bean bruce (21 Ergebnisse)

Zustand: As New. Like New condition. Volume 2. A near perfect copy that may have very minor cosmetic defects.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Paperback. Zustand: Very Good-. Binding well intact. Spine uncreased. Pages bright and unmarked. Cover bright and clean, with minor wear at edges, light warping. Support an independent used bookstore in Minneapolis. ; 8vo 8" - 9" tall; 64 pages.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Zustand: Used: Very Good. Ex library so some stamps etc. VERY GOOD CLEAN COPY/LIKE NEW. . SENT NEXT WORKING DAY FROM THE U/K 1ST CLASS 0.0.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Zustand: New. Print on Demand.

Zustand: New. Print on Demand.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 128 p. : col ill. ; 24 cm. ; ISBN 9781893164086, 189316408X OCLC 45466908 ; LCCN 2001270277 ; LC NK8730 .F47 2000 ; Dewey 738.8 ; green cloth in color photographic dustjacket ; Contents: The appeal of the teapot -- Studio potters -- Yixing influence and inspiration -- Tributes and inspiration -- Sculpture, pattern and abstraction -- Figure and narrative -- The teapot as subject ; "Teapots are complex objects steeped in world culture and art history. Their appeal -- conjuring images of afternoons in homey tearooms or elegant gatherings in grand hotels -- is universal. But a new generation of teapots has stood tradition on its ear. As author Leslie Ferrin says, "Today the teapot has one foot in the kitchen and the other in the art world." "For the artist, making a teapot provides daunting challenges. As the various parts -- body, lid, handle, spout and foot -- are assembled, each creator must solve technical difficulties within the context of design, function and scale. As a result, teapots are the objects with which artists in all media demonstrate the heights of their technical and creative abilities." "Teapots Transformed: Exploration of an Object tells the tale of this art form, from the traditional, functional teapot to an eclectic mix of contemporary designs. The exhilarating collection is presented in more than 120 vivid full-color photographs. The book will delight tea drinkers around the world, while providing inspiration for artists and a visual feast for the growing number of teapot collectors. Book jacket."--Jacket ; artists include Elain Alt, Stanley Mace Andersen, Daniel Anderson, Kate Anderson, Adrian Arleo, Arman, Robert Arneson, Rudy Autio, Chuck Aydiett, Ralph Bacerra, Clayton Bailey, D. hayne Bayless, Bennett Bean, Susan Beiner, James E Binnion, Susan Bostwick, Michael Boyd, Mark Burns, Donald Clark, Bruce Cochrane, Carol Cohen, Michael Cohen, Annette Corcoran, Michael Corney, David Damkoehler, Harris Deller, Paul A Dresang, Jack Earl, Raymon Elozua, Susan R Ewing, Laszlo Fekete, Leopold L Foulem, Viola Frey, Debra W Fritts, David Furman, David Gignac, Deborah Kate Groover, Chris Gustin, Dorothy Hafner, Mark Hewitt, Steven Hill, Albert Hodge, Kelly Torche Hong, Collie McLaughlin Hooven, Patrick Horsley, Woody Hughes, Sergei Isupov, Jan McKeache Johnston, Randy J Johnston, Laren Karnes, Beth Katleman, Miriam Kaye, Kady King, Karen Koblitz, Cindy Kolodziejski, Anne Kraus, Michael Lambert, Geo Lastomirsky, Leslie Lee, Ah Leon, Randy Long, Michael Lucaro, David Mackenzie, Warren MacKenzie, Thomas Mann, Louis Marsk, Richard Marquis, Kathryn McBride, Dennis Meiners, Richard Milette, Ron Nagle, Matt Nolen, Richard Notkin, Kevin J O'Dwyer, Jeff Oestrich, George Ohr, Ben Owen, Eunjung Park, Greg Payce, Lucian Octavius Pompli, Tom Rippon, Josilyn ock, Mary Roehm, Lesie Rosdal, Bird Ross, Kari Russell-Pool, Adrian Saxe, Scott Schoerherr, Nancy Selvin, Ellen Shankin, Mark Shapiro, Kathyn Sharbaugh, Richard Shaw, Cindy Sherman, Peter Shire, Linda Skora, Michael Simon, Farrady Newsome Sredi, Wayne Sutton, Richard Swanson, Akio Takamori, Jean Takayama-Ogawa, Claudia Tarantino, Irvin Tepper, Susan Thayer, Eric Van Emeren, Peter Voulkos, Barbara Walch, Patti Warshina, Kurt Weiser, Red Weldon-Sandlin, Beatrice Wood ; SIGNED by author ; FINE/FINE. Signed by Author(s). Book.

Zustand: New. Bean, Margaret (illustrator). Print on Demand.

Paperback. Zustand: Brand New. 1st edition. 210 pages. 8.00x5.00x0.50 inches. In Stock.

PAP. Zustand: New. Bean, Margaret (illustrator). New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

4°, gebundene Ausgabe. Zustand: Wie neu. 192 Seiten, mit Abb. Neuwertiges Exemplar mit Original Schutzumschlag, erscheint kaum gelesen, lediglich Umschlag minimal lagerspurig --- Delivery via Freight Forwarder : For organisational reasons, direct shipping is not possible to all countries; however, you are welcome to order by entering a valid German delivery address (e.g. your forwarding agent) directly within the platform's checkout process. Sprache: Englisch Gewicht in Gramm: 1005.

PAP. Zustand: New. Bean, Margaret (illustrator). New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Poor / Good. Significant staining [from spilled red wine] across covers with 12.5 cm. and 1.5 cm. of staining to first page and staining including 10 cm. of staining to spine edge of pages 51 - 61. Rubbing of cover edges and bumping of corners. Contents otherwise clean and unmarked.

61 pp.; 27.9 x 21.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1979 issue of High Performance, The Performance Art Quarterly, edited by Linda Frye Burnham. Contents include: "Chris Burden: 'The Curse of Big Job,' 'Interviewed by Jim Moisan,' 'Coals to Newcastle;'" "Gina Pane," interviewed by Barbara T. Smith; "Anne Bean," a short conversation with Charles C. Hill; "Anna Banana/Dadaland: European Tour;" "T.R.Uthco," edited by Fire "Artists Chronicle," artists include Sanja Ivekovic, Dalibor Martinis, Richard Kriesche, Nigel Rolfe, Carole Caroompas, Tony Labat, Bruce Pollack, David Gene Fowler, Rachel Rosenthal, Victor Henderson, Geoffrey Wickland, Paul Best, Sandra McKee, Shirley Henderson, Michael J. Berkowitz, Feminist Art Workers, Anne Mavor, Bruce Fier, Jose Maria Bustos, Stuart Rapeport, and Donna Henes. Front and Back Cover: Chris Burden. Very Good. 2 and 2.5 cm. areas of bumping/light creasing to verso carrying through lightly to pages. Light edge wear. Light yellow spotting of covers. Light yellow spotting along top and bottom edge of first page. Contents otherwise clean and unmarked.