brown trisha (87 Ergebnisse)

Zustand: New. Volume 1.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Zustand: Very Good. Crease on cover*.

Paperback. Zustand: Good. first edition,1p; 987654321pt line. GOOD CONDITION. SOLID, BRIGHT BUT some lines of text hilited in red. ; DARK BLUE TITLES WITH RED ENERGY LINES, SHOWING WOMAN DANCER IN CRANE? MOVEMENT.COVER PHOTO.WHITE ROOM BACKGROUND ; Photos, drawings,line art; 161 pages; In concrete terms it explains how you can create your own dance expressions.

Paperback. Zustand: Brand New. 38 pages. 9.00x6.00x0.10 inches. In Stock.

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Zustand: Very good. New York: Performing Arts Journal, Inc., 1976., 1976. Very good. - Octavo, 8-3/8 inches high by 5-1/4 inches wide. Softcover bound in printed yellow wraps. The spine is very slightly darkened. 130 pages plus ads, with black & white illustrations. There is a chip to the head of the spine. Very good. Among the contents of this issue are Michael McClure's play "The Masked Chair", an interview with Edward Bond, a dialogue on dance between Trisha Brown and Douglas Dunn; Bonnie Marranca on Peter Handke's "Sprechstucke" and articles by Eugene Ionesco, Richard Foreman and Polish playwright Tadeusz Rozewicz.

Zustand: New. In.

Zustand: good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Edition in Italian. Oblong. 117 pages. Printed boards. FIRST EDITION of the Italian language edition. A fine, unread copy.

[2] pp.; 10.4 x14.7 cm.; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Postcard featuring a color photograph of Trisha Brown's "Roof Piece" performance on New York City rooftops in 1973. Very Good / Fine. Unmailed postcards with faint yellowing from age along verso edges, otherwise clean and unmarked.

Paperback. Zustand: Brand New. 2nd edition. 324 pages. 8.43x5.85x0.73 inches. In Stock.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Paperback. Zustand: New. In the mid-1980s, Robert Rauschenberg's creative attentions turned toward the visual and plastic properties of junk metal when he began to assemble found metal objects and screenprint his photographic images onto aluminum, bronze, brass and copper. His first body of work in this vein was Gluts, a series begun in 1986 and continued intermittently until 1995, in which ornate metalwork seemingly derived from a bedpost might attach to a slice of mesh wire, or twisted petals of yellow metal might sprout from the remains of an eviscerated toaster. Asked to comment on his novel use of the word "gluts," Rauschenberg said, "It's a time of glut. Greed is rampant. I simply want to present people with their ruins. I think of the Gluts as souvenirs without nostalgia." Published to accompany the Peggy Guggenheim Collection's exhibition Robert Rauschenberg: Gluts (the first show to focus on Rauschenberg's sculpture since 1995), this fully illustrated catalogue features a selection of approximately 40 sculptures drawn from the holdings of institutions and private collections in the United States and abroad. It includes a reassessment of Rauschenberg's work as a sculptor by author and painter Mimi Thompson, an essay by Trisha Brown, an illustrated exhibition history, a preface by Philip Rylands and introduction by Susan Davidson that focuses on Rauschenberg's relationship to the Guggenheim and the artist's engagement with Venice in particular.

Zustand: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDExposition du 20 juillet au 27 septembre 1998, musees de Marseille. 16pp. illus in color.

Zustand: as new. Wie neu/Like new.

Hardcover. Zustand: New. BRAND NEW. Still Sealed in Publishers Shrinkwrap.

Hardcover. Zustand: Sehr gut. 117 pp. Very well preserved copy 514 Sprache: Englisch Gewicht in Gramm: 1008.

Softcover, 340 pages; very good condition; clean and crisp; no internal marks. Does not have the clear plastic dustjacket that came with copies of the 2002 edition. Foreign shipping may be extra.

PF. Zustand: New.

Well-illustrated (illustrator). 292 pp.; 24 x 20 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Critical theory by Sally Banes on post modernist dance in the early 1960's with photographs by Robert Alexander. "'Terpsichore in Sneakers' is the first full-scale discussion of the artists who have made post-modern dance today's pre-eminent choreographic movement. Sally Banes traces post-modernism's origins in the work of Cunningham and Ann Halprin, its explosion in the Judson Dance Theater of the early '60s, and its relationship to other avant-garde movements in the arts during th 1960s and 70s including Happenings, pop and minimal art and related developments in the visual arts, theater and literature." -- taken from jacket cover. Individual chapters are devoted to Simone Forti, Yvonne Rainer, Steve Paxton, Trisha Brown, David Gordon, Deborah Hay, Lucinda Childs, Douglas Dunn, Meredith Monk, Kenneth King and The Grand Union. Includes photographs, chronology and a selected bibliography. Fine. Covers and contents clean and unmarked in unread condition. Due to size and weight additional shipping charges will be required for international orders.

Zustand: New. In.

Zustand: fine. l'article peut presenter de tres legers signes d'usure, petites rayures ou imperfections esthetiques. vendeur professionnel; envoi soigne en 24/48h.

304 pp.; 23.8 x 22 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Monograph by Achille Bonito-Oliva with editorial coordination by Corinna Ferrari. Artists include Marina Abramovic, Vito Acconci, Vincenzo Agnetti, Laurie Anderson, Carl Andre, Giovanni Anselmo, Eleanor Antin, Art & Language, Michael Asher, David Askevold, Gabor Attalai, Michael Badura, Jo Baer, Marco Bagnoli, John Baldessari, Martin Barré, Robert Barry, Lothar Baumgarten, Didier Bay, Bernd and Hilla Becher, Bill Beckley, Larry Bell, Lynda Benglis, Joseph Beuys, James Bishop, Mel Bochner, Alighiero Boetti, Mari Boeyen, Marinus Boezem, Christian Boltanski, George Brecht, K.P. Brehmer, Marcel Broodthaers, Stanley Brouwn, Trisha Brown, Gunter Brüs, Chris Burden, Daniel Buren, Victor Burgin, James Lee Byars, André Cadere, Pier Paolo Calzolari, Peter Campus, Louis Cane, Enrico Castellani, Mark Camille Chaimowitz, Alan Charlton, Sandro Chia, Christo, Francesco Clemente, Chuck Close, Hanne Darboven, Walter De Maria, Agnes Denes, Jan Dibbets, Richard Estes, Valie Export, Robert Filliou, Dan Flavin, Simone Forti, Terry Fox, Hamish Fulton, General Idea, Gilbert & George, Philip Glass, Dan Graham, Robert Grosvenor, Hans Haacke, Duane Hanson, Michael Heizer, Eva Hesse, Dick Higgins, Nancy Holt, Rebecca Horn, Douglas Huebler, Robert Irwin, Ray Johnson, Joan Jonas, Donald Judd, Allan Kaprow, On Kawara, Ellsworth Kelly, Edward Kienholz, Yves Klein, Joseph Kosuth, Jannis Kounellis, David Lamelas, La Monte Young, Marian Zazeela, Barry Le Va, Les Levine, Sol LeWitt, Richard Long, George Maciunas, Robert Mangold, Piero Manzoni, Brice Marden, Agnes Martin, Gordon Matta-Clark, Mario Merz, Annette Messager, Mary Miss, Meredith Monk, Robert Morris, Antonio Muntadas, Bruce Nauman, N.E. Thing Co., Barnett Newman, Dennis Oppenheim, Nam June Paik, Michelangelo Pistoletto, Arnulf Rainer, Yvonne Rainer, Ad Reinhardt, Gerhard Richter, Terry Riley, Dieter Rot [aka Dieter Roth], Alan Ruppersberg, Edward Ruscha, Robert Ryman, Lucas Samaras, Richard Serra, Charles Simonds, Robert Smithson, Keith Sonnier, Nancy Spero, Daniel Spoerri, Frank Stella, Richard Tuttle, Wolf Vostell, Andy Warhol, and Lawrence Weiner. Includes author biography. Texts in English, French, and German. Very Good. Small chip to bottom edge of dust-jacket at spine. Light bumping of cover and page corners. Contents clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

[4] pp.; 21.6 x 13.9 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Program for an evening of performances by Trisha Brown Company performed at The Marymount Manhattan Theatre, New York, in 1979. The evening included performances of "Accumulation (1971) With Talking (1973) Plus Water Motor (1978)," performed by Trisha Brown; "Planes (1968)," performed by Daniel Lepkoff and Terry O'Reilly with films by Jud Yalkut and music by Simone Forti; "Line-Up (1977)," performed by Trisha Brown, Elizabeth Garren, Lisa Kraus, Nina Lundborg, and Mona Sulzman and "Glacial Decoy (1979)," New York Premiere, performed by Trisha Brown, Elizabeth Garren, Lisa Kraus and Nina Lundborg with visual presentation and costumes by Robert Rauschenberg. Includes biographies of the performers. Cover photograph by Babette Magolte. Good / Very Good. Gentle 6 mm. dog-ear to lower right corner of recto and additional light handling wear. Contents clean and unmarked.