Binski p (14 Ergebnisse)

7pp, 4 figs, Printed Card Cover, VGC.

7pp, 3 figs, Printed Card Cover, VGC.

Laminated illustrated wrappers, 4to, 29 cm, 415 pp, 184 colour ills. 184 entries. Published to accompany an exhibition . at the Fitzwilliam Museum and the Cambridge University Library, from 26 July to 11 December 2005. From the blurb: "Cambridge is the depository of one of the greatest collections of illuminated manuscripts in the world. The present volume is published to accompany the exhibition of some two hundred spectacular Cambridge treasures - from the Fitzwilliam Museum, the Cambridge University Library, and the individual College libraries - covering a unique array of outstanding but rarely seen illuminated books.The Catalogue spans over ten centuries of book production, from the significant sixth-century Gospels of St. Augustine, to the great Romanesque Bibles such as the Bury and Dover Bibles, the exquisite and emotive devotional books of the thirteenth and fourteenth centuries, up to the refined, classical elegance of the Humanist books of early Renaissance Italy. Manuscripts are grouped thematically under eight headings. The catalogue entries as well as the introductory essays to each section are by well-known authorities in their field, among them the editors Paul Binski and Stella Panayotova, and Jonathan Alexander, Christopher de Hamel, Rosamond McKitterick, Nigel Morgan and Teresa Webber." "All manuscripts catalogued are illustrated in full colour, and there is a Glossary, exhaustive Bibliography, and detailed Index." Near Fine.…

16pp, 10b-w pls, Printed card cover, VGC.

23pp, 5b-w pls, Printed card cover, VGC.

Laminated illustrated wrappers, 4to, 29 cm, 415 pp, 184 colour ills. 184 entries. Published to accompany an exhibition . at the Fitzwilliam Museum and the Cambridge University Library, from 26 July to 11 December 2005. From the blurb: "Cambridge is the depository of one of the greatest collections of illuminated manuscripts in the world. The present volume is published to accompany the exhibition of some two hundred spectacular Cambridge treasures - from the Fitzwilliam Museum, the Cambridge University Library, and the individual College libraries - covering a unique array of outstanding but rarely seen illuminated books.The Catalogue spans over ten centuries of book production, from the significant sixth-century Gospels of St. Augustine, to the great Romanesque Bibles such as the Bury and Dover Bibles, the exquisite and emotive devotional books of the thirteenth and fourteenth centuries, up to the refined, classical elegance of the Humanist books of early Renaissance Italy. Manuscripts are grouped thematically under eight headings. The catalogue entries as well as the introductory essays to each section are by well-known authorities in their field, among them the editors Paul Binski and Stella Panayotova, and Jonathan Alexander, Christopher de Hamel, Rosamond McKitterick, Nigel Morgan and Teresa Webber." "All manuscripts catalogued are illustrated in full colour, and there is a Glossary, exhaustive Bibliography, and detailed Index." Very Good. The bibliophile A R A Hobson's copy, with a FitzWilliam Musum compliments slip presenting the copy to him laid in. Also laid in is a clipping from the TLS of a full-page article by David McKitterick discussing the exhibition and two catalogues of illuminated manuscripts held in Cambridge.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2400grams, ISBN.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2400grams, ISBN.…

Zustand: Very Good. 575, numerous b/w and col illus. . PB. Vg. Light crease to spine. .

Soft cover. Zustand: Very Good. 1st Edition. History of Art in the Medieval period 1200 to 1400 .574 illustrated page catalogue of an exhibition shown at the Royasl Acadamy in 1987 in near fine cond.

Hardcover. Zustand: Brand New. 400 pages. 9.45x6.69x9.45 inches. In Stock.

Zustand: gut. Harvey Miller. The Westminster Retable. History, Technique, Conservation In englischer Sprache. pages.

Hardcover with dustjacket, 415 pages, illustrated in colour, text in English. Fair copy. Hardcover met stofomslag, 415 pagina's, geïllustreerd in kleur, tekst in het Engels. In redelijke staat. Relié avec jaquette, 415 pages, illustré en couleur, texte en anglais. Exemplaire correct.

Hardback, 464 p., 23,8 x 28. ISBN 9781905375288. The late 13th-century Westminster Retable is rightly celebrated as one of the most beautiful and enigmatic panel paintings to have survived from medieval Europe. Its history is not without tragedy. It was made in the Westminster Abbey, one of the most prestigious Gothic churches of the thirteenth century, itself a treasure-house of medieval wall and panel painting; then, after the Dissolution of the Monasteries, it was demoted rapidly to use as part of a large cupboard; its ruination in the eighteenth century just pre-dated the Gothic Revival and its rediscovery and rescue. Since then, it has intrigued commentators because of its extraordinary technical mastery, its value as an ornamental resource for study and, more recently, as an important if fragmentary link in the history of painting in England and France in the thirteenth century. There is every reason to believe that its standing as an artwork was apparent even in the Middle Ages, and that, in short, it may be seen as one of the central monuments of Anglo-French Gothic painting. Languages : English. 0 g.…