Breton andre guest editor (2 Ergebnisse)
Verlag: Edward W. Titus, Paris, 1932
- Softcover
- Erstausgabe
Anbieter: John R. Sanderson, Bookseller, Stockbridge, MA, USAJohn R. Sanderson, Bookseller
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenVerbandsmitglied: SNEAB
Zustand: Gebraucht - Sehr gut
EUR 308,03
EUR 4,75 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbOriginal Wrappers. Zustand: Fine. Zustand des Schutzumschlags: Near Fine. First Edition. Excellent copy, entirely unopened, with the original glassine protective wrapping. More than a dozen notable writers and artists have contriburted prose, poetry, and drawings.
Verlag: Edward W. Titus, Paris., 1932
- Softcover
Anbieter: Peter Ellis, Bookseller, ABA, ILAB, London, Vereinigtes KönigreichPeter Ellis, Bookseller, ABA, ILAB
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 421,40
EUR 17,53 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
In den WarenkorbWrappers. The famous Surrealist Number. Introduction ("By Way of Introducing This Surrealist Number") by Edward W. Titus. 208 pages. Reproductions of drawings by Giorgio di Chirico, Max Ernst, Man Ray, Yves Tanguy as well as collaborative drawings by Paul Eluard, André Breton, Tristan Tzara and others. Experimental prose, exposi…tory articles, other prose and poems by André Breton ("Surrealism: Yesterday, To-day and To-morrow"), André Breton and Paul Eluard ("The Possessions"), René Crevel ("Every One Thinks Himself Phoenix." and "The Period of Sleeping-Fits"), Salvador Dali ("The Object as Revealed in Surrealist Experiment") Paul Eluard ("Poetry's Evidence" five poems and two short pieces of prose), Max Ernst ("Inspiration to Order"), Marcel Duchamp ("The Bride Stripped Bare by her Own Bachelors"), Luis Buñuel and Salvador Dali ("An Andalusian Dog"), Benjamin Péret ("At No. 125, Boulevard Saint-Germain" and five poems), Tristan Tzara (seven pieces of prose and verse); Samuel Beckett translates four of the pieces. Pages unopened.Covers slightly nicked and creased at the overlapping edges. Very good indeed. A sharp copy preserved in the glassine with which it was first issued, this having several tears.