beth b scott (14 Ergebnisse)

Paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Very Good +. B/W Photographs (illustrator). Later Printing. 239 pages includes biblio. Text divided into various sections such as : Bay Country Phantoms, Ghost of the Kettle Moraine, and Creepy Coulee Country. Milwaukee gets its own 46 pages. Read further : sacrificial altar, burnings, Paschal Aldrich, wayfarers, Pumpkin Hollow, Doc Powers, Popcorn Dan, Alice Early, and Gerda's vow. A few b/w photos complement text. Cond : Paper wrapper is blue with white (and blue) lettering. Front cover photo is a two-storey house seen through the fog. Tight in binding. Very light general wear. Colours foggy bright. No names no rmarks. Collectible ! ! Quote (p.116) : " Her name is Cassandra and she first appeared on the bedroom wall on a frosty January night in 1971. She wore a swirling-skirted red outfit and, with her bearded companion, stood before an open, horse-drawn carriage. Her black hair was ._._._. ." Size: 8vo.

Paperback. Zustand: VERY GOOD. First Edition. Spanner NYC (GREEN COVER) a Collaborative Projects-sponsored publication that served as the group's answer to unchecked sociopolitical inequity and rising conservatism in the 1970's and 80's. A variety of black-and white works touch upon local and global topics. A spread from Tom Otterness features two small sculptures entitled Work and Music. A photo from Kiki Smith depicts a friend tearing her hair out in front of Jackson Pollock's Autumn Rhythm. Cara Pearlman presents two seasonal drawings. Other contributors include Julia Heyward, Dick Miller, Robert Smith, and more. 78 pages, paper with stikff cover. 11" x 8 !/2". Very good condition.

Paperback. Zustand: New. In shrink wrap. Looks like an interesting title!

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 1155 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Gebundene Ausgabe. Zustand: Sehr gut. 9. Aufl. Coverecken leicht gestaucht, kleine Lagerspuren am Buch, Inhalt einwandfrei und ungelesen Sprache: Englisch Gewicht in Gramm: 2780.

Soft cover. Zustand: Very Good. 1st edition. Near VG. 4to, 80pp, printed wrappers. Uncommon issue of this prime late 1970s NYC art mag, includes art projects and highly experimental Concrete and visual works and documentations from Diego Cortez, Kiki Smith, Bob Bibbs, and by a range of other important contributors. This copy from the collection of the rangy Opal Louis Nations and has a publisher's leaf laid in (some associated staple rust to early pages). Unmarked copy, light wear and rippling, one leaf is crumpled (intentional, as issued), a bit of storage must from the artist's musky den. Not Signed.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address, forwarding label and postal marks on rear.

Stapled. Zustand: Very Good. No Jacket. Cover is 11 x 8 inches that folds out to 11 x 16.

Original two-color silkscreen poster for "The Trap Door" (1980), by Beth B and Scott B, starring Jack Smith and John Ahearn, featuring numerous New York artists, including Jenny Holzer, Gary Indiana, Richard Prince, and William Rice. Printed on the verso, upside down, is a proof image of the poster with a variant design and color scheme. Prominent members of New York's No Wave film scene and, along with Amos Poe and Eric Mitchell, progenitors of the Cinema of Transgression, Beth and Scott B were a pivotal and galvanizing force in that era's explosion of punk-political filmmaking. "The Trap Door" was the duo's final film executed in Super 8, before moving to 16mm for their next (and final) feature, "Vortex" (1983). 11" x 17" inches. Verso with corners briefly bruised from tape removal, else Near Fine.

[10] pp.; 28 x 21.5 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Schedule of independent films shown at The Kitchen Center May 1, 2, 3, 1979. Featured films, organized by Leandro Katz, included Jack Goldstein's "Metro-Goldwyn-Mayer," "Bone China," and "The Jump," Ericka Beckman's "We Imitate We Break Up," Beth B and Scott B's "Black Box," Viktor Vondracek's "Mrs. Wong," Klaus Wyborny's "Six Little Pieces of Film," Gordon Matta-Clark's "Freshkill," Sheila McLaughlin's "Inside Out," Ernie Gehr's "Untitled," Barbara Ess / Carla Liss' "Seesaw" and "Technology/Transformation: Wonder Woman," JJ Murphy's "Science Ficton," Tom Chomont's "Space Time Studies," Stuart Sherman's "5 Films," Leandro Katz's "Splits," Bette Gordon's "Exchanges," Michael Oblowitz's "Table Conversation," Pat O'Neil's "Sleeping Dogs (Never Lie)," John Lurie's "Hell Is You With African Queen," Howard Guttenplan's "Diary 78," Warren Sonbert's "Divided Loyalties," Bill Brand's "Split Decision," Lawrence Weiner's "Altered to Suit," Martha Haslanger "Frames and Cages and Speeches" and "Lived Time," Manuel de Landa's "The Itch, Scratch, Itch Cycle" and "Incontinence," and Harry Smith's "Mirror Animation." Short synopses provided for each film indexed. Very Good. Discoloration towards edges, light handling marks and edge wear.

Vintage flyer for the 1978 experimental short film. Prominent members of New York's No Wave film scene and, along with Amos Poe and Eric Mitchell, progenitors of the Cinema of Transgression, Beth and Scott B were a pivotal and galvanizing force in that era's explosion of punk-political filmmaking. The pair would make six films together between 1978 and 1981, largely dealing with themes of individuality, mind control, and sexual domination and submission, and often starring luminaries of the New York Underground. 11 x 17 inches. Folded once horizontally, else Fine.