Henderson (b. 1944) is a painter, filmmaker, and professor emeritus at University of California, Davis. Published to accompany his first museum retrospective, this catalog surveys He…nderson's paintings and films from 1965 to 1985, which are rooted as much in Francisco Goya's horror of humanity as in Sun Ra's hope for a new Black future. In the work of that time, Henderson depicted scenes of racial violence, heteromasculinity, and abject social conditions with force and unflinching directness. In 1985, a studio fire damaged much of Henderson's output from the previous two decades, obscuring vital ideas about a time of tumult and change, often referred to as a world on fire. Mike Henderson: Before the Fire, 1965-1985 addresses Henderson's multifaceted art of that period, which examined and offered new ideas about Black life in the visual languages of protest, Afrofuturism, and surrealism. Published in association with the Jan Shrem and Maria Manetti Shrem Museum of Art, University of California, Davis Exhibition dates: Jan Shrem and Maria Manetti Shrem Museum of Art January 29-June 25, 2023.
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Zustand: New. In English.
