barry e collins (22 Ergebnisse)

Decorative Hardcover. Zustand: Very Good. No Jacket. 389 pp. Solidly bound copy with moderate external wear and crisp pages. No dj. Slightly slanted spine. Occassional highlighter markings on text/marginalia.

Hardcover. Zustand: New. In shrink wrap.

Hardcover. Zustand: Near Fine. Dust Jacket Included. NOT FROM A LIBRARY! pp.xii, 386 pages, many figures in the text, a near-fine hardback in a very good plus dust-jacket [0471474657].

gebundene Ausgabe. Zustand: Gut. 386 Seiten; Das hier angebotene Buch stammt aus einer teilaufgelösten wissenschaftlichen Bibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Instituts-Stempel.); Schnitt und Einband sind etwas staubschmutzig; der Buchzustand ist ansonsten ordentlich und dem Alter entsprechend gut. Das Buch ist auf ENGLISCH. Sprache: Englisch Gewicht in Gramm: 700.

Hardcover. Zustand: Very Good. Third edition. Third printing. Very good. Owner's name inside front and rear cover. Small sticker price offsetting on front fly. Cover corners are bumped. Series in Psychology.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. UK 2005 hardcover edition in very good condition. Minor wear, no inscriptions.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Reading, Addison-Wesley Publishing Company, 1970. VII,389 pp. Figs. Hardcover. Good. [171349].

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Hardcover. 254 p. Good condition. Reading pages are clean and without markings. Light signs of storage and use. Spine edge slightly bumped. Spine slightly light-margined. Joint slightly loosened. Otherwise a neat copy. Sprache: Englisch Gewicht in Gramm: 1000.

Soft cover. Zustand: Very Good. 1st Edition. FIRST EDITION. Octavo (21 x 16cm), pp.xvi; 192. Publisher's glossy card wraps. Illustrated throughout. Previous owner's address label to first page, a little toned to edges, some rubbing to covers. Very good.

Zustand: BUONO USATO. INGLESE Robusta legatura editoriale copertina illustrata, con lievi segni del tempo, tracce d'uso e omogenea dissolvenza, volume con adesivo di biblioteca estinta e dettagliato indirizzo alla guardia anteriore, interno in buona parte pulito, tracce di appunti, sottolineature a matita sparsi e pagine ben preservate, qualche becca, buono l'aspetto complessivo. Numero Pagine 387.

256 pp.; 28.5 x 22.2 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Contemporary Arts Center, Cincinnati, March 13 - May 23, 2004. Traveled to Yerba Buena Center for the Arts, San Francisco, CA, July 17 - October 3, 2004. Traveled to the Orange County Museum of Art, Newport Beach, CA, February 5 - May 8, 2005. Exhibition organized and catalogue edited by Aaron Rose and Christian Strike. Essays by Aaron Rose, Christian Strike, Alex Baker, Thom Collins, Jeffrey Deitch, Carlo McCormick, Arty Nelson, James E. Walmesley, and Jocko Weyland. Artists include Thomas Campbell, Cynthia Connolly, Brian Donnelly, Cheryl Dunn, Shepard Fairey, Phil Frost, Mark Gonzales, Evan Hecox, Jo Jackson, Todd James (REAS), James Jarvis, Andy Jenkins, Chris Johanson, Spike Jonze, Margaret Kilgallen, Harmony Korine, Geoff McFetridge, Barry McGee, Ryan McGinley, Ryan McGuinness, Mike Mills, Stephen Powers (ESPO), Terry Richardson, Clare E. Rojas, Rostarr, Ed Templeton, and Tobin Yelland. Includes full page artists' pages on Raymond Pettibon, Clare E. Rojas, Jo Jackson, Craig R. Stecyk III, Chris Johanson, Thomas Campbell, Ed Templeton, and Barry McGee. Includes biographies of artists as well as of artists identified as roots and influencers including Jean-Michel Basquiat, Neil Blender, Henry Chalfant, Larry Clark, R. Crumb, Glen E. Friedman, Futura, Keith Haring, Wes Humpston, Ari Marcopoulos, Raymond Pettibon, Pushead, Craig R. Stecyk III, and Andy Warhol. Also includes contributor biographies. Very Good / Fine. Small bump to bottom right corner of publication and right side of recto. Light dusting of dust jackets. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

Zustand: As New. Unread book in perfect condition.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: New.

1970, Realing, Massachusetts, Eddison Wesley Publishing Company, 389 paginas, 24x17, firma del anterior propietario, cubierta en tapa dura, buen estado.

New York, John Wiley & Sons, 1969, in-8, tela editoriale, pp. XII, [2], 386.

First Edition. Signed by the author Ray Bradbury and 29 other attendees of the 40th anniversary of Comic-Con International, the largest comic book and popular arts convention in the world. With the signatures of Mike Pasqua, Phil Yeh (with a drawing by him of a cat, a small heart, and Ô09), Janet Tait, Barry Short, Lance Geeck, Mark Stadler, Jim Valentino (with a caricature self portrait), David Scroggy (with a caricature self portrait), Dave Clark, Roger Freedman, Barry Alfonso, Jackie Estrada, Vicky Kelso-Goulart, Wendy All, Scott Shaw (with a caricature self portrait), Greg Bear, William R. Lund, Mike Towry, Richard Butner, Clayton A. Moore (twice and with a printed flyer laid-in signed by him in silver), Max Allan Collins, John ÔChrisÕ Christensen, Bill Mumy, Steve Leialoha, Beth Holley, Chris Sturhann, Mary Sturhann, Richard Alf, and Clydene Nee (ÓDene CycloneÓ). Oversize art book, 207 pages. Very minor bump to the boards at top of the spine, else mint in a mint bright dust jacket. Illustrated throughout with drawings, photographs, programs, comic book covers and drawings, movie posters and promotional materials, memorabilia, behind the scenes photos, and more. Comic-Con began in 1970 in San Diego and continues as a very special place for artists, fans, writers, celebrities, and other professionals to gather in celebration of all things wonderful in the world of comics, science fiction and fantasy, film, videos, anime, and fun. From Ray BradburyÕs foreword: ÒWhen I was in my late forties, I was asked to come down to San Diego to attend the first Comic-Con at the El Cortez Hotel. I was part of a group of about three hundred people, if you can believe that. The fascinating thing about this was that these people all loved illustration. We were all very happy being there and enjoying one anotherÕs company.Ó Accompanying Bradbury (who is featured extensively throughout the book) at that first gathering were such luminaries as A.E. van Vogt, Jack Kirby, and Forrest J Ackerman.