Sprache: Englisch
Verlag: Paul Holberton Publishing, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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Sprache: Englisch
Verlag: Paul Holberton Publishing, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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Sprache: Englisch
Verlag: Paul Holberton Publishing, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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ISBN 10: 1911300466 ISBN 13: 9781911300465
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In den WarenkorbPaperback. Zustand: New. Madame Vuillard is a particular focus of the work produced during the initial decade of Édouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom,' whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928.
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Sprache: Englisch
Verlag: Paul Holberton Publishing Ltd, London, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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Paperback. Zustand: new. Paperback. Madame Vuillard is a particular focus of the work produced during the initial decade of Edouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom,' whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928. Marking 150 years since the artists birth, this catalogue accompanies the first exhibition dedicated exclusively to Edouard Vuillards portrayal of his mother, Madame Marie-Justine-Alexandrine Michaud Vuillard. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Sprache: Englisch
Verlag: Paul Holberton Publishing, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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Sprache: Englisch
Verlag: Paul Holberton Publishing / Barber Institute of Fine Arts, University of Birmingham, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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In den WarenkorbSoft cover. Zustand: Fine. Small Qto., 84 pages, colour illustrated. Unused, a Fine copy.
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In den WarenkorbPaperback. Zustand: New. Flowers and plants are a staple of British life. Nearly 40% of our population considers themselves to be gardeners, making this and associated activities a national pursuit. And yet, while we hold endless discussions over how to seed, grow, and disseminate our cherished plants, we still known relatively little about how they were collected, exchanged, circulated, identified, and modified, and how much art has shaped our understanding and appreciation of them. This publication, designed to accompany the homonymous exhibition at the Ashmolean Museum, explores some of these plant stories through highlights from Oxford's collections. Bringing together historical and scientific expertise, art and material culture, traditional and contemporary artworks, this book ultimately reflects on the long-lasting impact of flora on our society - and of us on it.
Sprache: Englisch
Verlag: Paul Holberton Publishing, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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Sprache: Englisch
Verlag: Paul Holberton Publishing, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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Paperback. Zustand: New. Flowers and plants are a staple of British life. Nearly 40% of our population considers themselves to be gardeners, making this and associated activities a national pursuit. And yet, while we hold endless discussions over how to seed, grow, and disseminate our cherished plants, we still known relatively little about how they were collected, exchanged, circulated, identified, and modified, and how much art has shaped our understanding and appreciation of them. This publication, designed to accompany the homonymous exhibition at the Ashmolean Museum, explores some of these plant stories through highlights from Oxford's collections. Bringing together historical and scientific expertise, art and material culture, traditional and contemporary artworks, this book ultimately reflects on the long-lasting impact of flora on our society - and of us on it.
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Sprache: Englisch
Verlag: Paul Holberton Publishing / Barber Institute of Fine Arts, Birmingham, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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In den WarenkorbPaperback. Zustand: Fine. Small Qto., 84 pages, colour illustrated. Looks as new, a Fine copy.
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Sprache: Englisch
Verlag: Paul Holberton Publishing, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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Erstausgabe Signiert
Hardcover. Zustand: Fine. No Jacket. 1st Edition. London, Trolley, 2003. First edition. First printing. Hardbound. Fine/without dust jacket. A tight clean copy. INSCRIBED BY Jean-Michel Cousteau on title page to prior owner. Inscribed by Author(s).
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In den WarenkorbHardcover. Zustand: Brand New. illustrated edition. 216 pages. 10.00x11.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Paul Holberton Publishing Ltd, London, 2018
ISBN 10: 1911300466 ISBN 13: 9781911300465
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Paperback. Zustand: new. Paperback. Madame Vuillard is a particular focus of the work produced during the initial decade of Edouard Vuillard's (1868 - 1940) career, the 1890s, when Vuillard was a member of the Nabis and forging an artistic identity as part of the Parisian avant-garde. During this period Vuillard and his widowed mother shared a series of modest rented apartments in central Paris in which the artist sustained a works-on-paper and (from 1897) amateur photographic practice out of his 'studio-bedroom,' whilst in the dining room Madame Vuillard ran the corsetry business employing a handful of seamstresses including Vuillard's sister. In these apartments Vuillard and Madame Vuillard operated mutually supportive, parallel working practices, to the extent that Vuillard put his mother and the fabric of her atelier 'in the picture' whilst she posed for his pencil and camera or developed his photographs in the kitchen. Their Parisian co-habitation, and Vuillard's portrayal of his mother across a range of pictorial media, lasted until Madame Vuillard's death as an elderly woman in 1928. Marking 150 years since the artists birth, this catalogue accompanies the first exhibition dedicated exclusively to Edouard Vuillards portrayal of his mother, Madame Marie-Justine-Alexandrine Michaud Vuillard. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Paperback. Zustand: New. Flowers and plants are a staple of British life. Nearly 40% of our population considers themselves to be gardeners, making this and associated activities a national pursuit. And yet, while we hold endless discussions over how to seed, grow, and disseminate our cherished plants, we still known relatively little about how they were collected, exchanged, circulated, identified, and modified, and how much art has shaped our understanding and appreciation of them. This publication, designed to accompany the homonymous exhibition at the Ashmolean Museum, explores some of these plant stories through highlights from Oxford's collections. Bringing together historical and scientific expertise, art and material culture, traditional and contemporary artworks, this book ultimately reflects on the long-lasting impact of flora on our society - and of us on it.