Beach james m (51 Ergebnisse)

Zustand: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Magazine. Zustand: Fine. 1st Edition. Fine. Spring 2005. Volume 2, Issue 1 of this magazine of horror and dark fantasy. Fiction by Jeffrey Thomas, James Newman and others. Interviews of Jeffrey Thomas, Graham Masterson and others. Reviews and non-fiction. Stored in archival bag with board. Alan M. Clark (illustrator). …

No Binding. Zustand: Very Good. ORIGINAL reprint/offprint of journal article; no covers; owner's stamp; light creasing of corners of leaves; o/w in very good condition. Journal.

Magazine. Zustand: Fine. 1st Edition. Fine. Fall 2004. Volume 1, Issue 3 of this magazine of horror and dark fantasy. Fiction by Gary A. Braunbeck, William P. Simmons and others. Interviews of Gary A. Braunbeck, Tom Piccirilli, Paul Miller and others. Reviews and non-fiction. Alan M. Clark (illustrator).…

Zustand: New.

Zustand: New.

Paperback. Zustand: Near Fine. First Edition. Longview, WA: James R. Beach and Dark Discoveries Publications. Near Fine. 2007. First Edition. Horror magazine featuring fiction, interviews [Tim Waggoner, Jay Lake, and John Everson], and non-fiction [including a "Tribute to Charles Grant"]. Oversize [about 8.25" x 10.75"] pictorial wrappers, saddle-stapled, 62 pages. Near Fine copy. with very light edge wear. mag8E.…

Hardcover. Zustand: Good. No Jacket. 1st Edition. Firmly bound, blue-green cloth boards. Small handling wear on cover and spine. No jacket, no writing inside.

Soft Cover. Zustand: New. This is a brand new A4 size, 64 page illustrated horror magazine imported from the United States. Includes fiction by Michelle Scalise, Kealan Patrick Burke, Stephen Mark Rainey, Brian Knight, Kevin L. Donihe, and Ken Goldman, with interviews of Stephen Mark Rainey and Brian Knight. Non-fiction includes Dark Devotions by illiam P. Simmons, American Gauthic by Bill Gauthier and Dark Reviews. Size: A4. Jason Beam (cover) Patrick Mihaichuk, Alan M. Clark, Jennifer Gallasso, Mark Emrich (illustrator). Horror.…

Soft Cover. Zustand: New. This is a brand new A4 size, 64 page illustrated horror magazine imported from the United States. Includes fiction by Michelle Scalise, Kealan Patrick Burke, Stephen Mark Rainey, Brian Knight, Kevin L. Donihe, and Ken Goldman, with interviews of Stephen Mark Rainey and Brian Knight. Non-fiction includes Dark Devotions by illiam P. Simmons, American Gauthic by Bill Gauthier and Dark Reviews. Size: A4. Jason Beam (cover) Patrick Mihaichuk, Alan M. Clark, Jennifer Gallasso, Mark Emrich (illustrator). Horror.…

Green Cloth. Zustand: Very Good + (ABOVE AVERAGE). No Jacket. First Edition. Maps to Endpapers.Contents Near Fine.Please email for further details Size: 8vo - over 7¾" - 9¾". G.P Abraham & Others (illustrator). Signed by an "Edith E. Nancoll.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Brand New. 254 pages. 8.00x6.00x0.58 inches. In Stock.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 254 pages. 8.00x6.00x0.58 inches. In Stock.

Zustand: new.

Zustand: As New. Unread book in perfect condition.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 2009. Paperback. . . . . .

Zustand: New.

Paperback. Zustand: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …

Zustand: New. In English.

Zustand: New. 2009. Paperback. . . . . . Books ship from the US and Ireland.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Zustand: Brand New. 529 pages. 9.00x6.25x1.25 inches. In Stock.

Paperback. Zustand: New. Historical, theoretical and analytical studies of principally 19-20c topics, reflecting current musical research.This collection of nineteen essays, all by leaders in the field of music theory, reflects the rich diversity of topics and approaches currently being explored. The contributions fall within three principal areas of study that haveremained at the heart of the discipline. One is historical research, which includes efforts to trace the development of theoretical ideas and their philosophical bases. Representing this broad category are essays dealing with issues like Scriabin's mysticism, neoclassicism, modern aesthetics, and the development of the concept of pitch collection in twentieth-century theoretical writings. The second area embraces the theory and analysis of common-practicetonality and its associated repertoire (including chromatic and 'transitional' music). Within this category are several studies related directly to or derived from Schenkerian theory, covering repertoire from Bach through Schubert and Chopin to Gershwin. Complementing these articles are a study of a chromatic work by Liszt and an essay on Schoenberg's concept of tonality. The third broad category includes the large body of work associated with the theoryand analysis of post-tonal music. Representing this extensive area of inquiry are essays dealing with voice leading in atonal music and extending Allen Forte's theory of the set complex, and analytical studies dealing with works by Schoenberg and Webern. Adding to these contributions are articles that deal with works by composers less frequently discussed in the analytical literature, Milhaud and Peter Maxwell Davies, and an empirical study of aural cognition of atonal and tonal music. These essays, all by colleagues, friends, and students of Allen Forte are intended as a celebrationof his enormous contribution to the discipline of music theory. James Baker is Professor of Music at Brown University; David Beach is Dean of the Faculty of Music at the University of Toronto; Jonathan Bernard is Professor of Music at the University of Washington. …