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Zustand: good. Fast Free Shipping â" Good condition book with a firm cover and clean, readable pages. Shows normal use, including some light wear or limited notes highlighting, yet remains a dependable copy overall. Supplemental items like CDs or access codes may not be included.

paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Zustand: New.

Paperback. Zustand: new. Paperback. A groundbreaking study of music and musical history in Leeds. This is the first scholarly volume to focus on popular music in Leeds. It delves into the rich musical history of Leeds and its long tradition of vibrant venues, nightclubs, dance halls, pubs, and other sites of musical entertainment. The contributors use the popular music of Leeds to exemplify and inform understandings of broader cultural and urban changes, the social and historical significance of music as mass media; music and migration; music, racialization, and social equity; and industrial decline, deindustrialization, neoliberalism, and the rise of the twenty-four-hour city. Charting moments of stark musical politicization and de-politicization, while also tracing arguments about heritagizing popular music within discussions about musics place in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds and beyond. The first academic collection dedicated to the histories, heritage, people and places of popular music in Leeds. It presents critical social and historical case studies exploring Leeds music and musical spaces, central players - musicians and music industry figures, and key moments in diverse musical scenes in the city. 36 b/w illus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition "Sounds of Our City" and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet - with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds' popular music exemplifies and informs understandings of broader cultural and urban changes - both in Britain and across wider global contexts - of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about "heritagising" popular music within discussions about music's "place" in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond.

Zustand: new.

Zustand: New.

Paperback. Zustand: New. This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition "Sounds of Our City" and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet - with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds' popular music exemplifies and informs understandings of broader cultural and urban changes - both in Britain and across wider global contexts - of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about "heritagising" popular music within discussions about music's "place" in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond.

Zustand: New.

Zustand: New. In.

Paperback. Zustand: New.

Zustand: New.

Zustand: New. 2023. New. paperback. . . . . .

Paperback. Zustand: Brand New. 312 pages. 9.50x6.75x0.67 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: New.

Paperback / softback. Zustand: New. New copy - Usually dispatched within 3 working days. 526.

Zustand: New. 2023. New. paperback. . . . . . Books ship from the US and Ireland.

Paperback. Zustand: Very Good. This first academic collectiondedicated to popular music in Leeds -developed from the work of interdisciplinary scholars, drawn from a major public museumexhibition Sounds of Our City and built uponcontemporary research. Leeds has rich musicalhistories and heritage, a long tradition of vibrantmusic venues, nightclubs, dance halls, pubs andother sites of musical entertainment. The city hasspawned crooners, folk singers, punks, post-punks, Goths, DJs, popstars, rappers and indierockers, yet with a few exceptions - Leeds hasnot been studied for its scenes in ways that other UK cities have. In ways that the chapters explore,Leeds popular music exemplifies and informsunderstandings of broader cultural and urbanchanges both in Britain and across wider globalcontexts of the social and historical significanceof music as mass media; music and migration;music, racialisation and social equity; industrialdecline, de-industrialisation, neoliberalism and therise of the 24-hour city. Charting moments of starkmusical politicisation and de-politicisation, whileconcomitantly tracing arguments aboutheritagising popular music within discussionsabout musics place in museums and in theurban economy, this book contributes to debatesabout why music matters, has mattered, andcontinues to matter in Leeds, and beyond. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Brand New. 312 pages. 9.50x6.75x0.67 inches. In Stock.

Paperback. Zustand: new. Paperback. A groundbreaking study of music and musical history in Leeds. This is the first scholarly volume to focus on popular music in Leeds. It delves into the rich musical history of Leeds and its long tradition of vibrant venues, nightclubs, dance halls, pubs, and other sites of musical entertainment. The contributors use the popular music of Leeds to exemplify and inform understandings of broader cultural and urban changes, the social and historical significance of music as mass media; music and migration; music, racialization, and social equity; and industrial decline, deindustrialization, neoliberalism, and the rise of the twenty-four-hour city. Charting moments of stark musical politicization and de-politicization, while also tracing arguments about heritagizing popular music within discussions about musics place in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds and beyond. The first academic collection dedicated to the histories, heritage, people and places of popular music in Leeds. It presents critical social and historical case studies exploring Leeds music and musical spaces, central players - musicians and music industry figures, and key moments in diverse musical scenes in the city. 36 b/w illus. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Zustand: NEW.

Paperback. Zustand: New. This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition "Sounds of Our City" and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet - with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds' popular music exemplifies and informs understandings of broader cultural and urban changes - both in Britain and across wider global contexts - of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about "heritagising" popular music within discussions about music's "place" in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Taschenbuch. Zustand: Neu. Neuware - The first academic collection dedicated tothe histories, heritage, people and places ofpopular music in Leeds. It presents critical socialand historical case studies exploring Leeds' musicand musical spaces, central players - musiciansand music industry figures, and key moments indiverse musical scenes in the city. 36 b/w illus.

Paperback. Zustand: New. This first academic collection dedicated to popular music in Leeds - developed from the work of interdisciplinary scholars, drawn from a major public museum exhibition "Sounds of Our City" and built upon contemporary research. Leeds has rich musical histories and heritage, a long tradition of vibrant music venues, nightclubs, dance halls, pubs and other sites of musical entertainment. The city has spawned crooners, folk singers, punks, post- punks, Goths, DJs, popstars, rappers and indie rockers, yet - with a few exceptions - Leeds has not been studied for its scenes in ways that other UK cities have. In ways that the chapters explore, Leeds' popular music exemplifies and informs understandings of broader cultural and urban changes - both in Britain and across wider global contexts - of the social and historical significance of music as mass media; music and migration; music, racialisation and social equity; industrial decline, de-industrialisation, neoliberalism and the rise of the 24-hour city. Charting moments of stark musical politicisation and de-politicisation, while concomitantly tracing arguments about "heritagising" popular music within discussions about music's "place" in museums and in the urban economy, this book contributes to debates about why music matters, has mattered, and continues to matter in Leeds, and beyond.