bloomfield jonathan (3 Ergebnisse)

paperback. Zustand: Very Good. A clean, cared for item that is unmarked and shows limited shelf wear.

Soft cover. Zustand: Very Good. Later Printing. 525 pp. Light edge and corner wear with a single crease on the spine; no interior markings. This collection contains: Rules for Murderesses by Edmund Pearson; Scenes from a Murder Trial by William Cooper; The Business Methods of Alphonse Capone by Frederick Lewis Allen; Robert and Ruby by Jonathan Goodman; Death Scene by Walt Whitman; A Prevalence of Victims by David Bowen; The Killer in the Rye by Jeffrey Bloomfield; A Liverpool Tryptych by Richard Whittington-Egan; The Case of the Ragged Stranger by Alexander Woolcott; The Eternal Suspect by Albert Borowitz; Death by Laser Beam by Rayner Heppenstall; Warner's Warning by William Roughead; Arnold Rothstein's Final Playoff by Damon Runyon; Going to See a Man Hanged by William Makepeace Thackery; Farewell Performances by Jonathan Goodman; A Baking at Sing Sing - Anonymous; The Beheading of Bluebeard by Webb Miller; The Culprit by A. E. Housman; Blood Carnival - Anonymous; The Late Mr Ellis by Charles Duff; Three Lifers by Horatio Bottomley; The Affair at Villa Madeira by F. Tennyson Jesse; Judd's Story by Judd Gray; Remarks on Ripperology by Jonathan Goodman; Charles the Ripper by Ivan Butler; The Bloodthirsty Butler by H. B. Irving; Major Armstrong Master of Arts by Robin Odell; The Lizzie Borden Song by Michael Brown; A Spin Across London Bridge by Richard D. Altick; The Death of a Desperado - Anonymous; The Fatal Barney by Peter Cotes; Harvard and Homicide by Thomas M. McDade; Circuit Murders by Lord Cockburn; 41313 NY by Jared L. Manley; The Secret of Moat Farm by Edgar Wallace; Old Man Bender's Orchard by William Bolitho; and The Wallace Case by Jonathan Goodman. Size: 8vo. Book.

Encuadernación de tapa blanda. Zustand: Bien. Zustand des Schutzumschlags: Aceptable. Essays "The Play's the Thing: The House that Bene's Built," by Franco Quadri; "Weavings: Anni Albers Reconciles the Hand and the Machine; Fifty Years Later, Jonathan Williams Picks Up Some Threads"; "Putty as a Picture: The By-products of a By-product," by Carlo McCormick; "On the Earth and in the Air: Panamarenko. When Ideas Become Winged," by Wim van Mulders; "The Four Giacometti's: Giovanni, Augusto, Alberto, and Diego. The Stamp of Stampa," by Pierre Schneider; "Inanimations: A Project for Artforum," by Boyd Webb; "A Viney Pastoral: Drawing from Nature," by Mike Glier; "Lines, Chapters, and Verses: The Art of Jean-Michel Basquiat. A Voice and an Eye," by Demosthenes Davvetas; "Icons at Large: Andy Warhol," by Lisa Liebmann; "Book Previews: Excerpts from Le Corbusier's 'The Journey to the East;' Octavio Paz's Essay 'Art and Identity: Hispanics in the United States;' and Mary Ann Doane's 'The Desire to Desire: The Woman's Film of the 1940s'" "A Canvas of Episodes: The Wigged Soprano," by Frederic Tuten; "Museum Piece: THe Wrong Jar," by Joseph Giovannini; "Like Art: For An Advertising of Love," by Glenn O'Brien; "Ground Up: Our Quarry Beads," by Herbert Muschamp; "Speaker to Speaker: What You Wish Upon a Star," by Greil Marcus. Reviews by Carlo McCormick, Jean Fisher, John Yau, Kate Linker, Donald Kuspit, Charles Hagen, Ronny Cohen, Barbara Kruger, John Howell, Patricia C. Phillips, Nancy Stapen, Paula Marincola, Maureen Bloomfield, Colin Westerbeck, Buzz Spector, Ed Hill, Suzanne Bloom, Bill Berkson, Colin Gardner, Richard Rhodes, Pier Luigi Tazzi, Daniel Soutif, Max Wechsler, Helmut Draxler, Ingrid Rein, Martin Hentschel, Paul Groot, Anne Applebaum, and Michael Archer. Cover: Andy Warhol signs a campel soup can, 1964.