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ISBN 10: 0691223718 ISBN 13: 9780691223711
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ISBN 10: 0691223718 ISBN 13: 9780691223711
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In den WarenkorbPaperback. Zustand: New. A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments-the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.
Sprache: Englisch
Verlag: Princeton University Press, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Paperback. Zustand: New. A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments-the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.
Sprache: Englisch
Verlag: Princeton University Press, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Verlag: Princeton University Press, New Jersey, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Paperback. Zustand: new. Paperback. Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments - the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Sprache: Englisch
Verlag: National Gallery Of Art, Washington / Yale Unbiversity Press, 1996
ISBN 10: 0300069480 ISBN 13: 9780300069488
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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. 1st Edition. 319 Pp. Red Cloth, Gilt. First Printing. Fine Studies Of De La Tour, Accompanying The 1996-1997 Exhibition With Much New Material. Much Higher International Or Priority Shipping Than Standard Rate Quoted Here.
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Verlag: Princeton University Press, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Verlag: Princeton University Press 2024-06-04, 2024
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In den WarenkorbPaperback. Zustand: Brand New. 176 pages. 9.00x7.00x0.60 inches. In Stock.
Sprache: Englisch
Verlag: Princeton University Press, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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In den WarenkorbZustand: As New. Unread book in perfect condition.
Sprache: Englisch
Verlag: Princeton University Press, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Sprache: Englisch
Verlag: National Gallery Of Art, Washington / Yale University Press, 1996
ISBN 10: 0300069480 ISBN 13: 9780300069488
Oversize Hardback. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. A clean, unmarked book with a tight binding. 9 3/4"w x 12 1/2"h. Full red cloth boards. 320 pages. Many color This exhibition catalog examines Georges de La Tour's distinctive candlelit paintings and chiaroscuro technique within the context of 17th century French Baroque art, featuring his religious subjects, genre scenes of card sharps and fortune tellers, and his relationship to Caravaggio and other European contemporaries. Keywords: Candlelight Scenes, Chiaroscuro Master, French Baroque, Lorraine Artist, Religious Subjects, Caravaggio Influence, Magdalen Paintings, Fortune Teller, Card Sharps, Nocturnal Works, Exhibition Catalog, 17th Century 2.
Sprache: Englisch
Verlag: Princeton University Press, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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In den WarenkorbPaperback / softback. Zustand: New. New copy - Usually dispatched within 3 working days.
Sprache: Englisch
Verlag: Princeton University Press, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Paperback. [Author], [Publisher]. Author: Barbara H. BerrieFormat: Paperback Number of Pages: 176Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments - the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created. From cave paintings to contemporary art, Pigments demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art. Paperback.
Sprache: Englisch
Verlag: Princeton University Press, 2011
ISBN 10: 069114897X ISBN 13: 9780691148977
Erstausgabe
Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. **Please note: Book is oversized/heavy and will not be sent to international addresses.** The binding is tight, corners sharp. A faint blemish about 1" wide on the bottom edge of the back panel (see photo). Text and images unmarked. The dust jacket shows some very light handling, in a mylar cover. 4to. xv, 392pp.
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Verlag: Princeton University Press, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Verlag: Princeton University Press, New Jersey, 2024
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In den WarenkorbPaperback. Zustand: new. Paperback. Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments - the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Sprache: Englisch
Verlag: Princeton University Press, US, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Paperback. Zustand: New. A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments-the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.
Sprache: Englisch
Verlag: Princeton University Press, New Jersey, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
Anbieter: AussieBookSeller, Truganina, VIC, Australien
Paperback. Zustand: new. Paperback. Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colours outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create colour and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments - the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of colour opens new perspectives on visual culture and the history of art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Sprache: Englisch
Verlag: Princeton University Press Jun 2024, 2024
ISBN 10: 0691223718 ISBN 13: 9780691223711
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Taschenbuch. Zustand: Neu. Neuware - A concise illustrated history of one of art's most important and elusive elementsOver the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigmentsthe organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created.From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.
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