Babbitt milton (44 Ergebnisse)
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Problems of Modern Music
Paul Henry Lang (editor); Paul Fromm; Roger Sessions; Edward T. Cone; Elliott Carter; Vladimir Ussachevsky; Ernst Krenek; Allen Forte; Milton Babbitt
Sprache: Englisch
Verlag: W. W. Norton and Co., New York, 1960
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In den WarenkorbSoft cover. Zustand: Very Good. A ground-breaking early set of essays addressing new directions in music just after WWII. CONTENTS: Introduction; The Princeton Seminar; Composer Problems and Issues; Analysis Today; American Composer Shop Talk; Piece for Tape Recorder; Serial Techniques; Bartok's "Serial" Composition; Twelve-Tone… Invariants. 121 pages. CONDITION: A solid, square, unmarked VERY GOOD PLUS copy with light shelf-wear and a single small cover-corner-crease. This attractive copy is now in a clear, protective polypropylene bag for safe storage and transport.
Perspectives on Contemporary Music Theory:
Edited by Benjamin Boretz and Edward Cone; Contributing authors: Milton Babbitt, Arthur Berger, Benjamin Boretz, Pierre Boulez, Edward Cone, Richard Martin, Henri Pousseur, J.K. Randall, David Lewin, Karlheinz Stockhausen, Peter Westergaard, and Godfrey Winham.
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Softcover. Zustand: Good condition. xii, 285 pp. Perspectives of New Music Series. Softcover. LCC: 72269.
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Trade Paperback. Zustand: Near Fine. Revised Ed. Book is in excellent condition. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. 284 pages with articles by Robert Craft, Milton Babbitt, David Lewin, Glenn E. Watkins, Boris Schwarz, Arthu…r Berger, Claudio Spies, writing on such things as hexachord levels, Schoenberg and the organ, Schoenberg in Soviet Russia, Pitch organization in Stravinsky, etc. Keywords: Hexachord levels, Schoenberg and the organ, Arnol Schoenberg in Soviet Russia, Pitch organization in Stravinsky.
Perspectives in Musicology:
Edited by Barry Brook, Edward Downes, and Sherman van Solkema; Contributing authors: Gustave Reese, Friedrich Blume, Vincent Duckles, Francois Lesure, Emanuel Winternitz, Edward Lowinsky, H.C. Robbins Landon, Milton Babbitt, Paul Henry Lang, Gilbert Chase, Georg Knepler, Luiz Heitor Correa de Azevedo, J.H. Kwabena Nketia, Mantle Hood, Frank Harrison, and Barry Brook.
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Softcover. The Norton Library. xvi, 365 pp. Softcover. LCC: 78103964 Good condition; on covers: light yellowing, and touches of wear on edges; light fading on pages.
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Sprache: Englisch
Verlag: University of Wisconsin Press (1987), Madison and London, 1987
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Hardcover. Zustand: Fine. No Dust Jacket. First Edition; First Printing. Book is as new. Lacking DJ. Purple cloth cover clean and unworn, corners sharp. No ownership or other marks. Not a remainder. ; Madison Lectures; 10 X 7 X 0.80 inches; 205 pages.
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Softcover. Zustand: As New. Pulitzer Prize-winning composer Milton Babbitt is regarded as a leading figure in post-World War II American music, known not only for his powerful compositions but also for his engaging teaching and lecturing style. In 1983, he delivered a series of lectures at the University of Wisconsin-Madison, su…mmarizing key musical insights that have shaped his teaching over four decades. This collection presents a comprehensive overview of his thoughts, particularly focusing on the twelve-tone tradition with which he is closely associated. Babbitt explores various aspects of this tradition, addressing specific compositional challenges and evaluating his own role within it. He tackles controversial topics in twentieth-century music, including serialism, atonality, and the listener's responsibility, as well as the role of music in academia. His presentations were tailored for diverse audiences, making his ideas accessible and engaging. This volume captures the brilliance and spontaneity of his spoken language. At the time of publication, Babbitt was Professor Emeritus at Princeton University, having received numerous accolades throughout his career, including the Pulitzer Prize in 1982 and a MacArthur Fellowship in 1986. He was also a member of the National Institute of Arts and Letters and a Fellow of the American Academy of Arts and Sciences.
Stravinsky Retrospectives:
Edited by Ethan Haimo and Paul Johnson; Contributing authors: William Austin, Milton Babbitt, Ethan Haimo, Paul Johnson, Claudio Spies, Joseph Straus, and Richard Taruskin.
Sprache: Englisch
Verlag: University of Nebraska Pres, Lincoln, Nebraska / London, England, 1987
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Zustand: Very good condition. xii, 203 pp.
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Verlag: University of Wisconsin Press, Madison, 1987
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In den WarenkorbHardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. 4to. 205pp. First printing. Purple cloth boards show light bumping at bottom corners. Faint dust soiling to top of textblock, some light sunning to rear board. Unclipped (unpriced) jacket shows rubbing to the front panel, light edgewear, and some… browning to the rear panel. Consists of six lectures delivered as part of the Madison Lectures series, as editited by Stephen Dembski and Joseph N. Straus.
Perspectives in Musicology:
Edited by Barry Brook, Edward Downes, and Sherman Van Solkema; Introduction and Bibliography by Barry Brook; Participating Lecturers: Luiz Heitor Correa de Azevedo, Milton Babbitt, Friedrich Blume, Gilbert Chase, Vincent Duckles, Frank Harrison, Mantle Hood, Georg Knepler, Howard Chandler Robbins Landon, Paul Henry Lang, Francoise Lesure, Edward Lowinsky, J.H. Kwabena Nketia, Gustave Reese, and Emanuel Winternitz.
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Softcover. Zustand: Good condition. Norton Library. The Inaugural Lectures of the Ph.D. Program in Music at the City University of New York. xvi, 365 pp. Softcover. LCC: 78103964.
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Verlag: Madison, Wis. : University of Wisconsin Press, 1987, 1987
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In den Warenkorb, Babbitt, Milton, 1916-. Milton Babbitt : words about music. Edited by Stephen Dembski and Joseph N. Straus. Madison, Wis. : University of Wisconsin Press, 1987, stated First Printing, ix, 205pp., very good dust-jacket, very good purple cloth. The Madison lectures. 9780299107901 ISBN 0299107906.
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Verlag: C.F.Peters, New York, 1991
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In den WarenkorbSoft cover. Zustand: Near Fine. Edition Peters No.67555. Previous owners name inside front cover, otherwise a Fine unmarked copy of the Playing Score.19 pages. Shipping Category: Sheet Music.
Verlag: Nonesuch
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In den WarenkorbZustand: As New. LP and Sleeve in like new condition. Album cover is slightly faded due to aging. 1974 Nonesuch Records, a Division of Warner Communications Inc. Inner sleeve included. Note: This LP is listed as a paperback. It is not.
Sprache: Englisch
Verlag: Massachusetts Institute of Technology Press, Cambridge, Massachusetts / London, England, 1979
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Hardcover. Zustand des Schutzumschlags: Good. LCC: 78322 Very good condition; on covers: slight color fading on spine and on extreme edges.
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Verlag: Peters
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In den WarenkorbPaperback. Zustand: Good. Copyright 1987. Ringbound facsimile of MS. Some wear to edges. Only some of my sheet music and scores are listed on ABE, visit my website to view all of my stock.
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Zustand: New. 2012. Paperback. . . . . .
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Zustand: New.
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. Pen markings on first blank page, otherwise an overall unmarked and undamaged copy with a worn dust jacket. Category: Literature Studies.
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Collected Essays of Milton Babbitt
Babbitt, Milton; Peles, Stephen (EDT); Dembski, Stephen (EDT); Mead, Andrew (EDT); Straus, Joseph N. (EDT)
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Paperback. Zustand: New. Like his compositions, Milton Babbitt's writings about music have exerted an extraordinary influence on postwar music and thinking about music. In essays and public addresses spanning fifty years, Babbitt has grappled profoundly with central questions in the composition and apprehension of music. These w…ritings range from personal memoirs and critical reviews to closely reasoned metatheoretical speculations and technical exegesis. In the history of music theory, there has been only a small handful of figures who have produced work of comparable stature. Taken as a whole, Babbitt's writings are not only an invaluable testimony to his thinking--a priceless primary source for the intellectual and cultural history of the second half of the twentieth century--but also a remarkable achievement in their own right. Prior to this collection, Babbitt's writings were scattered through a wide variety of journals, books, and magazines--many hard to find and some unavailable--and often contained typographical errors and editorial corruptions of various kinds. This volume of almost fifty pieces gathers, corrects, and annotates virtually everything of significance that Babbitt has written.The result is complete, authoritative, and fully accessible--the definitive source of Babbitt's influential ideas.
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Soft cover. Zustand: Fine. 1st Edition. 1 score (214 pages) ; 28 cm ; ISBN 9780073325026, 0073325023 ; OCLC 607092944 ; Spiral-bound collection of scores ; Contents: 1. Claude Debussy (1862-1918), "La cathédrale engloutie," no. 10 from Preludes, book I(1910)2. Claude Debussy, "Canope," no. 10 from Preludes, book II (1910-13)3. C…laude Debussy, "Sarabande," from Pour le piano (1894-1901)4. Igor Stravinsky (1882-1971), Introduction to Part I, from The Rite of Spring (1913)5. Béla Bartók (1881-1945), "Song of the Harvest," no. 33 from Forty-four Violin Duets (1931)6. Béla Bartók, "Whole-tone Scale," no. 136 from Mikrokosmos, vol. 5 (1932-39)7. Béla Bartók, "Diminished Fifth," no. 101 from Mikrokosmos, vol. 4 (1932-39)8. Béla Bartók, "From the Island of Bali," no 109 from Mikrokosmos, vol 4 (1932-39)9. Anton Webern (1883-1945), Five Movements for String Quartet, op. 5, II (1909)10. Anton Webern, Five Movements For String Quartet, op. 5, III (1909)11. Arnold Schoenberg (1874-1951), "Angst und Hoffen," no. 7 from Book of The Hanging Gardens, op. 15 (1909)12. Alban Berg (1885-1935), "Schlafend trägt man mich," no. 2 from Four Songs, op. 2 (1908-1909)13. Igor Stravinsky (1882-1971), Agnus Dei, from Mass (1944-48)14. Paul Hindemith (1895-1963), Interlude in G, from Ludus tonalis (1942)15. Paul Hindemith, "Vom Tode Mariä I," from Das Marienleben (1923)16. Charles Ives (1874-1954), "The Things Our Fathers Loved," from 114 Songs (ca. 1917)17. Charles Ives, "The Cage," from 114 Songs (1906)18. Ruth Crawford Seeger (1901-1953), Diaphonic Suite no. 4, III (1930)19. Luigi Dallapiccola (1904-1975), "Contrapunctus secundus," no. 5 from Quaderno musicale di Annalibera (1952-53)20. Luigi Dallapiccola, "Quartina," no. 11 from Quaderno musicale di Annalibera (1952-53)21. Anton Webern (1883-1945), "Wie bin ich froh," no. 1 from Drei Lieder, op. 25 (1935)22. Anton Webern, Piano Variations, op. 27, II (1935-36)23. Arnold Schoenberg (1874-1951), Klavierstück, op. 33a (1929)24. Igor Stravinsky (1882-1971), "Lacrimosa," from Requiem Canticles (1966)25. Pierre Boulez (b. 1925), Structures Ia, mm. 1-39 (1952)26. Milton Babbitt (b. 1916), Composition for Twelve Instruments, mm. 1-26 (1948)27. Olivier Messiaen (1908-1992), Turangalîla Symphony, Introduction, reh. 12-22 (1946-48)28. Elliott Carter (b. 1908), String Quartet no. 2, I, mm. 35-134 (1959)29. Karlheinz Stockhausen (b. 1928), Stimmung (three pages: Formschema, one sample page of Magische Namen, and one sample page of Modelle) (1968)30. John Cage (1912-1992), Winter Music (one page) (1957)31. Witold Lutoslawski (1913-1994), Jeux vénitiens, I (1960-61)32. György Ligeti (1923-2006), Ramifications, mm. 1-44 (1968-69)33. George Rochberg (1918-2005), Music for the Magic Theater, reh. 1-17 (1965)34. Luciano Berio (1925-2003), Sinfonia, III ("In ruhig fliessender Bewegung"), mm. 1-120 (to reh. F) (1968)35. George Crumb (b. 1923), "Dream Images (Love-Death Music)," no. 11 from Makrokosmos, vol. 1 (1972-73)36. Steve Reich (b. 1936), Violin Phase (1967)37. Louis Andriessen (b. 1939), De Staat, mm. 1-161 (1972-76)38. Arvo Pärt (b. 1935), Cantus (1977)39. Augusta Read Thomas (b. 1964), Spring Song, mm. 1-41 (1995)40. Thomas Adès (b. 1971), Asyla, II, mm. 1-43 (1997)41. Kaija Saariaho (b. 1952), Ariel's Hail (2000) ; Designed for use with Understanding Post-tonal music by Miguel Roig-Francoli ; Miguel Ángel Roig-Francolí (born 1953) is a Spanish/American composer, music theorist, and pedagogue. His 1980 Cinco piezas para orquesta (Five Pieces for Orchestra), commissioned by Radio Nacional de España and written in a postmodern, neotonal style, won first prize in the National Composition Competition of the Spanish Jeunesses Musicales in 1981 and second prize at the UNESCO International Rostrum of Composers in 1982, and continues to be widely performed in Spain. ; This collection of 41 selections and excerpts represents a wide range of music from the 20th Century. Designed for use with Understanding Post-Tonal Music by Miguel Roig-Francoli; FINE. Sheet music.
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Collected Essays of Milton Babbitt
Babbitt, Milton; Peles, Stephen (EDT); Dembski, Stephen (EDT); Mead, Andrew (EDT); Straus, Joseph N. (EDT)
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Noten. Klavier. Spielpartitur 4 S. .
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Collected Essays of Milton Babbitt
Babbitt, Milton; Peles, Stephen (EDT); Dembski, Stephen (EDT); Mead, Andrew (EDT); Straus, Joseph N. (EDT)
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Collected Essays of Milton Babbitt
Babbitt, Milton; Peles, Stephen (EDT); Dembski, Stephen (EDT); Mead, Andrew (EDT); Straus, Joseph N. (EDT)
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Zustand: As New. Unread book in perfect condition.
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Verlag: New York. Nonesuch Records., 1973
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In den Warenkorb31,5 x 31,5 cm. OSchallplatte. OKarton-Cover. Cover nachgedunkelt und an den Kanten etwas berieben, kleiner Besitzaufkleber am Backcover (Good), Schallplatte in gutem Zustand (Very Good). Ordentliches Exemplar. Nonesuch H-71280.
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Paperback. Zustand: Brand New. 517 pages. 9.00x6.00x1.25 inches. In Stock.
