Bread and puppet (16 Ergebnisse)

Fine and bright illustrated stapled wraps with crisp bright text throughout. Nicely and with lively illustrations throughout. Scarce.

Fine and bright illustrated stapled wraps with crisp bright text throughout. Nicely and with lively illustrations throughout. Scarce.

Fine and bright illustrated stapled wraps with crisp bright text throughout. Nicely and with lively illustrations throughout. Scarce.

Fine and bright illustrated stapled wraps with crisp bright text throughout. Nicely and with lively illustrations throughout. Scarce.

Postcard Yellow postcard. 4-1/4 x 6. Near fine two color red and yellow postcard with white backing.

First edition, first printing Original publication from 1970. Wonderful ephemera from this Vermont dramatist troupe. Very good wraps.

Zustand: Gut. Broschur ABSCHÜRFUNGEN - Exemplar mit Gebrauchsspuren (das kann heißen: das Buch KANN normale Leseverformung wie Knicke am Buchrücken, oder leichte Nachdunklung o. ä. haben oder auch, obwohl unbeschädigt, als Mängelexemplar gekennzeichnet sein, ferner können auch Notizen oder Unterstreichungen im Text vorhanden sein. Alles dies zählt zur Kategorie des GUT ERHALTENEN). In jedem Falle aber dem Preis und der Zustandsnote entsprechend GUT ERHALTEN. und ACHTUNG: Die Covers können vom abgebildeten Cover und die Auflagen können von den genannten abweichen AUSSER bei meinen eigenen Bildern (die mit den aufrechtstehenden Büchern vor schwarzem Hintergrund, wie auf einer Bühne) MEINE EIGENEN BILDER SIND MASSGEBEND FÜR AUFLAGE, AUSGABE UND COVER s-147a-0624 KEIN VERSANDKOSTENRABATT !!! Sprache: Deutsch Gewicht in Gramm: 450.…

Second Printin. Fine in stapled wrappers. Interesting illustrated booklet published to accompany this performance.

Zustand: as new. Pbk, 24pp, stapled stiff card covers in oblong small 4to graphic-novel-style calendar format. "distilled paperthought in short or longhand or graphic curvature and are exactly the same length as an ordinary line of thought on an ordinary winterday," an excellent clean tight unmarked copy as new becoming hard to find.…

First Edition. Softcover, good with uneven tanning to covers.

Madrid, agosto 1971. 24x17 cm. 74 p. + VIII (El Espectador. Foro teatral). Rústica. Textos completos, estudios críticos y reportajes gráficos sobre la obra reproducida. Secciones de Crónicas y Críticas. Mesa redonda con R.G. Davis, J. Svendsen, L. Valdez y P. Schumann. Ilustr. b/n. Muy buen estado. Primera edición. …

Madrid, agosto 1971. 24x17 cm. 74 p. + VIII (El Espectador. Foro teatral). Rústica. Textos completos, estudios críticos y reportajes gráficos sobre la obra reproducida. Secciones de Crónicas y Críticas. Mesa redonda con R.G. Davis, J. Svendsen, L. Valdez y P. Schumann. Ilustr. b/n. Buen estado. Primera edición. (Ref. PS. 006-M). …

LeatherBound. Zustand: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 59 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 59 Language: English.…

Zustand: Very Good. Very Good condition. (Theater, Artists' Books) A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

[2] pp.; 28 x 21.6 cm; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Stapled press release dated May 9, 1972 announcing "simulated bombs and blood to mark antiwar action on Park Avenue", held on Wednesday, May 10, 1972. Sponsored by War Resisters League, Greenwich Village Peace Center, Vietnam Peace Parade Committee, Emmaus House, Campaign End the Air War, Social Action Committee - Community Church, Women's International League for Peace and Freedom, War Tax Resistance, Vietnam Veterans Against the War, Women's Strike for Peace, and Catholic Peace Fellowship. Theatre groups include the Living Theater, Bread and Puppet Theater, the Open Theater, and the Emma Goldman Brigade. "More than 2.500 anti-war demonstrators staged a 'simulated saturation bombing' in front of the corporate headquarters of International Telephone and Telegraph here, to protest Nixon?s escalation and ITT?s involvement in the Indochina war. In New York, the demonstrators sought to dramatize what happens daily to people in Indochina during the bombing. Thousands of parachutes called 'simulated electronic battlefield sensors' were thrown into the Park avenue area from between 49th and 50th streets from an upper floor of the Warldorf-Astoria Hotel. Such 'sensors' pinpoint U.S. anti-population bombing raids. Tens of thousands of leaflets shaped like the anti-personnel bombs (guava, pineapple, and dragontooth bombs) used in Southeast Asia fluttered down on Park avenue as the sounds of a bombing raid blared from sound effect devices. Each leaflet explained the bomb it represented and its effect on human beings and called upon people to join the protest. Those demonstrators who were 'killed' by the bombing lay down in front of ITT headquarters, blocking traffic. They smeared themselves with ketchup and red-dies to simulate blood. The 'survivors' of the bombing were rounded up by members of the Vietnam Veterans Against the War and placed in 'concentration camps.' The VVAW members carried toy M-16s and had signs attached to their backs reading 'Saigon Police.' The survivors, or 'prisoners of war' were herded into the street in front of the ITT and made to sit." -- Ron Tyson, "2,500 in New York Stage a 'Bombing' Raid at ITT Office," New York Daily World, May 12, 1972. Very Good. Folded into thirds. Staple on top left corner. Clean and unmarked.…

New York: Bread and Puppet Press. December 1966 - January 1967. Three volumes, small 8vo. Mimeographed wrappers and text, wire stitched as issued, printed on blue, cream and pink paper; all vols pp. 32, with black and white illustrations to each page; very slight toning to edges of all volumes, otherwise sharp and bright; Fine. A rare gathering of three early mimeographed issues of the Bread and Puppet Newspaper, produced by the New York countercultural theatre group, Bread and Puppet, in protest against the Vietnam War.The Bread and Puppet Theatre was founded in New York by Peter Schumann in 1963. Their early productions addressed local concerns in the Lower East Side, such as rent rates and rats. By the mid-1960s, as American involvement in Vietnam escalated, their attention turned towards anti-war activism. They arranged street pageants, shows, and protests, but they also produced printed materials, such as these pamphlets, which criticised US involvement in Vietnam. Newspaper workshops took place once a week, 'so that the news could be understood'. Each thirty-two-page issue sought to distil 'all the news that's fit to print', 'all the good news', and 'almost all the bad news', guided by the principle that 'everything that can be said on 32 little pages has to be said on 32 little pages' (This is the Bread and Puppet Museum, c. 1968). These early newspapers are concerned with the Vietnam War. They criticise Henry Cabot Lodge, the bombing of Vietnam, and the destruction of Ben Suc. OCLC finds twelve copies, all of which in the US; not on Library Hub. …