Broker david (5 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. Text is in English and Dutch. No dust jacket believed to be as issued. Very good condition. Minor edgewear. All intact. No writing or marking. Not Ex-Library.

hardcover. Zustand: Very Good. No jacket as issued. Modest shelfwear to boards, clean pages and sound binding.

Wrappers. Zustand: Very Good. Society for Creative Anachronism, Published 1985-1988. Wraps, twelve issues: iii, 24; 48; 31; 50; 32; 28; 48; 40; 49; 76; 30; 54 pp.; 22 cm; each side-stapled; all first printings, no later printing stated; black-and-white illustrations throughout. In Very Good condition. Illustrated paper covers in twelve colors with mild shelf and edge wear; issue numbers written in ink at top corner of Nos. 17 and 19; residue at fore-edge of each from the sticker that sealed it for mailing, the sticker itself still present on No. 17; adhesive residue and light staining to front cover of No. 22, whose mailing label is affixed to the front; spotting to lower front cover of No. 25; dampstain to lower front cover of No. 30; 1/2 inch tear at bottom edge of rear cover of No. 28. Original SCA mailing labels addressed to John Griffin Trimble on all but No. 25, whose label has come away; the label on No. 39 reads "SCA - Board of Directors, John Trimble." Postal indicia and small green numeral stickers on several rear covers. Staples tight. Otherwise unmarked. Twelve numbers of the Society for Creative Anachronism's bimonthly monograph series, with the original subscription mailing labels addressed to John Griffin Trimble (1936-2024), John ap Griffin in the Society, described by the SCA as one of its founding members and the first person to register arms with its College of Arms; the label on the 1988 Costume Studies number is addressed to him as a member of the Society's Board of Directors. The Compleat Anachronist began in July 1982 as the Society's outlet for single-subject research, each number written by members for members. Falconry (No. 17) and castle building (No. 19) come from the original Michigan editorship; from No. 22 the series was edited from Lawndale, California, in the Los Angeles kingdom to which the labels were mailed, and Nos. 28 and 29 were printed by Raymond's Quiet Press. Subjects: saints, relics and canonization (No. 21); designing and registering SCA arms and badges (No. 22, the standard members' guide, with the earliest known heraldic representation from the tomb of Geoffrey Plantagenet on the rear cover); weapons and armour of Western Europe 400-750, 750-1000 and 1100-1350 (Nos. 23, 24 and 29); medieval gardens and their plants (No. 25); fabrics for the costumer (No. 28); the continuation of the Deer Abbey stories (No. 30); the persecution of witchcraft to 1500 (No. 32); and costume articles reprinted from Seams Like Old Times (No. 39).…

Zustand: gut. Karin Hanssen. The Thrill of it All. 1994-2009. Paintings. In deutscher Sprache. pages.

Hardback, 270x210mm, 120 pages, 60 gekleurde illustraties, NL/ENG text. FINE. ISBN 9789076979236. Deze publicatie biedt een overzicht van het schilderkunstig oeuvre van de Belgische kunstenaar Karin Hanssen ( Antwerpen 1960). Ze begon te schilderen in 1985 maar toen ze in 1994 de film 'The Thrill of it All' zag, een screwball comedy (amusementsfilm met in de hoofdrol Doris Day-1963) besloot ze om haar werk toe te spitsen op het thema van het sociaal determinisme en te werken met de flashback. Het boek behandelt deze periode van 1994 tot en met 2009, De auteurs, Philippe Van Cauteren (artistiek directeur S.M.A.K., Gent, Belgie), Gregory Salzman (onafhankelijk curator en schrijver over hedendaagse kunst, Amherst, MA, V.S.) en David Broker (artistiek directeur CCAS, Canberra, Australie) bekijken op een diepgaande manier Hanssens werk vanuit uiteenlopende culturele en theoretische invalshoeken. De belangrijkste aspecten van haar werk worden onderzocht, zoals de toepassing van tijdsdesorientatie, sociale semiotiek en 'de geleende blik'. Karin Hanssens werk was te zien in verschillende internationale tentoonstellingen. Ze vertegenwoordigde Belgie op de 7e Sharjah Biennale (V.A.E.) en nam deel aan de 2e Yokohama Triennale (Japan) in 2005. In 2009 werd haar werk getoond in de tentoonstelling UN-SCR-1325, Chelsea Art Museum, New York (V.S.). In 2010 nam ze deel aan de internationale tentoonstelling over mode en kunst in 800 Show Art Space, Shanghai tijdens de Shanghai Fashion week, China. Karin Hanssen leeft en werkt in Antwerpen, Belgie. 810 g.…