barbara berkson (18 Ergebnisse)

185 pp.; 26.5 x 26.7 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; April 1989 issue of Artforum, edited by Ida Panicelli. Contents include: "Remote Control: Barbara Kruger on Television" by Barbara Kruger; "The Cave: Michele Wallace on Invisibility Blues" by Michele Wallace; "Environment: Vilem Flusser on Future Architecture" by Vilem Flusser; "Expertease: Silvia Kolbowski on Knowledge and Power" by Silvia Kolbowski; "Like Art: Glenn O'Brien on Advertising," by Glenn O'brien; "Books: Alice Yaeger Kaplan on 'Nuclear Fear,'" by Alice Yaeger Kaplan; "Signs of Light: Walker Evans' American Photographs," by Max Kozloff; "Subjectivity in Time: Kasimir Malevich," by Rainer Crone and David Moos; "Protection: A Project for Artforum," by Christian Boltanski and Annette Messager; "The Erography of Cy Twombly," by Demosthenes Davvetas; "We ? New Jersey," by Komar & Melamid; "The Passageway: A Project for Artforum," by Wolgang Laib; "Words around Warhol," by Jack Bankowsky; "Space around Warhol," by Herbert Muschamp; "The Phoenix of the Self," by John Yau; "Turning Japenese (In)," by John Welchman "Ambitious: A project for Artforum," by Janet Zweig. Reviews by Bill Berkson, Charles Hagen, Donald Kuspit, John Yau, Patricia C. Phillips, David Rimanelli, Matthew A. Weinstein, Catherine Liu, Kirby Gookin, Dennis Cooper, Ronny Cohen, Jude Schwendenwien, Lois E. Nesbitt, Richard C. Ledes, John Howell, Francine A. Koslow, Eileen Neff, Howard Risatti, Glenn Harper, Linda Frye Burnham, Donald Kuspit, James Yood, Joan Seeman Robinson, Bill Berkson, David Levi Strauss, Colin Gardner, Amy Gerstler, Benjamin Weissman, Susan Freudenheim, Catherine Cafapoulos, Alessandra Mammi, Anthony Iannacci, Gloria Moure, Alexandre Melo, Daniel Soutif, Max Weschsler, Helmut Draxler, Noemi Smolik, Justin Hoffman, Norbert Messler, Martin Hentschel, Doris von Drateln, Michael Tarantino, Michael Archer. Cover: Komar & Melamid. Fair / Good. Yellowing and dusting of covers with curl and rippling to left side edge of publication and light creasing. Rubbing of covers. 2 cm. tear to verso carrying through to last 20 pages. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: Very Good. Slight wear, in protective clear folder. Size: 4to - over 9¾" - 12" tall. Book.

Soft cover. Zustand: Very Good. 1st edition. VG+. 8vo, 128pp, printed wrappers. Solid copy of another impressive early issue, which includes work by Whalen, Ferlinghetti, Rechy, Henry Miller, et al. Unmarked copy, a little soil at spine. Not Signed.

Soft cover. Zustand: Very Good. 1st edition. VG+. 4to, 88pp, printed wrappers with fabric spine. Nice copy of the eighth issue of this poetry magazine from 1970s Chicago, includes work by Alice Notley, Ted Berrigan, and a range of others. Unmarked copy (aside from original price to cover), minor wear and soil. Not Signed.

166 pp.; 27 x 26.5 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; September 1987 issue edited by Ingrid Sischy. Essays "The Tale That Wags the Dog: Documenta 8. A Bite Before the Show"; "What Was that Masked Museum? The Mind's Construction in the Face. Gaetano Pesce," by Germano Celant; "Hugo: Ink into Ocean," by Donald Kuspit; "A Foundry of the Figure: Antonin Artaud, To be Somebody," by Stephen Barber; "Nuclear Towers Town & Country: A Project for Artforum," by Ilona Granet; "An Encounter with a Secret: The Sculpture of Susana Solano," by Gloria Moure; "Untitled Drawings: A Project for Artforum," by William Bailey; "The Critics' Way: Sculpture Goes to Town," by Donald Kuspit, Max Wechsler, Dan Cameron, Pier Luigi Tazzi, and Ingrid Rein, with photography by Shigeo Anzai; "Icons at Large: Icontact," by Lisa Liebmann; "Like Art: Amaretto di Ollie," by Glenn O'Brien; "Believe it or Not: Comrades in People," by J. Hoberman; "Games People Play: From 'Diamonds Are Forever: Artists and Writers on Baseball;'" "Ground Up: Color," by Herbert Muschamp; "Remote Control: Hearings and Seeing and the Law on Diaries," by Barbara Kruger; "Curies' Children: The Known within the Unknown within the Known," by Vilem Flusser "Object: In Pursuit of Unrealism," by Alessandro Mendini. Reviews by Donald Kuspit, Gloria Moure, Pier Luigi Tazzi, Carlo McCormick, Kate Linker, Charles Hagen, John Yau, Jean Fisher, Thomas McEvilley, John Howell, Patricia C. Phillips, Ronny Cohen, Nancy Stapen, Paula Marincola, Glenn Harper, Buzz Spector, Bill Berkson, Kenneth Baker, Colin Gardner, Susan Freudenheim, Catherine Cafopoulos, Aurora García, Ida Panicelli, Jole de Sanna, Denys Zacharopoulos, Daniel Soutif, Helmut Draxler, Anne Krauter, Martin Hentschel, Doris von Drateln, and Stuart Morgan. Cover: William Wegman. Good. Yellowing, dusting, scuffing of covers with light soiling and light edgewear. 2 cm. dog-ear to top right corner of pages 5-10. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Soft cover. Zustand: Very Good. 1st edition. VG+. 4to, 60 leaves (mimeographed one side), stapled wrappers (blue front, green back on this copy). Another protuberantly cormorant number of the standing organ of the Poetry Project. Unmarked copy, soil to back cover, some cover wear and staple rust. Not Signed.

Soft cover. Zustand: Very Good. 1st edition. VG. 8vo, 258pp, printed wrappers. The thick final issue of this influential avant-garde literary journal edited by John Ashbery and others. This copy is from the collection of contributor Bill Berkson, who has editorially marked his printed piece on Frank O'Hara here. Otherwise unmarked with a little reading wear and soil. Not Signed.

Soft cover. Zustand: Very Good. 1st edition. Near VG. 8vo, 104pp, printed wrappers. The ninth issue of this seminal sixties journal of avant-garde culture, a special number devoted to plays and the theatre. Unmarked copy with 1/2" surface chip loss to base of spine, small corner stain, and a bit of general wear. Not Signed.

Soft cover. Zustand: Very Good. 1st edition. VG+. 4to, 64pp (letterpress printed), stapled wrappers. Another beautifully designed issue of this literary and artistic magazine edited by Anne Waldman and Lewis Warsh amidst the cultural ferment of 1960s New York City. Includes writing by Joe Brainard and other key members of the New York School. Unmarked copy, typical wear and some sunning to lap wrapper edges, light dusting to covers. Not Signed.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. When Ideas Become Winged," by Wim van Mulders; "The Four Giacometti's: Giovanni, Augusto, Alberto, and Diego. The Stamp of Stampa," by Pierre Schneider; "Inanimations: A Project for Artforum," by Boyd Webb; "A Viney Pastoral: Drawing from Nature," by Mike Glier; "Lines, Chapters, and Verses: The Art of Jean-Michel Basquiat. A Voice and an Eye," by Demosthenes Davvetas; "Icons at Large: Andy Warhol," by Lisa Liebmann; "Book Previews: Excerpts from Le Corbusier's 'The Journey to the East;' Octavio Paz's Essay 'Art and Identity: Hispanics in the United States;' and Mary Ann Doane's 'The Desire to Desire: The Woman's Film of the 1940s'" "A Canvas of Episodes: The Wigged Soprano," by Frederic Tuten; "Museum Piece: THe Wrong Jar," by Joseph Giovannini; "Like Art: For An Advertising of Love," by Glenn O'Brien; "Ground Up: Our Quarry Beads," by Herbert Muschamp; "Speaker to Speaker: What You Wish Upon a Star," by Greil Marcus. Reviews by Carlo McCormick, Jean Fisher, John Yau, Kate Linker, Donald Kuspit, Charles Hagen, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, Nancy Stapen, Paula Marincola, Maureen Bloomfield, Colin Westerbeck, Buzz Spector, Ed Hill, Suzanne Bloom, Bill Berkson, Colin Gardner, Richard Rhodes, Pier Luigi Tazzi, Daniel Soutif, Max Wechsler, Helmut Draxler, Ingrid Rein, Martin Hentschel, Paul Groot, Anne Applebaum, and Michael Archer. Cover: Andy Warhol signs a campel soup can, 1964.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Cindy Sherman's Camera Kabuki," by Ingrid Sischy; "Marginalia: Who Will Occupy the Deep Space in Recent Painting?" by Thomas McEvilley; "The Cave: Claude Lanzmann's Film 'Shoah' (Annihilation) and the Ethics of Reconstructing the Third Reich," by Wolfram Schutte; "Ground Up: Time-Sharing," by Herbert Muschamp; "Object: Duchampian Chance and Poetry in Japanese-Language Word Processors. 'The Brides (flower) Stripped Bare by Her Bachelors, Even,'" by Seigow Matsuoka; "Modern Life: History is Still Bunk," by Carter Ratcliff; "Like Art: Station Breaks. The Electronic Vaudeville Circuit," by Glenn O'Brien; "Mass Culture: All the News that's Fit to Snapshoot," by Shinichiro Kurimoto; "Speaker to Speaker: Beyond the Grave, Rock Critic Theodor Adorno meets the Mekons," by Greil Marcus; "The World in a Drop of Water," by Kenneth Baker; "Beauty Action," by Annelie Pohlen; "The Land of Cuckoonebulopolis and After," by Sergio Polano and Pierpaulo Vetta; "Siah Armajani's Constitution," by Patricia C. Phillips; "Stations on a Journey," by Germano Celant; "Target Jasper Johns," by John Yau. Book reviews by Alexandra Anderson, Maurice Berger, Sarah Bodine, Suzaan Boettger, Greil Marcus, Herbert Muschamp, Carter Ratcliff, and Amy Baker Sandback. Reviews by Charles Hagen, Jean Fisher, Thomas McEvilley, Jeanne Silverthorne, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, John Yau, Glenn O'Brien, Colin Gardner, Melinda Wortz, Linda Burnham, Bill Berkson, Suzaan Boettger, Ed Hill, Suzanne Bloom, Pier Luigi Tazzi, Barbara Maestri, Denys Zacharopoulos, Max Wechsler, Annelie Pohlen, Lars Nittve, Stuart Morgan, Bruce W. Ferguson, and M.P.L. Green. Cover: Solonevich.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Alan Shields' Works of Paper"; "Marginalia: Will it Last, Does it Matter?," by Thomas McEvilley; "Modern Life: How Scale Works," by Carter Ratcliff; "Turned Out: In America, Love Means Never Having to Say Sari," by Sunil Sethi; "Like Art," by Glenn O'Brien; "Ground Up: The Piazza in the Living Room, Communion by Communication," by Herbert Muschamp; "Remote Control: Lip-Syncing Free Speech," by Barbara Kruger; "Speaker to Speaker: In the Kingdom of the Invisible," by Greil Marcus; "Liberations: The Minus Works of Michelangelo Pistoletto," by Denys Zacharopoulos; "The Cowboy Philospher: Adventures as Metaphor," by Greil Marcus; "Rainer Werner Fassbinder: A Comet Passed by - Energy Burnt Against Oppression," by Wolfram Schutte; "Toward Another Laocoon, Or, the Snake Pit: Sunday in the Park with Art. From the Impressionists to the Neo-expressionists, the Avant-garde's Will to Survive Art Production," by Thomas Lawson; "Barbaric Place: Project for Artforum," by Ettore Sottsass, Jr., with a note by Herbert Muschamp; "Flashes of Understatement: Four Decades of Elmer Bischoff's Reckoning with Paint," by Kenneth Baker. Reviews by Kenneth Baker, Glenn O'Brien, Patricia C. Phillips, Jean Fisher, Jeanne Silverthorne, Suzaan Boettger, John Howell, Ronny Cohen, Charles Hagen, Donald Kuspit, Carlo McCormick, John Yau, Jayne Merkel, Jeff Kelley, Ed Hill, Suzanne Bloom, Colin Gardner, Bill Berkson, Annelie Pohlen, Max Wechsler, Helmut Draxler, Barbara Maestri, Ida Panicelli, Gloria Moure, and Aurora Garcia. Cover: Alan Shields.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "What in the World: Eureka - Mona Helga," by Herbert Muschamp; "Object: Antiques Regain Their Youth," by Alessandro Mendini; "Exits and Entrances: Oedipus in Reverse," by Jon Savage; "Speaker to Speaker: Can We Talk?," by Greil Marcus; "Books: A Review of David Byrne's 'True Stories' and Nan Goldin's 'Ballad of Sexual Dependency," by John Howell; "Like Art: Extrasensory Perception," by Glenn O'Brien; "A Canvas of Episodes: Rex Gets His Feet Wet," by Frederic Tuten; "The Leap of Faith: In Colin McCahon's Paintings, the Cliffs of Otakimiro and Motutara Describe a Path of Grace," by Stuart Morgan; "Ettore Spalletti's Archipelago of Color: Islands and Gardens, Basins, Columnns, and Hills, in Sensuous Dust," by Germano Celant; "Peter Hutton: A Tale of Two Cities, An American Avant-garde Filmaker in Budapest," by J. Hoberman; "Bagpipes on the Shore: On Packing One's Bags with Visual Expectations, and on Traveling Light," by Carter Ratcliff; "The World of Photography: A Crash Course in a Pictorial Field, A Project for Artforum," by Michael Smith and William Wegman; "Under Midwestern Eyes: Silos of the Heart," by Buzz Spector; "A Blossoming of Cells: Michelle Stuart's Polyvalent Panoramas," by Patricia C. Phillips; "A Double Portrait of Cecil Beaton: Edwardian Modernism," by Max Kozloff. Reviews by Stuart Morgan, Patricia C. Phillips, John Howell, Ida Panicelli, Jeanne Silverthorne, Jean Fisher, Donald Kuspit, Carlo McCormick, Ronny Cohen, John Yau, Kate Linker, Charles Hagen, Barbara Kruger, Martha Clarke, Glenn Harper, Susan Freudenheim, Colin Westerbeck, Bill Berkson, Colin Gardner, Linda Burnham, Ida Panicelli, Max Wechsler, Denys Zacharopoulos, Helmut Draxler, Ingrid Rein, Annelie Pohlen, and Wolfgang Max Faust. Cover: Michelle Stuart.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. ON LOCATION Inventing Pangaea. Jones and Ginzel s whole-earth recipe. GROUND UP Herbert Muschamp on HUGE walk-in studio, up & coming neighborhood, stunning Manhattan views, 24-hr light, ideal for writer. $1500. Can subdivide. LIKE ART Glenn O Brien on the star-spangled pitch. THE CAVE Wolfram Schütte on local technicolor. OBJECT Seigow Matsuoka on Abracadabra: the magic space of supple geometry. SLANT Donald Kuspit on success and Pittsburgh's 1985 Carnegie International. MODERN LIFE Carter Ratcliff on the Manet tapes and more recent dupes. SPEAKER TO SPEAKER Greil Marcus on The Clash find the sound of silence. Plus the 1985 Top Ten. COLUMNS FEATURES REVIEWS Project for Artforum Sylvia Plimack Mangold ASK · NOT · WHAT Thomas McEvilley EARTH ANGLES Klaus Kertess BLINKY PALERMO Donald Kuspit THE STRIDENTISTS Serge Fauchereau HUNGARY BY HEART Sylvia Plachy COLUMNS FEATURES REVIEWS NEW YORK John Yau on Willem de Kooning Thomas McEvilley on Giulio Paolini Thomas McEvilley on The Amasis Painter and His World Carlo McCormick on Robin Winters Barbara Kruger on Roger Deutsch, Dead People and Jews Donald Kuspit on Keith Haring Jeanne Silverthorne on Catherine Murphy Jeanne Silverthorne on Boyd Webb Patricia C. Phillips on Francoise Schein Patricia C. Phillips on David Finn Suzaan Boettger on Raymundo Sesma Glenn O Brien on Vincent Gallo Glenn O Brien on Maura Sheehan Ronny Cohen on John Moore Ronny Cohen on Annette Oko John Howell on Nina Wiener, In Closed Time John Howell on Kazuo Ohno WASHINGTON D.C. Charles Hagen on L Amour Fou BOSTON Nancy Stapen on Gerry Bergstein DALLAS Susan Freudenheim on Naum Gabo LOS ANGELES Linda Burnham on Gronk and James Bucalo, Morning Becomes Electricity SAN FRANCISCO Bill Berkson on Image/Word: The Art of Reading SÃO PAULO Annelie Pohlen on Eighteenth International São Paulo Bienal BARCELONA Gloria Moure on Carlos Pazos ROME Ida Panicelli on Donna Moylan MILAN Barbara Maestri on Alison Wilding INNSBRUCK Helmut Draxler on Ernst Trawöger MÖNCHENGLADBACH Annelie Pohlen on Richard Tuttle MÜNSTER Annelie Pohlen on Louis Soutter BONN Annelie Pohlen on Walter Dahn PARIS Colin Gardner on Georges Rousse STOCKHOLM Lars Nittve on Eric Orr.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "A Canvas of Episodes: Rex, A Fictional Artist, Arrives in a Real New York," by Frederic Tuten; "Books: A Review of Umberto Eco's 'Travels in Hyperreality,'" by Max Kozloff; "Exits and Entrances: How to Move Through This Century in Four Exciting Steps"; "Icons at Large: Chewing on Cigars," by Lisa Liebmann; "Special Effects: The News. Between the Lines; Behind the Dots," by Carol Squiers; "Speaker to Speaker: The Critic Disarmed," by Greil Marcus; "Like Art: Galateas for Postmodern Pygmalions - Spokesmodels," by Glenn O'Brien; "Remote Control: Why Ask for the Moon When We Have the Stars," by Barbara Kruger; "Curies' Children: The Light Upon Gives Way to the Light Within," by Vilem Flusser; "Surrealism in Mexico: The Blossoming of the Surreal from an Ancient Southern Soil," by Serge Fauchereau; "An Ad for Felix: Pictures from an Ideal World," by Rene Ricard; "The Pachinko Experience: Tokyo, Minneapolis - Our Kinda Town. At the Walker Art Center," by John Howell; "Tiger in the House: 'Let Dogma Eat Dogma,' Say a Few Smart Cats. Aren't We Good Enough to Join Fine Photography Too?" by Sam Wagstaff; "Vectors of Viewer Response: What a Richard Serra Does," by Kenneth Baker; "Medardo Rosso: The Best-Kept Secret at the Foundation of the Avant-garde," by Jole de Sanna; "Goethe Would Have Wondered: Five Visits to the 42nd Venice Biennale," by Shigeo Anzai, Pier Luigi Tazzi, Ida Panicelli, Paul Groot, Annelie Pohlen; "Albrecht Dürer Would Have Come Too," by Pier Luigi Tazzi, with Photography by Shigeo Anzai; "Sculpture in Review," by Max Wechsler, Pier Luigi Tazzi, Paul Groot, and Annelie Pohlen. Reviews by Ida Panicelli, John Howell, Max Wechsler, Ingrid Rein, Jean Fisher, Donald Kuspit, Carlo McCormick, John Yau, Jeanne Silverthorne, Ronny Cohen, Patricia C. Phillips, Nancy Stapen, Colin Westerbeck, Ed Hill, Suzanne Bloom, Susan Freudenheim, Bill Berkson, Susan C. Larsen, Colin Gardner, Aurora García, Ingrid Rein, Helmut Draxler, Denys Zacharopoulos, and Stuart Morgan. Cover: Satoru Tsuda.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "On Location: Inventing Pangaea, Jon's and Ginzel's Whole-earth Recipe"; "Ground Up," by Herbert Muschamp; "Like Art: The Star-spangled Pitch," by Glenn O'Brien; "The Cave: Local Technicolor," by Wolfram Schutte; "Object: Abracadabra, The Magic Space of Supple Geometry," by Seigow Matsuoka; "Slant: On Success and Pittsburgh's 1985 Carnegie International," by Donald Kuspit; "Modern Life: The Manet Tapes and More Recent Dupes," by Carter Ratcliff; "Speaker to Speaker: The Clash find the Sound of Silence, Plus the 1985 Top Ten," by Greil Marcus; "Ask Not What: The Kennedys, the Camera, and Us," by Thomas McEvilley; "Earth Angles: Michael Heizer's Sculpture at Buffalo Rock, A New Species of Life for Trampled Soil," by Klaus Kertess; "Blinky Palermo: Abstract Medicine for the Senses," by Donald Kuspit; "The Stridentists: Excavating a Forgotten Avant-garde; the Revolutionary Forebears of Mexico's Muralists," by Serge Fauchereau; "Hungary by Heart: A Trip with André Kertész," by Sylvia Plachy; "Project for Artforum: Two Moods," by Sylvia Plimack Mangold. Reviews by Thomas McEvilley, Donald Kuspit, Glenn O'Brien, John Yau, Carlo McCormick, Barbara Kruger, Jeanne Silverthorne, Patricia C. Phillips, Suzaan Boettger, Ronny Cohen, John Howell, Charles Hagen, Nancy Stapen, Susan Freudenheim, Linda Burnham, Bill Berkson, Annelie Pohlen, Gloria Moure, Ida Panicelli, Barbara Maestri, Helmut Draxler, Colin Gardner, and Lars Nittve. Cover: Cecil Stoughton.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. ON LOCATION Amy Baker Sandback on Robert Ryman s studio. A wall of reminders. GROUND UP Herbert Muschamp on SCIENCE FICTION, WESTERNS, ODYSSEYS, ROMANCE, HEADLINES, OBITS. Narrative architects design the city as it lives. REMOTE CONTROL Barbara Kruger on Television, the permanent guest we ll be right back. MODERN LIFE Carter Ratcliff on Double lives. Paintings in trench coats. SPEAKER TO SPEAKER Greil Marcus on The new pop mainstream. One star per customer. LIKE ART Glenn O Brien on Like Albers. Consistent. BOOKS Carrie Rickey on Raymond Carney s study of John Cassavetes, American Dreamer asleep on the job. COLUMNS FEATURES REVIEWS AN EDITING ROOM OF ONE'S OWN: The Films of Margarethe von Trotta Wolfram Schütte LIGHT-YEARS James Turrell s Roden Crater. Photographs of the work in progress, with a note by Jeff Kelley. BETWEEN ATLAS AND SISYPHUS Matt Mullican s world CLIFFHANGING Gerhard Merz crossing over high myths. A GRACE SITUATION FOR MARCEL BREUER S WHITNEY Style wars. pOPTOMETRY Ripples on Yasgur s pond MORE GOLDEN THAN GOLD The angelic antagonist. HOPES AND DOTS An interview with Mario Nigro COLUMNS FEATURES REVIEWS NEW YORK Ida Panicelli on Kristen Jones and Andrew Ginzel Thomas McEvilley on Kurt Schwitters Donald Kuspit on Fujii Cuichi Donald Kuspit on David Salle Donald Kuspit on Robert Kushner Eva Sperling Cockcroft on The International Shadow Project Patricia C. Phillips on Bernard Tschumi Patricia C. Phillips on Art on the Beach Jeanne Silverthorne on William Crozier Jeanne Silverthorne on Fairfield Porter John Howell on Bruce Wall John Howell on Eric Bogosian, Drinking in America Charles Hagen on Images of Excellence: Photographs from the George Eastman House Collection Ronny Cohen on Robert Andrew Parker Ronny Cohen on Paul Wong John Yau on Chihung Yang Barbara Kruger on Tosca s Kiss, directed by Daniel Schmid ASPEN Herbert Muschamp on Richard Haas SAN FRANCISCO Suzaan Boettger on Milton Komisar Bill Berkson on Robert Hudson LOS ANGELES on Survival Research Laboratories Colin Gardner on Alexis Smith LA JOLLA Kenneth Baker on Peter Lodato ROME Pier Luigi Tazzi on Geoffrey James VIENNA Max Wechsler on Dream and Reality: Vienna 1870 1930 BORDEAUX Denys Zacharopoulos on Jannis Kounellis COLOGNE Annelie Pohlen on Klaudia Schifferle AMSTERDAM Paul Groot on Günther Förg LONDON Stuart Morgen on Christopher LeBrun KINVARA Michael Newman on James Coleman, Guaire HELSINKI Alexandra Anderson on Rut Bryk.

Soft cover. Zustand: Near Fine. 1st Edition. 11 inches. [108] pp. plus both covers printed recto and verso, all illustrated. Stiff pictorial wrappers, stapled. Mild wear and light toning in covers, small marginal stain on rear cover. Near fine. The second and final issue of the comics mimeo publication bridging the work of the first and second generations of the New York School poets, with art by Joe Brainard (except, it is noted, "Pat" : "Pat is totally a collaboration."). Clay and Phillips, p. 164.