benoit audran (29 Ergebnisse)

Paperback. Zustand: Brand New. French language. 9.61x6.69x1.02 inches. In Stock.

Schönes original Kupferstich-Portrait von ca. 1750. -- Blattformat: ca.25x18 cm. Platte: ca. 15 x 11 cm. -- gut erhalten. || Original copper engraved portrait from c. 1750. -- in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Original Kupferstich-Portrait mit schöner Barock-Umrahmung. -- Blatt-Maße: ca. 30,0 x 20,0 cm. -- gut erhalten. || Original engraved portrait with beautiful baroque framing. -- in very good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.

Couverture rigide. Zustand: Bon. Surugue père et fils, Benoit Audran, Edme Jeaurat, Lépicié, G. Scotin, Tiburce de Mare (illustrator). SCARRON. Le Roman Comique de SCARRON, peint par J.B. Pater et J. Dumont le Romain, peintres du Roi, réduit d'après les gravures au burin de Surugue père et fils, Benoit Audran, Edme Jeaurat, Lépicié, G. Scotin, graveurs du Roi, par M. Tiburce de Mare, et accompagné de notices explicatives par M. Anatole de Montaiglon. Paris, P. Rouquette, 1883. Grand In-4 (33 x 23 cm), 4 ffnch.(titre sur couverture conservée, faux titre, portrait de SCARRON en frontispice, titre illustré imprimée noir et rouge), VII pages., 16 planches sous serpentes, 1 fnch (Table), couvertures conservées, reliure d¿éditeur réalisé par M. ENGEL percaline rouge, plats encadrés d¿un triple filet noir, fleurons noirs aux angles. 1er plat titre et mention d¿éditeur dorés. 2ème plat nom du relieur au centre dans un encadré décoratif noir en relief. Fines réductions d'une suite de 16 gravures composées entre 1729 et 1738 d'après les peintures de Pater et Dumont, accompagnées de l'extrait du texte correspondant. Quelques petites taches sur les plats. Très bon état intérieur. Bel exemplaire. Bon état général malgré les défauts signalés.

PARIS, Gringoire [20, Avenue Rapp /// Imprimerie du Petit Journal, 59-61, rue Lafayette] - 1931-1932 - ENSEMBLE DE 51 NUMÉROS (sur 52) de la 5e année - Journal [59x43 cm] de 12 pages; iconographie en noir, dessins de Bogislas, Roger Roy, Tigre, Bib, Poulbot, .; texte sur 6 colonnes. (Collection Gringoire, Le grand Hebdomadaire parisien, politique et littéraire - 5e Années - Hebdomadaire - du N° 157 à 195, 197 à 208 - du Vendredi 6 Novembre 1931 au Vendredi 29 Juillet 1932, du Vendredi 12 Août au Vendredi 28 Octobre 1932 - Directeur: H. de Carbuccia - Le Gérant: Damour). Pliure horizontale. Manque le numéro 196. Numéro 207 (21 Octobre 1932) très abîmé: manque la moitié du numéro. L'ENSEMBLE DES 51 NUMÉROS (sur 52) DE LA 5e ANNÉE en bon état général. Journal créé par Horace de Carbuccia le 9 Novembre 1928. Il paraîtra jusqu'au 26 Mai 1944, 786 numéros. Français Journal.

Zustand: Good. Small 8vo. 4 x 6.25 inches. 10 x 16 cm. Contemporary tree calf and gilt spine and 5 raised bands. Spine slightly worn, endpapers browned, but rest of book very fresh. A later edition of the Regent edition with the same plates but with more pages: [10], 159, xx pp. 30 plates plus first states before letteringof some of the plates.Cohen-De Ricci,p. 452; OCLC Number: 1137465936. Some of the plates in 2 states, one before lettering. Includes the famous "petits pieds" plate.in-12, Frontispice, 5 ff., 159-(1)-XX pp., 30 gravures .Ouvrage illustré d'un frontispice de Coypel gravé par Audran, 29 figures hors-texte d'après Philippe d'Orléans gravées par Benoît Audran dont 13 doubles montées sur onglets, 1 gravure H.T. non signée attribuée à Caylus (la "gravure des petits pieds"), 7 vignettes en en-tête ou bandeaux non signées attribuées à Cochin et 1 fleuron de titre. Jolie édition excessivement recherchée, le premier tirage de 1718 se limite à 250 exemplaires. Edition dite du Régent, parce que c'est Philippe d'Orléans qui l'a fait exécuter et a fait graver les estampes par Benoît Audran. La figure des "petits pieds", attribuée à Caylus, ne fait pas partie du livre, n'ayant été gravée qu'en 1728, mais on l'y a ajoutée dans beaucoup d'exemplaires. L'édition fut rééditée en 1731 puis en 1745. Après la mort du Régent en 1723, Coypel, détenteur des cuivres, mit en vente des suites d'estampes de Daphnis et Chloé. Deux figures qui ont trait à l'éducation amoureuse de Daphnis par Licoemion furent détruites, ce qui explique pourquoi en 1731 ces suites ne comprenaient plus que 26 estampes au lieu de 28. Cohen 648-652. Edition publiée par Falconet, dans la traduction d'Amyot avec des notes d'Antoine Lancelot. (quelques brunissures dans les marges des planches).

No Binding. Zustand: Near Fine. Original Antique Engraving. Original Antique Colored Engraving On Heavy Antique Paper. Plate Mark 10 3/4" X 12 3/4", Very Wide Margins, Overall 18" X 13". No Publisher Or Date; "N. Lancret Pinxit" At Lower Left, "B. Andran Sculp" At Lower Right. An Image Of Courtiers In Country Clothes Dancing Before A Bonfire, While Well Dressed Notables Look On From A Chateau At Upper Right. Small Chip At Upper Right Corer. Scarce. Benoït Audran, Called The Younger, To Distinguish Him From His Uncle, Was A French Artist Born In Paris In 1698, And Died There In 1772. He Was The Son And Pupil Of Jean Audran, And Engraved In The Same Manner As His Father. He Engraved Prints After Paolo Veronese, Poussin, Natoire, Lancret, Watteau, And Other French Artists.

No Binding. Zustand: Near Fine. Original Antique Engraving. Original Antique Colored Engraving On Heavy Antique Paper. Plate Mark 10 3/4" X 12 3/4", Very Wide Margins, Overall 18" X 13". No Publisher Or Date; "N. Lancret Pinxit" At Lower Left, "B. Andran Sculp" At Lower Right. An Image Of Courtiers In Country Clothes Dancing Before A Bonfire, While Well Dressed Notables Look On From A Chateau At Upper Right. Small Chip At Upper Right Corer. Scarce. Benoït Audran, Called The Younger, To Distinguish Him From His Uncle, Was A French Artist Born In Paris In 1698, And Died There In 1772. He Was The Son And Pupil Of Jean Audran, And Engraved In The Same Manner As His Father. He Engraved Prints After Paolo Veronese, Poussin, Natoire, Lancret, Watteau, And Other French Artists.

Dimension extérieur 63 x 50 cm et cuvette 52 x 40 cm. Eau-forte représentant Colbert, célèbre ministre du roi Louis XIV, d?après Claude le Febvre. Ce fameux portrait de Colbert est une des deux pièces de réception à l'Académie que présenta Audran en 1709. Ici, il s?agit d?une copie réalisée sur plaque original, sûrement au XIX ème siècle. Elle est en excellent état hormis une tâche sur la gauche de l?image ainsi qu?un papier légèrement bruni autour du blason avec le serpent. Français Jean-Baptiste Colbert né le 29 août 1619 à Reims, et mort le 6 septembre 1683 à Paris est un homme d'état français. À partir de 1665, il est l'un des principaux ministre de Louis XIV, en tant que contrôleur général des finances (1665-1683), secrétaire d'Etat de la maison du roi et secrétaire d'Etat de la Marine. Source : Wikipédia.

Francesco Albani (illustrator). "'PAR L'ORDRE DE DIANE, AUX AMSURE ENDERMIA LES NIMPHES FONT SENTIR LEURS COMPLOTS ENNEMIS []'"Les Amours desarmes" (Cupids Disarmed)Made by Benoit Audran I after Francesco Albani.Medium: Etching/Engraving on hand laid (verge) paper.Sheet size: 34.1 x 29.5 cm (13.43 x 11.61 inch).CUPIDS-DISARMED-DIANA-NYMPHS | PCO-E17-3BACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Benoit Audran (1698-1772), called the Younger, to distinguish him from his uncle Benoit Audran the Elder, was a French artist born in Paris in 1698, and died there in 1772. He was the son and pupil of Jean Audran, and engraved in the same manner as his father. He engraved prints after Paolo Veronese, Poussin, Natoire, Lancret, Watteau, and other French artists.Biography artist: Francesco Albani or Albano (17 March or 17 August 1578 - 4 October 1660) was an Italian Baroque painter who was active in Bologna (1591-1600), Rome (1600-1609), Bologna (1609), Viterbo (1609-1610), Bologna (1610), Rome (1610-1617), Bologna (1618-1660), Mantova (1621-1622), Roma (1623-1625) and Florence (1633)." Condition: good, given age. Thin paper spots. Paper edges a bit chipped with some damage of bottom middle/right, backed. Some surface damage. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1777 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 173 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 173 Language: French.

Charles Le Brun (illustrator). 'LA VERTU PLAIST QUOY QUE VAINCUE. ETC.'Three plates related to Alexander the Great, showcasing battle scenes and historical events.Made by Jean Audran & Benoit I Audran after Charles Le Brun.Medium: Etching/Engraving on hand laid (verge) paper.Sheet size: 62 x 30.5 cm (24.41 x 12.01 inch). Image size: 59.5 x 28.5 cm. (23.43 x 11.22 inch).ALEXANDER THE GREAT, BATTLE PRINTS, FRENCH BAROQUE, CHARLES LE BRUN, JEAN AUDRAN, HISTORY, MILITARY. | EXPO-LARGEBACKGROUND INFORMATIONSource: unknown, to be determined.Biography engraver: Jean Audran (1667-1756) and Benoit I Audran (1661-1721), both French engravers and pupils of their uncle Girard Audran.Biography artist: Charles Le Brun (1619-1690), a prominent French Baroque painter known for his historical compositions and work under Louis XIV. Condition: good, given age. Light foxing, creasing and soiling. Paper edges / margins a bit rumbed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Zustand: ACEPTABLE. Grabado de Benoit Audran basado en la obra de Guillot y perteneciente a la colección La Passion. [A Paris Chez Audran Graveur du Roy en Hotel Royal des Bobelins.] . [Gillot. Pinx.] ; [Audran ex.] . Satiro Formato (cm): 23x37,5.

Zustand: ACEPTABLE. Grabado de Benoit Audran basado en la obra de Guillot y perteneciente a la colección La Passion. [A Paris Chez Audran Graveur du Roy en Hotel Royal des Bobelins.] . [Gillot. Pinx.] ; [Audran ex.] . Cupido - Satiro Formato (cm): 23x37,5.

Zustand: ACEPTABLE. Grabado por Benoit Audran y basado en la pintura de Charles le Brun(1619-1690). Corto de márgenes, pegado sobre cartón grueso. Formato (cm): 56x66.

No Binding. Zustand: Fair. Portrait of William Laud. Born 7 October 1573 in Reading, England. Died 10 January 1645 in London, England. Etching and Engraving by Benoit Audran (1661-1721), after Adriaen van der Werff (1659-1722), c. 1720. Reasonable condition. Paper a bit browned and slightly soiled. With some minot spotting. A small tear in the lower margin (not affecting the image). Some creasing. Verso: blank, with an old collection stamp of I. Baumann. Dimensions: 296 x 172 mm. William Laud was Clergyman, Archbishop, Archbishop of Canterbury, and English Archbishop. c. 1720. Print.

No Binding. Zustand: Good. Portrait of George Monck, 1st Duke of Albemarle. Born 6 December 1608 in Merton, England. Died 3 January 1670 in London, England. Etching and Engraving by Benoit Audran (1661-1721), after Adriaen van der Werff (1659-1722), c. 1720. Good condition. Paper slightly browned and a slightly soiled. With a small hole in the upper margin. Verso: blank. Dimensions: 290 x 174 mm. George Monck, 1st Duke of Albemarle was Politician, Baron, Soldier, key figure in the Restoration of the monarchy to King Charles II in 1660, Duke, Knight of the Order of the Garter, Earl, Duke of Albemarle, Served in the First Anglo-Dutch War, Served in the Second Anglo-Dutch War, and Served in the English Civil War. c. 1720. Print.

No Binding. Zustand: Good. Portrait of William Laud. Born 7 October 1573 in Reading, England. Died 10 January 1645 in London, England. Etching and Engraving by Benoit Audran (1661-1721), after Adriaen van der Werff (1659-1722), c. 1720. Good condition. Paper slightly browned. Some minor creasing. Verso: blank. Dimensions: 295 x 172 mm. William Laud was Clergyman, Archbishop, Archbishop of Canterbury, and English Archbishop. c. 1720. Print.

Portrait of William Laud (1573-1648), a bishop in the Church of England. He was appointed Archbishop of Canterbury in 1633 by Charles I. Laud was a key advocate of Charles I's religious reforms. For this he was arrested in 1640 and executed towards the end of the First English Civil War in January 1645. Engraving on laid paper, sheet size 300 x 174 mm. Engraved by Benoît II Audran after the painting by Adriaen van der Werff (Kralingen 1659 - Rotterdam 1722). This print was published in: Larrey, Isaac de. Histoire d'Angleterre, d'Écosse et d'Irlande. Rotterdam: Reinier Leers, 1697-1713. Benoît II Audran (Paris 1698-1722) was one of the later Audran family members who became an engraver. The Audran family contained numerous painters and engravers, from Charles (1594-1674) and Claude Audran (1597-1675). The family was active around Paris and Lyon. Into the 19th century, members of the family would instruct their children or other family members in the art of engraving. In very good condition, although cropped within platemark. Remains of mounting on the verso.

Leather Bound. Zustand: New. Language: French. Language: French. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1777. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages: - 173, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 173 173.

Half-length portrait of Cornelis Visscher II, turned to the left, looking at the viewer, holding a tablet and a metal point. Within a wide frame.At bottom center is a rococo cartouche with inscription: 'CORNELIUS DE VISSCHER SCALPTOR HARLEMENSIS.' After a self portrait (rkd images 237855).Signed at bottom: 'Se ipse del. / B. Audran sculp.' with the address of the publisher: 'AParis chez Huquier rue S.t Jacques pres les Mathurins Avec privil. du Roy.' Engraving on paper, trimmed very close to plate mark; total: 425 x 286 mm; small pin holes on the top corners, traces of previous mounting on verso, otherwise in great condition.

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1694 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 508 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 508 Language: Latin.

A Paris, chès [chez] Le Père et Vaulée, s.d. [circa 1720]. Dimensions : 452 x 383 mm. Gravure d'interprétation gravée par Benoît Audran d'après la toile de Michel Ange selon la légende ; en fait d'après Daniele Ricciarelli (cf. Inventaire du fond français des graveurs du XVIIe). Deux petites déchirures marginales. Une petite plissure angulaire. Du reste, très belle condition.

No binding. Zustand: Very Good. a drawing by I.B. Nattier after Peter Paul Rubens (illustrator). 'L' Accouchement de la Reine.'Original etching/engraving on hand laid paper. Sheet size: 45,8 x 61,8 cm. (18 x 24,3 inch). Image size: 34 x 50 cm. (13,4 x 19,7 inch).From: 'La Gallerie de Palais du Luxembourg ', published by Duchange in Paris 1710. This is the large series of engraving by Nattier after the famous series of paintings by Rubens, currently held in the Louvre, depicting the Marriage of Maria de' Medici with Henri IV. Reknown engravers contributed to this work which consists of a Title page, Advertisement page, an engraved portrait of Rubens and 24 large plates.Made by 'Benoit Audran I, the elder (1661-1721) was a French designer, etcher and engraver from Lyon. He was the brother of Jean Audran (1667-1756). He was taught the rudiments of engraving by his father (Germain Audran), and was later placed under the care of his' after 'a drawing by I.B. Nattier after Peter Paul Rubens'. Benoit Audran I, the elder (1661-1721) was a French designer, etcher and engraver from Lyon. He was the brother of Jean Audran (1667-1756). He was taught the rudiments of engraving by his father (Germain Audran), and was later placed under the care of his uncle Gerard Audran in Paris. Benoit Audran II was his nephew and the son of Jean Audran. He was appointed engraver to the king. He was active in Paris and his prints very well respected. Jean-Baptiste Nattier (1678-1726) was A French history painter from Paris. He was the eldest son of Marc Nattier the elder and Marie Courtois. Peter Paul Rubens (1577-1640) was a reknown Flemish Baroque painter, who ran a large studio in Antwerp.Condition: Very good, given age. Print attached to carrier. Edges reinforced on rear. Top left corner with some damage, but not nearly effecting image. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: ACCOUCHEMENT-BIRTH LOUIS XIII-DE MEDICIRT-B1-15.

Jean-Antoine Watteau (illustrator). 'AMUSEMENTS CHAMPETRES / RURIS DELICIAE.'An idyllic pastoral scene with elegantly dressed figures resting and interacting in a wooded landscape. A seated woman is courted by a man who places flowers in her hair, while other figures recline in the grass. Children play nearby under trees, with a distant village visible in the background. And two cherubs play with a goat. The composition evokes leisure, love, and rural pleasure typical of Watteau's fetes galantes.Made by Benoit Audran II after Jean-Antoine Watteau.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 47 x 36 cm (18.5 x 14.17 inch). Image size: 47 x 36 cm. (18.5 x 14.17 inch).AMUSEMENTS CHAMPÊTRES, PASTORAL SCENE, FÊTE GALANTE, WATTEAU, FRENCH ROCOCO, COUNTRYSIDE LEISURE, LOVE, 18TH CENTURY | PCO-B9-17BACKGROUND INFORMATIONAssociated with the Cabinet of Monsieur Dejulienne.Reference: V&A Collection, accession no. 414:18741885.Biography engraver: Benoit Audran II (1698-1772) was a French engraver from the renowned Audran family. He specialized in translating paintings by leading artists, particularly Watteau, into prints, and was known for his refined combination of engraving and etching techniques.Biography artist: Jean-Antoine Watteau (1684-1721) was a pivotal French Rococo painter and the creator of the fete galante genre. His works depict elegant figures in pastoral or park-like settings, blending theatricality, music, and subtle emotion. Condition: good, given age. Light creasing, foxing and soiling. Plate rimmed close to plate marks, remargined beyond. Ghosting from previous framing / matting. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

A Paris, chez Audran, s.d. [circa 1690]. Dimensions (à vue) : 653 x 562 mm. Rare estampe au format attractif ; elle signée dans la plaque Charles Le Brun (ou Lebrun) et Audran. Présentée sous cadre doré et passe-partout. Légères déchirures marginales. Papier légèrement oxydé. Claires rousseurs. Petite marque brune en partie supérieure. Du reste, belle condition. Rare.

A Paris, chez Benoît Audran, s.d. [circa 1700]. Dimensions (à vue) : 327 x 288 mm + passe-partout + cadre. Rare et délicieuse eau-forte du temps, ainsi légendée en marge inférieure (orthographe respectée) : ''Par l?ordre de Diane aux Amours endormis, / Les Nimphes font Sentir leurs Complots ennemis, / Une Chaste fureur anime leur Courage / A se vanger sur eux de maint perfide outrage. / L?une brise les Arcs dont ils étoient armés / Et l?autre jette au feu leurs traits envenimés, / L?une enfin méprisant leurs atteintes cruelles / S?arme de longs Ciseaux et leur coupe les ailes. / C?est ainsi que la fable enseigne sans détour / Que l?on peut aisement triompher de l?amour, / Et que le Coeur humain a ses feux trop sensible / Se trompe lourdement de le croire invincibles.'' Signée dans la plaque Albanus et Audran. Présentée sous cadre. Epreuve un peu courte de marge. Quelques claires rousseurs affectent la partie légendée. Cadre présentant de nombreux éclats. Nonobstant, belle condition. Rare.

Leather Bound. Zustand: New. Language: fre. Language: fre. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1759. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - fre, Vol:- Volume 1, Pages:- 471, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 1 471 471.

Leather Bound. Zustand: New. Language: fre. Language: fre. Presenting an Exquisite Leather-Bound Edition, expertly crafted by the prestigious organization "Rare Biblio" with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1759. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - fre, Vol:- Volume 2, Pages:- 802, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 2 802 802.