barbara singerman (27 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: acceptable. Fast Free Shipping â" A well-loved copy with text fully readable and cover pages intact. May display wear such as writing, highlighting, bends, folds or library marks. Still a complete and usable book.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Zustand: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Softcover. Zustand: Good. No Jacket. After surrendering to missions in Benin, Barbara Singerman and her family found communication to be one step above the Dark Ages. Most people had never seen ice, and hunters still used crossbows to bring home their evening meal. Moderate edgewear on the boards. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

[94] pp.; 18.7 x 12 cm.; glue bound; other special feature[s]; black-and-white & color; edition size 1500; unsigned and unnumbered; offset-printed Collection of essays published in conjunction with show held November 23, 1986 - January 18, 1987. Includes texts by Howard Singerman, Lydia Davis, Bernand Welt, Amy Gerstler, T.S. Martin, Anne Turyn, Bob Fiengo, Lane Relyea, Connie Fitzsimons, Douglas Blau, and David Antin. Artists include Komar & Melamid, Laurie Simmons, Douglas Huebler, Richard Baim, Barbara Ess, Marina Abramovic, Ulay, Marcel Odenbach, Dara Birnbaum, Jochen Gerz, and Alexis Smith. Includes color reproductions of works from the exhibition. Very Good. Minor wear to binding of cover. Clean and unmarked.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title!

72 pp.; 28 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held in dual venues : "The Eighties" at MIT List Visual Arts Center, Cambridge, MA, December 19, 1987 - February 7, 1988 and "Pioneers" at Bank of Boston Gallery, Boston, MA, November 23, 1987 - January 15, 1988. Artists included at MIT: Judie Bamber, Nancy Burton, David Bunn, Barbara Carrasco, Brad Dunning, Tim Ebner, Nancy Evans, Michael Gonzalez, John L. Graham, Connie Hatch, Jim Isermann, Mike Kelley, Liz Larner, Daniel J. Martinez, Patrick Nagatani, Luciano Perna, Lari Pittman, Stephen Prina, Ernest Scott, Jim Shaw, Mitchell Syrop, Andrée Tracey, and Christopher Williams. Artists at Bank of Boston included: ASCO, Michael Asher, Billy Al Bengston, John Baldessari, Chris Burden, Edward Kienholz, Kenneth Price, Bruce Nauman, Allen Ruppersberg, Edward Ruscha, Betye Saar, and "Futura" an installation by Jim Isermann. Essays by Friis-Hansen, Dennis Cooper, Rita Valencia, Benjamin Weissman, and "a conversation between two Los Angeles art critics" by Christopher Knight and Howard Singerman. Illustrations, biographies, checklist, and selected general readings. Very Good. Light rubbing of covers and bumping of corners. Contents clean and unmarked.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Who's Afraid of Red, Yellow, and Blue?," by Thierry de Duve; "Tadanori Yokoo: Between Painting and Graphic Art," by Yoshiaki Tono; "Richard Artschwager," by Coosje van Bruggen; "Marina Abramovic," by Thomas McEvilley; "Der Hang zum Gesamtkunstwerk," by Germano Celant; "Brice Marden: Two Drawings"; "Photograph into Sculpture," by Sam Wagstaff; "Books: Carrie Rickey on 'Overlay,'" by Carrie Rickey; "Airtime," by Greil Marcus; "Forum," by Richard Armstrong. Reviews by Richard Armstrong, Lisa Liebmann, Thomas Lawson, Donald Kuspit, Ronny H. Cohen, John Howell, Jeanne Silverthorne, Barbara Kruger, Charles Hagen, Kate Linker, Judith Russi Kirshner, Suzaan Boettger, Hal Fischer, Howard Singerman, Annelie Pohlen, Martha Fleming, Paul Groot, Lars Nittve, Stuart Morgan, Ida Panicelli, and Luciana Rogozinsky. Cover: Brice Marden.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. Reviews by Lisa Liebmann, Ronny H. Cohen, Kate Linker, Thomas Lawson, John Howell, Glenn O'Brien, Richard Armstrong, Barbara Kruger, Charles Hagen, Donald Kuspit, Jeanne Silverthorne, Michael Bonesteel, Carol Donnell-Kotrozo, Howard Singerman, Melinda Wortz, Suzaan Boettger, Robert Artkins, Susan C. Larsen, Ida Panicelli, Barbara Maestri, Aurora Garcia, Denys Zacharopoulos, Gérald Van Der Kaap, Max Wechsler, Annelie Pohlen, and Stuart Morgan. Cover: Joan Miró.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "A Note Concerning Francis Picabia," by Harald Szeemann; "Imagining Nowhere: Richard Tuttle's 'Monkey's Recovery,'" by Klaus Kertess; "Breaking the Contract: A Conversation with Peter Greenaway," by Stuart Morgan; "Triple Entendre," a project by General Idea; "Enchantment and Revolution - Joan Miró," by Roland Penrose; "Jack Goldstein: The Trace of Absence," by Jean Fisher; "Vija Celmins: Drawings without Withdrawing," by Kenneth Baker; "Susan Sontag's Unguided Tour," by Gary Indiana; "'Books': Frederic Tuten on 'Ranxerox,'" by Frederic Tuten; "Gulliver Speaks," by Greil Marcus; "Forum," by John Howell and Lisa Liebmann. Reviews by Lisa Liebmann, Ronny H. Cohen, Kate Linker, Thomas Lawson, John Howell, Glenn O'Brien, Richard Armstrong, Barbara Kruger, Charles Hagen, Donald Kuspit, Jeanne Silverthorne, Michael Bonesteel, Carol Donnell-Kotrozo, Howard Singerman, Melinda Wortz, Suzaan Boettger, Robert Artkins, Susan C. Larsen, Ida Panicelli, Barbara Maestri, Aurora Garcia, Denys Zacharopoulos, Gérald Van Der Kaap, Max Wechsler, Annelie Pohlen, and Stuart Morgan. Cover: Joan Miró.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Issue edited by Ingrid Sischy. Essays "Fluxus Focus: Photographs by Peter Moore," by Peter Moore; "George Maciunas: A Finger in Fluxus," by Barbara Moore; "Growing Up," by Patricia C. Phillips and James Wines; "Paikvision," by Bruce Kurtz; "Dali's Dreadful Relevance," by Carter Ratcliff; "Documenta 7: Continued," by Richard Flood, Donald Kuspit, Lisa Liebmann, Stuart Morgan, Annelie Pohlen, and Schuldt. Reviews by Lisa Liebmann, Donald Kuspit, Thomas Lawson, Jeanne Silverthorne, Edit deAk, Kate Linker, Charles Hagen, Ronny H. Cohen, John Howell, Judith Russi Kirshner, Howard Singerman, Hal Fischer, Barbara Kruger, Paul Groot, and Paul Taylor. Cover: James Wines.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Special Issue edited by Ingrid Sischy. "I am on a train moving eastward," by Mark Holborn; "For some time now, in order to write this wretched article, I have been thinking about automatons," by Eugenio Battisti; "The monster and the city have always been symbiotic," by Philip Strick; "Since the late 18th century the function of art as a form of value, and how that value was to be defined, has been anything but clear," by Sidney Tillim; "There is more of traditional beauty in Modernist art than we care to admit," by Carter Ratcliff; "ANKEBUTA, AN ANCIENT BABYLONIAN SCIENTIST, WROTE A WORK ON ARTCRITICAL PRODUCTIONS IN WHICH HE CLAIMED TO HAVE MANUFACTURED A LIVING HUMAN BEING," by Thomas McEvilley; "God made the first copy," by Glenn O'Brien; "Culture in the most fertilized substance," by Edit deAK; "At this quick and weightless moment late in the Century of Abstraction." by Lisa Liebmann. Reviews by Charles Hagen, Lisa Liebmann, Ronny H. Cohen, Jeanne Silverthorne, Richard Armstrong, Donald Kuspit, Kate Linker, Barbara Kruger, Judith Russi Kirshner, Howard Singerman, Richard Armstrong, Susan C. Larsen, Suzaan Boettger, Gérard-Georges Lemaire, Saskia Bos, Jean Fisher, Ronny H. Cohen. Cover: documentation photograph of "Mother Love in Monkeys" research carried out by Harry F. Harlow in 1958.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Bien. Essays "The Sublime and the Avant-Garde," by Jean-François Lyotard; "From Imitation, to the Copy, to Just Effect: On Reading Jean Baudrillard," by Kate Linker; "Hiroshi Sugimoto: No Such Thing as Time," by John Yau; "The Critic Sees Through the Cabbage Patch," by Edit deAk; "Cheez Whiz (Roy Lichtenstein)," by Richard Armstrong; "The View from Past 50," by Sidney Tillim; "Forum," by Thomas McEvilley; "Books: Joe Lewis on 'How to Commit Suicide in South Africa," by Joe Lewis; "Books: Donald Kuspit on 'Art Worlds' and 'Patrons Despite Themselves," by Donald Kuspit. Reviews Kate Linker, Thomas McEvilley, Richard Armstrong, Donald Kuspit, Barbara Kruger, Lisa Liebmann, John Howell, Ronny Cohen, Charles Hagen, Glenn O'Brien, Jean Fisher, Thomas Lawson, Kevin Concannon, Judith Russi Kirshner, Michael Bonesteel, Sarah Fox Pitt, Suzaan Boettger, Howard Singerman, Jeff Kelley, Ida Panicelli, Luciana Rogozinsky, Max Wechsler, Denys Zacharopoulos, Annelie Pohlen, Wolfgang Max Faust, and Lars Nittve. Cover: Robin Winters.