Brian tholl (3 Ergebnisse)

The Cinema of Ettore Scola (Contemporary Approaches to Film and Media Series)
Lanzoni, R?mi [Editor]; Bowen, Edward [Editor]; Zagarrio, Vito [Foreword]; Bowen, Edward [Contributor]; Lanzoni, R?mi [Contributor]; Comand, Mariapia [Contributor]; Cilento, Fabrizio [Contributor]; Marcus, Millicent [Contributor]; Borrione, Francesca [Contributor]; Uva, Christian [Contributor]; Sorlin, Pierre [Contributor]; Tholl, Brian [Contributor]; Guaraldo, Emiliano [Contributor]; Colleoni, Federica [Contributor]; Vargau, Marina [Contributor]; Marini-Maio, Nicoletta [Contributor]; Marcucci, Dario [Contributor]; Zamparini, Luca [Contributor]; Brunetta, Gian Piero [Contributor];
Sprache: Englisch
Verlag: Wayne State University Press 2020
Serie: Contemporary Approaches to Film and Media, Buch 62 von 79. Buch 62 von 79 - Contemporary Approaches to Film and Media
- Softcover
Anbieter: Amazing Books Pittsburgh, Pittsburgh, PA, USAAmazing Books Pittsburgh
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EUR 31,94
EUR 3,44 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
paperback. Zustand: As New. Clean, sturdy, unmarked copy in like new condition. SZ.

Sprache: Englisch
Verlag: Wayne State University Press, US 2020
Serie: Contemporary Approaches to Film and Media, Buch 62 von 79. Buch 62 von 79 - Contemporary Approaches to Film and Media
- Softcover
Anbieter: Rarewaves.com USA, London, LONDO, Vereinigtes KönigreichRarewaves.com USA
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 46,88
Versand nach gratisVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Paperback. Zustand: New. The Cinema of Ettore Scola offers contemporary perspectives on Ettore Scola (1931-2016), one of the premier filmmakers of Italian cinema. Scola was a crucial figure in postwar Italy as a screenwriter of comedies in the 1950s and 1960s who later became one of the country's most beloved directors in the 19…70s and 1980s with his bittersweet comedies and dramas on history, politics, and social customs. While Scola has received extensive attention from scholars based in Italy and France, Rémi Lanzoni and Edward Bowen's edited volume is the first English-language book on Scola's cinematographic career. The volume (containing fourteen chapters) is organized in four parts, the first two of which focus both on Scola's contributions to Comedy Italian Style-as a screenwriter and director-and his commentaries on the history of Italy, Rome, and the film industry. The second half of the book is divided into sections on Scola's relationship to and use of place, politics, and legacy. Mariapia Comand's chapter begins the volume with an exploration of the development of Scola's narrative methods by examining his early work as an illustrator, ghostwriter, and screenwriter. Later, Brian Tholl approaches one of Scola's best-known and most frequently studied films, Una giornata particolare, from a less-explored perspective, namely its commentary on surveillance and internal exile, or confino, during the fascist period. At the close of the volume is a broad-sweeping tribute to and reflection on Scola's filmmaking by Gian Piero Brunetta, a leading historian of Italian cinema who developed a close relationship with Scola over the years, who reveals the varied narrative strategies linked to food that the director utilized for character development and social commentary. The Cinema of Ettore Scola makes Scola accessible to English-reading audiences and helps readers better understand his film style, the major themes of his work, and the representations of twentieth-century Italian history in his films.

Sprache: Englisch
Verlag: Wayne State University Press, US 2020
Serie: Contemporary Approaches to Film and Media, Buch 62 von 79. Buch 62 von 79 - Contemporary Approaches to Film and Media
- Softcover
Anbieter: Rarewaves.com UK, London, Vereinigtes KönigreichRarewaves.com UK
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 38,85
EUR 75,34 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Paperback. Zustand: New. The Cinema of Ettore Scola offers contemporary perspectives on Ettore Scola (1931-2016), one of the premier filmmakers of Italian cinema. Scola was a crucial figure in postwar Italy as a screenwriter of comedies in the 1950s and 1960s who later became one of the country's most beloved directors in the 19…70s and 1980s with his bittersweet comedies and dramas on history, politics, and social customs. While Scola has received extensive attention from scholars based in Italy and France, Rémi Lanzoni and Edward Bowen's edited volume is the first English-language book on Scola's cinematographic career. The volume (containing fourteen chapters) is organized in four parts, the first two of which focus both on Scola's contributions to Comedy Italian Style-as a screenwriter and director-and his commentaries on the history of Italy, Rome, and the film industry. The second half of the book is divided into sections on Scola's relationship to and use of place, politics, and legacy. Mariapia Comand's chapter begins the volume with an exploration of the development of Scola's narrative methods by examining his early work as an illustrator, ghostwriter, and screenwriter. Later, Brian Tholl approaches one of Scola's best-known and most frequently studied films, Una giornata particolare, from a less-explored perspective, namely its commentary on surveillance and internal exile, or confino, during the fascist period. At the close of the volume is a broad-sweeping tribute to and reflection on Scola's filmmaking by Gian Piero Brunetta, a leading historian of Italian cinema who developed a close relationship with Scola over the years, who reveals the varied narrative strategies linked to food that the director utilized for character development and social commentary. The Cinema of Ettore Scola makes Scola accessible to English-reading audiences and helps readers better understand his film style, the major themes of his work, and the representations of twentieth-century Italian history in his films.