beke laszlo (99 Ergebnisse)

Paperback. Zustand: Very Good. English and Hungarian texts. Binding sound, text clean, light shelf wear. Folio (oversize) paperback. 36 pages. Illustrated. Book.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 40 p. : ill. ; 30 cm. Notes; Published to accompany an exhibition held at The National Museum of Photography, Film, and Television, Prince's View, Bradford, West Yorkshire. Subjects; Beke, Laszlo (1942-). Szilágyi, Gábor (1942-). Tory, Klara. Photojournalism - Hungary - Exhibitions. Photography - Hungary. Photographers - Hungary. Hungary - Social conditions. Hungarian photographs. Hungarian photographs - Catalogues. Photography - Hungary - 20th century. Photojournalism. Genres; catalogue. Illustrated. 3 Kg.

Hardcover. Zustand: Very Good. First Edition.

Hardcover. Zustand: Collectible- very good. Zustand des Schutzumschlags: Very Good. Tight and sound Translated from Hungary Book is in almost excellent condition Dust jacket has edge wear but no tears Clean white pages No inside markings or underlinings Please see our photo as some book sites use stock images.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Very Good. First Edition. Jacket has some yellowing from age. Some rubbing and soiling. Not faded. Price intact on flap. No marks in book.

Wrappers. Zustand: Near Fine. 150 pages. Paperback. Texts in English. There is a square of price sticker residue to the upper right corner of the front free endpaper, otherwise fine. Published on the occasion of the exhibition from the Museum of Contemporary Art, Chicago IL September 2-November 26, 1995, Allen Memorial Art Museum, Oberlin College, Oberlin OH February 6-March 24, 1996, Institute of Contemporary Art, Philadelphia PA September 6-November 2, 1996, and the Joslyn Art Museum, Omaha NE February 1-April 6, 1997. Book.

Softcover staple-bound booklet, 12 pages, texts in English and Hungarian? ; very good condition; clean and crisp; no internal marks.

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 40 p. : ill. ; 30 cm. Notes; Published to accompany an exhibition held at The National Museum of Photography, Film, and Television, Prince's View, Bradford, West Yorkshire. Subjects; Beke, Laszlo (1942-). Szilágyi, Gábor (1942-). Tory, Klara. Photojournalism - Hungary - Exhibitions. Photography - Hungary. Photographers - Hungary. Hungary - Social conditions. Hungarian photographs. Hungarian photographs - Catalogues. Photography - Hungary - 20th century. Photojournalism. Genres; catalogue. Illustrated. 1 Kg.

Zustand: Good. DJ may have toning, chips and tears. Cover may have light wear or slight soiling. Pages may be slightly tanned. May contain inscriptions.

Soft cover. Zustand: Very Good. 1st Edition. 40 pages : illustrations ; 30 cm. ephemera loosely inserted. Published to accompany an exhibition held at The National Museum of Photography, Film, and Television, Prince's View, Bradford, West Yorkshire.

HC. Zustand: Gut. Obr., n.p.-, in gutem Zustand, [LSD6,3a], Deu 400g.

1st Edition. Hb In Dw125pp Illustrations and sketches Hungarian Uprising in 1956 Vg/Vg Copy.

Hardcover-Großformat. Zustand: Gut. 127 S. : zahlr. Ill. ; Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Sprache: Deutsch Gewicht in Gramm: 710.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: good. First edition. 5 x 8 in. Red cloth with gilt spine lettering. Condition is GOOD ; ex-library, with bookplate on ffep, card on rfep, pocket on rear pastedown, paper lable on lower spine. Minor edge wear, covers very clean. Binding tight and text clean with no other markings. DJ is GOOD ; not price-clipped (10s 6d) four scotch tape repairs to outside at lower and upper edges. Edges worn, overall clean and fresh with spine slightly sunned. Diaries. Stax.

kart. Zustand: Gut. 27 x 21 cm ; Großformatige Paperbackausgabe mit Schutzumschlag, 84 Seiten mit 35 farbigen Abbildungen. Gutes Exemplar. hw1101f.

gebundene Ausgabe. Zustand: Gut. 167 S. Das Buch befindet sich in einem ordentlich erhaltenen Zustand. Der Bucheinband ist leicht staubschmutzig. Sprache: Deutsch Gewicht in Gramm: 330.

Softcover, 50 pages, in English, very good condition: clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: VG. Zustand des Schutzumschlags: VG. First Edition.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Softcover. English. See images for condition. About the book >.>.> For the research on the history of exhibitions, L?szl? Beke's collection is a pivotal source. For more than forty years, the collection has existed as an exhibition stored in folders. As Beke formulated in his call for participation, the concept of the project also reflected on the possibilities of how art could be exhibited at that time. Art experimenting with new forms could not be presented at "official" exhibition spaces, as these were sites available only for art that conformed to the state's cultural policy. At the same time, it is also compelling to realize that in 1971, alongside or in spite of the lack of institutional structure to support experimental forms of art, a parallel culture operated organically. All of the artists took the invitation seriously to send in materials according to Beke's concept: the WORK = the DOCUMENTATION OF THE IMAGINATION. Depending on their interpretations, the artists submitted projects that could have actually been realized, or projects that were utopic or that reflected on t.

Zustand: as new. Wie neu/Like new.

SOFTCOVER. Zustand: As New. 1st Edition. Extra Large 4to. in photo illustrated stiff glossy card covers, 40pp, photos etc . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Photo books type DbbPHOTO in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Small Qto., 136 pages, illustrated, A Fine copy in dust jacket.

Paperback. Zustand: Good+. Card covers are age-toned at outer edges, notable crease to left side of front and rear covers, small divet to outer edge of rear cover, notable tearing and wear to spine; binding is tight; pages are age-toned but unmarked with black and white photographic illustrations. Text in Hungarian. ; 9.25 x 0.2 x 8.75 inches; Unpaginated pages.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 125 pages; Description: 125 p. : ill. ; 21 cm. Subjects: Refugees --Hungary --Personal narratives --Revolution, 1956. 3 Kg.

Softcover. Exhibition catalogue. Sewn softcover, 12x9" (30x23cm), 384 pp, color and b&w illus. Stamp on flyleaf, else clean, tight, uncreased spine, VG.

Soft cover. Zustand: Very Good. 40pp. 30cm. 38 Black and white photographic illustrations. Soft covers. A very good clean copy.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Fair. First Edition. the jacket is a bit torn and scuffed. foxing and markings throughout. text is clear and legible. fairly good copy. [SK]. Our orders are shipped using tracked courier delivery services.

Zustand: Good. Gut, Paperback, 249 pp., ill. (Bilder [Schwarz/Weiss]) Uit de collectie van Igor Cornelissen, wird als Briefkastenpaket verschickt.

142 Seiten, kartoniert, Einband etwas berieben, sonst sehr gut erhalten. Sprache: deu.

Softcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice book in great condition. Pages in excellent condition. Very slight tan to page edges. Softcover. English. See images for condition. About the book >.>.> The work of Mikl?s Erd?ly has been assessed and explained incorrectly so many times that in one of his last works he not only formulated a self-justification, he also tried to use the awkward situation as a kind of "aesthetic catalyst". The inscription on the wall of a battered tin barrel reads: "Suspicion Saturated Liquid". Like a string suspended in sugared water onto which rock-candy slowly hardens, here too a string is dangled into a barrel. We could think of it as the hook used by anglers "fishing in troubled-waters", only that it snags aesthetic quality. The suspicion that saturates the medium surrounding the artist and generates the work of art presumably derives from the fact that Erd?ly's works, because of their penetrating presence, stubbornly resist conceptual classification, thus giving rise to a sense of uneasiness. People expect something tangible from art, while Erd?ly considers intuition or conjecture more important. Once upon a time a thin thread was fixed at one poin.