Barry pullman screenwriter (3 Ergebnisse)

Final Draft script for Season 2 Episode 7 of the 1991-1993 television series. Originally aired December 1, 1992 on NBC. With production documents laid into the front of the script. Director Radny Zisk's copy, with a label adhered to the title page reading "DIRECTOR," with his manuscript ink annotations throughout and post-it notes adhered to several pages, recto and verso, with manuscript ink annotations on the post-it notes. Series following a district attorney and a detective who have very different opinions on the rights of the accused. In this episode, the DA believes the real suspect of a murder case is the brother of a man they have in custody who refuses to tell the truth. Green titled wrappers, noted as FINAL DRAFT on the front wrapper, production No. 455208, dated September 25, 1992, with credits for screenwriter Barry Pullman. Title page present, dated September 25, 1992, noted as FINAL DRAFT, with credits for screenwriter Barry Pullman. 62 leaves, with last page of text numbered 51. Xerographic duplication, rectos only, with pink, yellow, and green revision pages throughout, dated variously between 9/28/92 and 10/6/92. Pages Fine, wrapper Fine, bound with two gold brads.…

Final Draft script for Season 2 Episode 4 of the 1991-1993 television series. Originally aired October 27, 1992 on NBC. With production documents laid in. Script with manuscript ink annotations throughout. Script belonging to Set Decorator Joe Kroesser, with a label adhered to the front wrapper with his name, and his manuscript ink annotations throughout. Series following a district attorney and a detective who have very different opinions on the rights of the accused. In this episode, a man is arrested under suspicion of being a serial killer but the evidence might be inadmissible in court. Blue titled wrappers, noted as FINAL DRAFT on the front wrapper, production No. 455204, dated August 11, 1992, with credits for screenwriter Barry Pullman. Title page present, dated August 11, 1992, noted as FINAL DRAFT, with credits for screenwriter Barry Pullman, with annotations in manuscript ink. 62 leaves, with last page of text numbered 53. Xerographic duplication, rectos only, with pink, yellow, and green revision pages throughout, dated variously between 8/12/92 and 8/13/92. Pages Fine, wrapper Near Fine, bound with two gold brads.…

Five vintage color slides from the 1997 neo-noir film. Accompanying the slides is a corresponding promotional sheet with captions. A man goes to jail for killing his wife, only to wake up in a completely new reality and with a new identity. An underrated neo-noir that, in the years since its release, has attracted a cult following and critical praise. The first film in David Lynch's Los Angeles trilogy, followed by "Mulholland Drive" (2001) and "Inland Empire" (2006), all three exploring themes of dream-reality displacement, chaos, and unrelenting dread. 1 x 1.5 inches, housed individually in white cardboard sleeves measuring 2 x 2 inches. About Fine.…