Brenk beat (72 Ergebnisse)
Age of Spirituality : A Symposium
Beck, Hans-Georg, Hanfmann, George M., Kitzinger, Ernst, Brenk, Beat, Brown, Peter R.
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 17,50
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Age of Spirituality : A Symposium
Beck, Hans-Georg, Hanfmann, George M., Kitzinger, Ernst, Brenk, Beat, Brown, Peter R.
- Hardcover
Anbieter: Better World Books, Mishawaka, IN, USABetter World Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 17,50
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Hardcover
Anbieter: Antiquariat Walter Nowak, göttingen, , DeutschlandAntiquariat Walter Nowak
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 20,00
EUR 9,90 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
guter Zustand. Ein Meisterwerk italienischer Buchmalerei des 11. Jahrhunderts Gewicht in Gramm: 550.
- Hardcover
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USAMidtown Scholar Bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 28,73
EUR 5,18 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
hardcover. Zustand: Good. Previous owner stamp in front No dust jacket. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.
Weitere Bilder- Hardcover
Anbieter: Wimbauer Buchversand, Hagen, NRW, DeutschlandWimbauer Buchversand
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 5,00
EUR 15,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Leinen mit Schutzumschlag. Zustand: Sehr gut. 309 S. : zahlr. Ill. (z.T. farb.), graph. Darst., Kt. ; 24 cm Noch originalverpackt, daher keine näheren Angaben zu Auflage/Jahr/Paginierung möglich, Kanten gering bestossen /// Standort Wimregal FLK7-6038 ISBN 9783444060076 Sprache: Deutsch Gewicht in Gramm: 620 Neuausg. in 1 Bd. :…mit Reiseführer im Anh.
- Hardcover
- Erstausgabe
Anbieter: ISD LLC, Bristol, CT, USAISD LLC
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 39,98
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
hardcover. Zustand: New. 1st.
- Hardcover
Anbieter: Midtown Scholar Bookstore, Harrisburg, PA, USAMidtown Scholar Bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 35,87
EUR 5,18 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
hardcover. Zustand: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.
Sprache: Deutsch
Verlag: Berg, Hallwag Verlag, 1979
- Hardcover
Anbieter: Hans Kümmerle - Antiquariat, Goeppingen, BW, DeutschlandHans Kümmerle - Antiquariat
Verkäufer/-in kontaktierenVerkäufer/-in mit 3 SternenZustand: Gebraucht
EUR 5,50
EUR 18,70 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Mit zahlreichen teils farbigen Abbildungen, 309 S., Sprache: Deutsch Gewicht in Gramm: 747 23,5 x 14 cm, Ppbd., Su. Gut erhalten.
- Hardcover
Anbieter: Michener & Rutledge Booksellers, Inc., Baldwin City, KS, USAMichener & Rutledge Booksellers, Inc.
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 39,98
EUR 5,18 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: No Dust Jacket As Issued. Text clean and tight; no dust jacket; Spatantike-Fruhes Christentum-Byzanz; 8vo 8" - 9" tall; 220 pages.
Verlag: Sandoz Ltd 1967
- Softcover
Anbieter: GREENSLEEVES BOOKS, Oxford, Vereinigtes KönigreichGREENSLEEVES BOOKS
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 11,92
EUR 18,52 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Paperback. Zustand: Very Good. . 1967, clean copy, no markings, Professional booksellers since 1981.
- Hardcover
Anbieter: PONCE A TIME BOOKS, SANTA BARBARA, CA, USAPONCE A TIME BOOKS
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 42,75
EUR 3,88 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
0 311 p. Includes illustrations. Fine in very good dust jacket. light shelf wear.
- Hardcover
Anbieter: Dr. L. Reichert Verlag, Wiesbaden, , DeutschlandDr. L. Reichert Verlag
Verkäufer/-in kontaktierenVerkäufer/-in mit 1 SternenZustand: Neu
EUR 29,90
EUR 17,00 VersandVersand von Deutschland nach USAAnzahl: 5 verfügbar
Hardcover. Zustand: Neu. Spätantike - Frühes Christentum - Byzanz 220 S. 106 s/w Abb./ill. b/w, 37 farbige Abb./ill. (color), 600 g. This book deals with the apse as a showcase for images in the early Christian and early Byzantine periods. Two opposed traditions, harking back to early imperial times, nourished the invention of t…he Christian apse image: on the one hand there were statues in apses of pagan temples and imperial cult rooms which were venerated during cult ceremonies, on the other hand, there were apse mosaics in nymphaea where aquatic myths and figures celebrated the amenities of water. Christian apse mosaics originated within this context and in spite of the Old Testament prohibition of the image. Mosaics and frescoes in apses of cult rooms generated very particular effects, evoking in the viewer respect, admiration, awe and maybe even veneration. The capacity of the image to have an impact on the viewer could not be decreed by the Church, but this was an affair manifested more or less casually according to the inventive power of the artist. This book explores the interactions between the various image-media during the early Christian and early Byzantine periods; it particularly investigates the participation of the viewer and of the patron.
- Hardcover
Anbieter: Grand Eagle Retail, Bensenville, IL, USAGrand Eagle Retail
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 57,30
Versand nach gratisVersand innerhalb von USAAnzahl: 1 verfügbar
Hardcover. Zustand: new. Hardcover. This book deals with the apse as a showcase for images in the early Christian and early Byzantine periods. Two opposed traditions, harking back to early imperial times, nourished the invention of the Christian apse image: on the one hand there were statues in apses of pagan temples and imperia…l cult rooms which were venerated during cult ceremonies, on the other hand, there were apse mosaics in nymphaea where aquatic myths and figures celebrated the amenities of water. Christian apse mosaics originated within this context and in spite of the Old Testament prohibition of the image. The functions and effects of apse mosaics in Christian cult rooms were explored step by step and invented afresh. The participants of this delicate process of Christian image inventions were not only ecclesiastical but also private patrons. Without any qualm, emperors and representatives of the ruling class decorated their mausolea (S. Costanza in Rome, S. Aquilino in Milan) and representational rooms in villas (Centcelles) with Christian images. Because of the Mosaic prohibition of images, the Church could not attribute to the image a biblically grounded role, it behaved cautiously towards the decoration of churches with images during the fourth century. Only during the fifth century did it relax, and start to invent high brow theological programs (S. Maria Maggiore in Rome), understandable only to few believers. Some bishops gave special treatment to the promotion of aniconic programs (Paulinus of Nola, baptistery of the Lateran in Rome, Casaranello, church of Paraskevi in Salonica). Others rejected images in churches categorically (Epiphanius of Salamis). The Church admitted images and programs representing and portrayed Jesus Christ as God and as a human being that private patrons and artists had invented together with theologians; it provoked thereby a conflict (never really argued out) between the pagan representation of gods and emperors and the representation of Christ whose image should never recall images of gods nor of emperors, though points of contact were unavoidable. Highly original creations of apse mosaics resulted from this fertile conflict that were never repeated. All early Christian apse mosaics are unprecedented, one of creations without any succession. Their treatment as iconographic types is a blind ally. The Church sat back and watched how mosaics and frescoes in apses of cult rooms generated very particular effects, evoking in the viewer respect, admiration, awe and maybe even veneration. The representation of the Virgin with the child in a large apse evoked something like visual worship. The capacity of the image to have an impact on the viewer could not be decreed by the Church, but this was an affair manifested more or less casually according to the inventive power of the artist. For several centuries, the Church was not in a situation to create an official image of Christ. It cared for having apse mosaics not being adored. But the Church could not prevent images from being adored by private persons and/or control private concerns, such as setting-up of ex votos, in official church apses (S. Venanzio in Rome). Private persons first launched the cult of the Virgin (sarcophagus of Adelphia, gold glass). From the sixth century on, images - apse-mosaics, frescoes and panel paintings - were installed for 'cult-propaganda' (SS. Cosma e Damiano, Hag. Demetrius in Salonica). In some cases, perhaps, images promoted a devotion on the part of the private believers. This process was a novelty for the sixth century. But a real cult around an apse mosaic was never instituted, even though the altar for the celebration of the Mass was installed in the apse. The early Christian period had no interest in representing the sacrifice of the Mass in an apse mosaic. Official ecclesiastical prayers were not addressed to divine figures and Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Weitere BilderSprache: Deutsch
Verlag: Proplaen Verlag, Germany 1977
- Hardcover
Anbieter: Pendleburys - the bookshop in the hills, Llanwrda, Vereinigtes KönigreichPendleburys - the bookshop in the hills
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 22,59
EUR 13,31 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
hardback. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. hardback, German language publication. Small thick folio, 11" x 8 1/8", a very good tightly bound copy with clean and unmarked contents and in a well preserved but mildly age-toned pictorial dust jacket. Housed in the publisher issued slipcase. Illustrated wit…h 400 b&w & colour plates. A heavy volume which may attract a request for additional postage if ordered from some locations outside the United Kingdom.
- Hardcover
Anbieter: FIRENZELIBRI SRL, Reggello, FI, ItalienFIRENZELIBRI SRL
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 18,00
EUR 18,00 VersandVersand von Italien nach USAAnzahl: 1 verfügbar
Zustand: MOLTO BUONO. Propyläen Verlag cm.16,5x24, pp.354, legatura editoriale cartonata con sopraccoperta. Propyläen Kunstgeschichte. Supplementband.
Sprache: Deutsch
Verlag: Mainz, Zabern, 1981
Anbieter: Mephisto-Antiquariat, Willebadessen, , DeutschlandMephisto-Antiquariat
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 8,00
EUR 20,10 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
24 cm, gebunden Pp. 493 Schwarzweißabbildungen, 24 Farbtafeln, 357 S., Einband etwas unfrisch, sonst guter Zustand. Sprache: Deutsch Gewicht in Gramm: 1450.
- Hardcover
Anbieter: Antiquariat Matthias Wagner, Berlin, , DeutschlandAntiquariat Matthias Wagner
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 21,70
EUR 47,50 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Hardcover. Sehr guter Zustand. BITTE BEACHTEN: KEIN VERSAND AUSSERHALB EU - PLEASE NOTE: NO SHIPPING OUTSIDE EUROPEAN UNION. Leinen mit Schutzumschlag, 311 Seiten, mit zahlreichen Abbildungen. 29 x 22 cm. Gewicht: 2000.
Verlag: Zürich, Belser Verlag, 1987
- Hardcover
Anbieter: Antiquariat Hartmut R. Schreyer, Augsburg, , DeutschlandAntiquariat Hartmut R. Schreyer
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 36,00
EUR 12,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
311 S. : zahlr. Illustr. ; 29 cm. Orig.-Leinen m. OU. Codex Benedictus ; Wiss. Erg.-Bd. - Belser-Faksimile-Editionen aus der Biblioteca Apostolica Vaticana. - (gut erhalten).
Verlag: Belser, Zürich 1987
- Hardcover
Anbieter: Antiquariat Stefan Krüger, Essen, NRW, DeutschlandAntiquariat Stefan Krüger
Verkäufer/-in kontaktierenVerkäufer/-in mit 3 SternenZustand: Gebraucht
EUR 30,00
EUR 19,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Leinen. 311 S. Oln. OU. Umschlag mit winzigem Einriss. Buch.
- Hardcover
Anbieter: Windows Booksellers, Eugene, OR, USAWindows Booksellers
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 77,30
EUR 6,47 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
Casebound Hardcover. VG, board corners bumped. 106 color and black and white plates 131 pp.
- Hardcover
Anbieter: moluna, Greven, , Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 34,52
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Gebunden. Zustand: New. This book deals with the apse as a showcase for images in the early Christian and early Byzantine periods. Two opposed traditions, harking back to early imperial times, nourished the invention of the Christian apse image: on the one hand there were statues .
Weitere BilderVerlag: Générique
- Hardcover
Anbieter: JLG_livres anciens et modernes, Saint Maur des Fossés, , FrankreichJLG_livres anciens et modernes
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Sehr gut
EUR 35,00
EUR 18,00 VersandVersand von Frankreich nach USAAnzahl: 1 verfügbar
Zustand: Très bon. Nos envois se font avec suivi, pour tout problème n'hésitez pas à nous contacter pour trouver une solution.
Propyläen Kunstgeschichte. Spätantike und frühes Christentum Bd. 13. Kunst der Gegenwart 1940 - 1980
- Hardcover
Anbieter: Buchhandlung Bücherlicht GbR, Krefeld, NRW, DeutschlandBuchhandlung Bücherlicht GbR
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 7,49
EUR 40,09 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Zustand: Gut. Propyläen Kunstgeschichte Bd. 15. 352 S. Bibliothek Exemplar! Sprache: Deutsch Gewicht in Gramm: 1006 Gebundene Ausgabe, Maße: 24 cm x 16.5 cm x 0.1 cm.
Sprache: Deutsch
Verlag: Zürich, Belser 1987, 1987
- Hardcover
- Erstausgabe
Anbieter: Antiquariat an der Uni Muenchen, München, DeutschlandAntiquariat an der Uni Muenchen
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 15,00
EUR 35,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
4°, Leinen. 311 Seiten. Leinen mit Schutzumschlag. Mit zahlreichen Illustrationen. Sehr gutes Exemplar. Sprache: Deutsch Gewicht in Gramm: 1550.
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 42,91
EUR 62,99 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - This book deals with the apse as a showcase for images in the early Christian and early Byzantine periods. Two opposed traditions, harking back to early imperial times, nourished the invention of the Christian apse image: on the one hand there were statues in apses of pagan temples and imperial cult… rooms which were venerated during cult ceremonies, on the other hand, there were apse mosaics in nymphaea where aquatic myths and figures celebrated the amenities of water. Christian apse mosaics originated within this context and in spite of the Old Testament prohibition of the image. The functions and effects of apse mosaics in Christian cult rooms were explored step by step and invented afresh. The participants of this delicate process of Christian image inventions were not only ecclesiastical but also private patrons. Without any qualm, emperors and representatives of the ruling class decorated their mausolea (S. Costanza in Rome, S. Aquilino in Milan) and representational rooms in villas (Centcelles) with Christian images. Because of the Mosaïc prohibition of images, the Church could not attribute to the image a biblically grounded role, it behaved cautiously towards the decoration of churches with images during the fourth century. Only during the fifth century did it relax, and start to invent high brow theological programs (S. Maria Maggiore in Rome), understandable only to few believers. Some bishops gave special treatment to the promotion of aniconic programs (Paulinus of Nola, baptistery of the Lateran in Rome, Casaranello, church of Paraskevi in Salonica). Others rejected images in churches categorically (Epiphanius of Salamis). The Church admitted images and programs representing and portrayed Jesus Christ as God and as a human being that private patrons and artists had invented together with theologians; it provoked thereby a conflict (never really argued out) between the pagan representation of gods and emperors and the representation of Christ whose image should never recall images of gods nor of emperors, though points of contact were unavoidable. Highly original creations of apse mosaics resulted from this fertile conflict that were never repeated. All early Christian apse mosaics are unprecedented, one of creations without any succession. Their treatment as iconographic types is a blind ally.The Church sat back and watched how mosaics and frescoes in apses of cult rooms generated very particular effects, evoking in the viewer respect, admiration, awe and maybe even veneration. The representation of the Virgin with the child in a large apse evoked something like visual worship. The capacity of the image to have an impact on the viewer could not be decreed by the Church, but this was an affair manifested more or less casually according to the inventive power of the artist.For several centuries, the Church was not in a situation to create an official image of Christ. It cared for having apse mosaics not being adored. But the Church could not prevent images from being adored by private persons and/or control private concerns, such as setting-up of ex votos, in official church apses (S. Venanzio in Rome). Private persons first launched the cult of the Virgin (sarcophagus of Adelphia, gold glass). From the sixth century on, images - apse-mosaics, frescoes and panel paintings - were installed for 'cult-propaganda' (SS. Cosma e Damiano, Hag. Demetrius in Salonica). In some cases, perhaps, images promoted a devotion on the part of the private believers. This process was a novelty for the sixth century.But a real cult around an apse mosaic was never instituted, even though the altar for the celebration of the Mass was installed in the apse. The early Christian period had no interest in representing the sacrifice of the Mass in an apse mosaic. Official ecclesiastical prayers were not addressed to divine figures and saints represented in apse mosaics. Apse mosaics are never mentioned in liturgies. Apse mosaics.
- Hardcover
Anbieter: preigu, Osnabrück, Deutschlandpreigu
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 39,15
EUR 70,00 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. The Apse, the Image and the Icon | An Historical Perspective of the Apse as a Space for Images | Beat Brenk | Buch | Englisch | 2010 | Reichert | EAN 9783895007033 | Verantwortliche Person für die EU: Heil, Margaret, Margaret Heil, Reichert, Anne-Frank-Str. 11, 63762 Großostheim, margret-heil[at]gmx[dot]de |…Anbieter: preigu.
- Hardcover
Anbieter: AussieBookSeller, Truganina, VIC, AustralienAussieBookSeller
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 97,83
EUR 31,92 VersandVersand von Australien nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: new. Hardcover. This book deals with the apse as a showcase for images in the early Christian and early Byzantine periods. Two opposed traditions, harking back to early imperial times, nourished the invention of the Christian apse image: on the one hand there were statues in apses of pagan temples and imperia…l cult rooms which were venerated during cult ceremonies, on the other hand, there were apse mosaics in nymphaea where aquatic myths and figures celebrated the amenities of water. Christian apse mosaics originated within this context and in spite of the Old Testament prohibition of the image. The functions and effects of apse mosaics in Christian cult rooms were explored step by step and invented afresh. The participants of this delicate process of Christian image inventions were not only ecclesiastical but also private patrons. Without any qualm, emperors and representatives of the ruling class decorated their mausolea (S. Costanza in Rome, S. Aquilino in Milan) and representational rooms in villas (Centcelles) with Christian images. Because of the Mosaic prohibition of images, the Church could not attribute to the image a biblically grounded role, it behaved cautiously towards the decoration of churches with images during the fourth century. Only during the fifth century did it relax, and start to invent high brow theological programs (S. Maria Maggiore in Rome), understandable only to few believers. Some bishops gave special treatment to the promotion of aniconic programs (Paulinus of Nola, baptistery of the Lateran in Rome, Casaranello, church of Paraskevi in Salonica). Others rejected images in churches categorically (Epiphanius of Salamis). The Church admitted images and programs representing and portrayed Jesus Christ as God and as a human being that private patrons and artists had invented together with theologians; it provoked thereby a conflict (never really argued out) between the pagan representation of gods and emperors and the representation of Christ whose image should never recall images of gods nor of emperors, though points of contact were unavoidable. Highly original creations of apse mosaics resulted from this fertile conflict that were never repeated. All early Christian apse mosaics are unprecedented, one of creations without any succession. Their treatment as iconographic types is a blind ally. The Church sat back and watched how mosaics and frescoes in apses of cult rooms generated very particular effects, evoking in the viewer respect, admiration, awe and maybe even veneration. The representation of the Virgin with the child in a large apse evoked something like visual worship. The capacity of the image to have an impact on the viewer could not be decreed by the Church, but this was an affair manifested more or less casually according to the inventive power of the artist. For several centuries, the Church was not in a situation to create an official image of Christ. It cared for having apse mosaics not being adored. But the Church could not prevent images from being adored by private persons and/or control private concerns, such as setting-up of ex votos, in official church apses (S. Venanzio in Rome). Private persons first launched the cult of the Virgin (sarcophagus of Adelphia, gold glass). From the sixth century on, images - apse-mosaics, frescoes and panel paintings - were installed for 'cult-propaganda' (SS. Cosma e Damiano, Hag. Demetrius in Salonica). In some cases, perhaps, images promoted a devotion on the part of the private believers. This process was a novelty for the sixth century. But a real cult around an apse mosaic was never instituted, even though the altar for the celebration of the Mass was installed in the apse. The early Christian period had no interest in representing the sacrifice of the Mass in an apse mosaic. Official ecclesiastical prayers were not addressed to divin Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Verlag: Zurich, Belser Verlag, 1987 1987
- Hardcover
Anbieter: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgienBOOKSELLER - ERIK TONEN BOOKS
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht
EUR 25,00
EUR 39,50 VersandVersand von Belgien nach USAAnzahl: 1 verfügbar
Gebunden, Leinen mit Schutzumschlag, 210 x 285mm., 312S., 110 Abbildungen. Wissenschaftlicher Erganzungsband zur Faksimile-Ausgabe des Codex Benedictus, Vat. lat. 1202. Guter Zustand. 1700 g.
Sprache: Deutsch
Verlag: Frankfurt am Main ; Berlin ; Wien : Propyläen-Verl. 1985
Anbieter: Antiquariat Thomas Haker GmbH & Co. KG, Berlin, DeutschlandAntiquariat Thomas Haker GmbH & Co. KG
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Gut
EUR 12,00
EUR 30,00 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Hardcover/Pappeinband. Zustand: Gut. 350, 400 S. : zahlr. Ill. Guter Zustand. Einband mit leichten Gebrauchsspuren. Seiten sauber. Sprache: Deutsch Gewicht in Gramm: 1550.
- Hardcover
Anbieter: preigu, Osnabrück, Deutschlandpreigu
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 113,40
EUR 70,00 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. The Mosaics of Roger II in Sicily | Visualizing Sacred Authority | Beat Brenk | Buch | Englisch | Reichert | EAN 9783752000191 | Verantwortliche Person für die EU: Heil, Margaret, Margaret Heil, Reichert, Anne-Frank-Str. 11, 63762 Großostheim, margret-heil[at]gmx[dot]de | Anbieter: preigu.
