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Hardcover. Zustand: Excellent condition. Zustand des Schutzumschlags: dj. xxiv, 552 pp. Published in cooperation with the Lutheran World Federation, Department of Theology and Studies. Dustjacket. LCC: 9716506.

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Paperback. Zustand: Very Good. Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear (0) (Studies in German Literature, Linguistics, and Culture) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

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Paperback or Softback. Zustand: New. Fritz Lang's Metropolis: Cinematic Visions of Technology and Fear. Book.

Paperback. Zustand: New. A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides abroad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introductionthat furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews thesolutions to these problemsas proposed by later generations of critics.The first part of the book proper includes selected contemporaryreviews, commentary by Fritz Lang and others involved in the making ofthe film, and extracts from Thea von Harbou's original novel. In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appealto students of German, film, cultural and intellectual history, and social theory. Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received hisPh.D. from Cambridge on Arthur Schnitzler and film.

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Zustand: New. 2002. Paperback. Fritz Lang's classic 1927 film, "Metropolis" became an icon for the complexities of Weimar culture. This work provides a range of materials and resources for the study of this film, including critical essays and contributions. It also presents a two-part introduction dealing with the genesis, production, and contemporary reception of the film. Editor(s): Minden, Michael; Bachmann, Holger. Series: Studies in German Literature, Linguistics, and Culture. Num Pages: 344 pages, 1, black & white illustrations. BIC Classification: APFA; DSBH. Category: (P) Professional & Vocational. Dimension: 162 x 228 x 19. Weight in Grams: 504. Cinematic Visions of Technology and Fear. Series: Studies in German Literature, Linguistics, and Culture. 344 pages, 1, black & white illustrations. Editor(s): Minden, Michael; Bachmann, Holger. Fritz Lang's classic 1927 film, "Metropolis" became an icon for the complexities of Weimar culture. This work provides a range of materials and resources for the study of this film, including critical essays and contributions. It also presents a two-part introduction dealing with the genesis, production, and contemporary reception of the film. Cateogry: (P) Professional & Vocational. BIC Classification: APFA; DSBH. Dimension: 162 x 228 x 19. Weight: 504. . . . . .

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Paperback. Zustand: New. A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides abroad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introductionthat furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews thesolutions to these problemsas proposed by later generations of critics.The first part of the book proper includes selected contemporaryreviews, commentary by Fritz Lang and others involved in the making ofthe film, and extracts from Thea von Harbou's original novel. In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appealto students of German, film, cultural and intellectual history, and social theory. Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received hisPh.D. from Cambridge on Arthur Schnitzler and film.

Paperback. Zustand: new. Paperback. Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides a broad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introduction that furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews the solutions to these problems as proposed by later generations of critics. The first part of the book proper includes selected contemporary reviews, commentary by Fritz Lang and others involved in the making of the film, and extracts from Thea von Harbou's original novel.In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appeal to students of German, film, cultural and intellectual history, and social theory.Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received his Ph.D. from Cambridge on Arthur Schnitzler and film. A collection of essays on the German expressionist film, Metropolis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Zustand: New.

Zustand: New. 2002. Paperback. Fritz Lang's classic 1927 film, "Metropolis" became an icon for the complexities of Weimar culture. This work provides a range of materials and resources for the study of this film, including critical essays and contributions. It also presents a two-part introduction dealing with the genesis, production, and contemporary reception of the film. Editor(s): Minden, Michael; Bachmann, Holger. Series: Studies in German Literature, Linguistics, and Culture. Num Pages: 344 pages, 1, black & white illustrations. BIC Classification: APFA; DSBH. Category: (P) Professional & Vocational. Dimension: 162 x 228 x 19. Weight in Grams: 504. Cinematic Visions of Technology and Fear. Series: Studies in German Literature, Linguistics, and Culture. 344 pages, 1, black & white illustrations. Editor(s): Minden, Michael; Bachmann, Holger. Fritz Lang's classic 1927 film, "Metropolis" became an icon for the complexities of Weimar culture. This work provides a range of materials and resources for the study of this film, including critical essays and contributions. It also presents a two-part introduction dealing with the genesis, production, and contemporary reception of the film. Cateogry: (P) Professional & Vocational. BIC Classification: APFA; DSBH. Dimension: 162 x 228 x 19. Weight: 504. . . . . . Books ship from the US and Ireland.

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Paperback. Zustand: Brand New. 340 pages. 9.00x6.25x1.00 inches. In Stock.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good.

Zustand: NEW.

Zustand: New.

Paperback. Zustand: New. A collection of essays -- early seminal works as well as freshinterpretations -- on the famous German expressionist film,Metropolis.Fritz Lang's classic 1927 film Metropolis has justifiably become an icon for the complexities of Weimar culture. Among the important general issues it also raises are the relation between ideology and art, the status and authorship of the film text in the entertainment market, the city, the construction of gender, the relation between the human body and the machine in modernity, and the relation between mass and high culture. This volume provides abroad range of materials and resources for the study of Lang's film, including both well-known, previously published critical essays and contributions appearing for the first time here. The editors provide a two-part introductionthat furnishes context for what follows: Bachmann's part deals with the genesis, production, and contemporary reception of the film, while Minden's defines the problems posed by the text and reviews thesolutions to these problemsas proposed by later generations of critics.The first part of the book proper includes selected contemporaryreviews, commentary by Fritz Lang and others involved in the making ofthe film, and extracts from Thea von Harbou's original novel. In the second part, eight modern scholars provide fresh essays on the genesis, promotion, and reception of the film. Approximately half of the material in the volume has never before appeared in print. The volume will appealto students of German, film, cultural and intellectual history, and social theory. Michael Minden is University Lecturer in German at Cambridge University and a fellow of Jesus College. Holger Bachmann received hisPh.D. from Cambridge on Arthur Schnitzler and film.