ascott roy (102 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Acceptable. Satisfaction 100% guaranteed.

Hardcover. Zustand: Used Very Good. No Jacket. L Firefly sells new and used books through our store front. We try to add a detailed description to as many titles as possible. If you have questions regarding this title, please contact us. Photos available on request.

Zustand: Very Good. 2003. hardcover. Good clean copy with minor shelfwear. DJ has some minor nicks and tears, remains very good. . . . . Books ship from the US and Ireland.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. 2003. hardcover. Good clean copy with minor shelfwear. DJ has some minor nicks and tears, remains very good. . . . .

Zustand: Good. 1st. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: As New. Unread book in perfect condition.

inb. Zustand: Fine.

Paperback. Zustand: Acceptable. Unmarked text. Some foxing on back cover. Title written on spine. Black and white images. Proceedings of the First International CAiiA Research Conference held July 1997 at the University of Wales College, Newport. Unpaginated. Directory of participants. Illustrated. Participants include Susann Ackers, Zoe Beloff, Luc Courchesne, Char Davies, Johanna Drucker, Toni Dove, Oliver Grau, Amy Ione, Bill Seaman, Victoria Vesna, Norma C. Wagner, and others.

Spiral Bound. Zustand: Good. Unmarked text in papers. Front end page has significant notes in ink. Worn edges. B/W illustrations. Proceedings of the Third International CAiiA Research Conference held August 2000 at the University of Wales College, Newport. Participants include Donna Cox, Nina Czegledy, Char Davies, Liane Gabora, Pamela Jennings, Eduardo Kac, Ted Krueger, Melinda Rackham, Christa Sommerer, Louise K. Wilson and and others. Also includes loose color brochure measuring 24x8 inches, folded into 6 panels, 3 on each side, with the program and registration information.

Paperback. Zustand: New. We are in the middle of a process of complex cultural transformation, but to what extent is this matched by the transformation in the way we see ourselves? This book covers a wide-ranging discussion on the interaction between Art, Science and Technology, and goes on to challenge assumptions about 'reality'. Loosely themed around four key elements of Mind, Body, Art and Values, the editor leads the investigation through the familiar territories of interactive media and artificial life, combining them with new and ancient ideas about creativity and personal identity.The contributing authors number over sixty highly respected practitioners and theorists in art and science, bringing to the subject a stimulating diversity of approach and a rich background of knowledge. Art has long been preoccupied with questions involving the mind and consciousness. But it is fast finding that new technology, creatively applied, brings new possibilities to bear. This volume provides a strong foundation for the debates that are sure to follow in this field.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Good. Softcover flexiband with DVD in sealed pocket in rear.

paperback. Zustand: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: new. Paperback. We are in the middle of a process of complex cultural transformation, but to what extent is this matched by the transformation in the way we see ourselves? This book covers a wide-ranging discussion on the interaction between Art, Science and Technology, and goes on to challenge assumptions about 'reality'. Loosely themed around four key elements of Mind, Body, Art and Values, the editor leads the investigation through the familiar territories of interactive media and artificial life, combining them with new and ancient ideas about creativity and personal identity.The contributing authors number over sixty highly respected practitioners and theorists in art and science, bringing to the subject a stimulating diversity of approach and a rich background of knowledge. Art has long been preoccupied with questions involving the mind and consciousness. But it is fast finding that new technology, creatively applied, brings new possibilities to bear. This volume provides a strong foundation for the debates that are sure to follow in this field. This discussion on the interaction between art, science and technology works through the territories of interactive media and artificial life, combining with them ideas about creativity and personal identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781841500515.

Zustand: New.

Paperback. Zustand: New. Long before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and theorist, coined the term 'telematic art' to describe the use of online computer networks as an artistic medium. In "Telematic Embrace" Edward A. Shanken gathers, for the first time, an impressive compilation of more than three decades of Ascott's philosophies on aesthetics, interactivity, and the sense of self and community in the telematic world of cyberspace. This book explores Ascott's ideas on how networked communication has shaped behavior and consciousness within and beyond the realm of what is conventionally defined as art. Telematics, a powerful marriage of computers and telecommunication, made technologies we now take for granted - such as e-mail and automated teller machines (ATMs) - part of our daily life, and made art a more interactive form of expression. Telematic art challenges traditional relationships between artist, artwork, and audience by allowing nonlocal audiences to influence the emergent qualities of the artwork, which consists of the ebb and flow of electronic information.These essays constitute a unique archaeology of ideas, tracing Ascott's meditations on the formation of consciousness through the intertwined cultural histories of art and technology from the 1960s to the present. Shanken's introduction situates Ascott's work within a history of ideas in art, technology, and philosophy. Given the increasing role of the Internet and the World Wide Web in the creation of commerce and community at the dawn of this new millennium, scholars, students, laypeople, policymakers, and artists will find this collection informative and thought-provoking.

Paperback. Zustand: New. Long before e-mail and the Internet permeated society, Roy Ascott, a pioneering British artist and theorist, coined the term 'telematic art' to describe the use of online computer networks as an artistic medium. In "Telematic Embrace" Edward A. Shanken gathers, for the first time, an impressive compilation of more than three decades of Ascott's philosophies on aesthetics, interactivity, and the sense of self and community in the telematic world of cyberspace. This book explores Ascott's ideas on how networked communication has shaped behavior and consciousness within and beyond the realm of what is conventionally defined as art. Telematics, a powerful marriage of computers and telecommunication, made technologies we now take for granted - such as e-mail and automated teller machines (ATMs) - part of our daily life, and made art a more interactive form of expression. Telematic art challenges traditional relationships between artist, artwork, and audience by allowing nonlocal audiences to influence the emergent qualities of the artwork, which consists of the ebb and flow of electronic information.These essays constitute a unique archaeology of ideas, tracing Ascott's meditations on the formation of consciousness through the intertwined cultural histories of art and technology from the 1960s to the present. Shanken's introduction situates Ascott's work within a history of ideas in art, technology, and philosophy. Given the increasing role of the Internet and the World Wide Web in the creation of commerce and community at the dawn of this new millennium, scholars, students, laypeople, policymakers, and artists will find this collection informative and thought-provoking.

Zustand: New. Long before e-mail and the Internet permeated society, Roy Ascott, a British artist and theorist, coined the term 'telematic art' to describe the use of online computer networks as an artistic medium. This book explores Ascott's ideas on how networked communication has shaped behavior and consciousness within and beyond the realm of art. Editor(s): Shanken, Edward A. Num Pages: 439 pages, 44 b/w photographs, 19 line illustrations. BIC Classification: AB. Category: (P) Professional & Vocational. Dimension: 228 x 151 x 30. Weight in Grams: 620. . 2007. 1st Edition. Paperback. . . . .

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Used; Good. Ex-Library Copy **SHIPPED FROM UK** We believe you will be completely satisfied with our quick and reliable service. All orders are dispatched as swiftly as possible! Buy with confidence! Greener Books.

Zustand: New. Telematic Embrace: Visionary Theories of Art, Technology, and Consciousness (Paperback or Softback).

Hard Cover. Zustand: Good. No Jacket. First Edition. Article from, and representative of, a 1998 conference held in Wales, "Consciousness Reframed: art and consciousness in the post-biological era"; examining intersections of technology, knowledge, and art, with sections on Mind, Body, Art, and Values. Hardcover, as pictured; no jacket, likely as issued. Light wear, but several pages in the introduction underlined in black ink - no other markings noted; corners bumped. [6], 314 pages; notes, references, b/w figures & illustrations. Size: Large Octavo.

Zustand: As New. Unread book in perfect condition.

Zustand: New.