brusca jack (10 Ergebnisse)

Hardcover. Zustand: VG+. Brusca, Jack (illustrator). First. 145 pp. ill. The first full length account in English of the Meccan rulership. Describes the rulers of Mecca and their reigns. Incl. bibliography, glossary, chronological tables and a comprehensive index. VG+ with minor rust colored spots.

Zustand: Good. Reproductions of color silkscreens from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

Zustand: Good. Reproductions of color silkscreens from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

Zustand: Good. Reproduction of color silkscreen from prospectus for original prints. Single page. 8.5 x 11 inches. Very good. Perforations from binder on side. Color illustration.

Hardcover. Zustand: Fine condition. Zustand des Schutzumschlags: Fine dust jacket. Brusca, Jack (jacket painting) (illustrator). First Edition (so stated). Garden City, New York: Doubleday & Company, Inc., 1967. A beautiful copy. Clean, square, tight, and unmarked. The Dust Jacket is bright, shiny, and protected by a removable Brodart sleeve. NOT price clipped (4.95). No chips. No tears. No creases. No owner's name or bookplate. Bound in the original black cloth, lettered in red and silver on the spine. Sharp corners. From the Dust Jacket: "IN DIALOGUES WITH THE DEVIL Caldwell makes a startling departure from her customary fiction and joins the great tradition of THE SCREWTAPE LETTERS and HEAVENLY DISCOURSE. Casting a backward glance at Dante as well as C. S. Lewis, Miss Caldwell undertakes to illuminate some of the central truths of man's existence by means of a richly imaginary exchange of letters -- epistles barbed with arguments, parries, mutual insults and lofty debate.". First Edition (so stated). Hard Cover. Fine condition/Fine dust jacket. Illus. by Brusca, Jack (jacket painting). 8vo. xi, 198pp.

Zustand: Good. Silkscreen. 22 x 30 inches. Signed "Jack Brusca 1972" in pencil in lower right corner. Artist proof, designated AP.

Kein Einband. Zustand: Gut. Portfolio mit 3 bedruckten durchsichtigen Plastik-Folien und blauem kartoniertem Papier hinter Passepartout. - Die 3 Plastik-Folien geweils mit unterschiedlichen Motiven. - Die Folien können nach eigenem Form-Geschmack unter das Passepartout gelegt werden. - Auflage 300 Exemplare. - Schönes Multiple des amerikanischen Künstlers und Designers. - Gering bestoßen. Portfolio with 3 printed transparent plastic sheets and blue cardboard paper behind the passe-partout. - The 3 plastic sheets each feature different motifs. - The sheets can be placed under the passe-partout according to your own taste. - Edition of 300 copies. - Beautiful multiple by the American artist and designer. - Slightly dented.

Zustand: Good. Silkscreen . 27 x 27 inches. Signed "Jack Brusca 1973" in pencil in lower right corner. One of 100 numbered copies. Tear (repaired imperfectly and stains). Price reflects condition.

Printed folder contains three clear plastic sheets with 2 abstract white shapes printed in different positions on each sheet; the folder states that the "enclosed images should be superimposed and arranged prior to framing according to individual preference"; very good condition; the plastic sheets and the folder are clean and crisp. An unnumbered edition of 300.

Vintage poster for the 1989 dance performance choreographed by Louis Falco, held at the Tanz-Forum der Oper der Stadt Köln on May 9, 1989. Featuring music by Bruce Springsteen (arranged by Hajo Stahl), libretto by Falco and Kitty Troll, and set, costume, and poster design by Jack Brusca. SIGNED and dated in the year of the production by Brusca. Louis Falco began his distinguished dance career in the late 1950s, while in his late teens, under Charles Weidman and José Limón. He would go on to perform with Flower Hujer, Alvin Ailey, and Donald McKayle, and in 1967 made his debut as a choreographer with the dance piece "Argot." In 1972 Falco formed his acclaimed Louis Falco Dance Company, and through the 1980s worked with various other repertory companies as well as collaborations with Giorgio Armani, Andy Warhol, Tom Waits, John Lurie, and others. The first choreographer to work in commercials, Falco also choreographed for film and music videos in the 1980s, and is perhaps best remembered today for his work on the film "Fame" (1980), directed by Alan Parker. Jack Brusca was a New York artist whose work sat at the intersection of surrealism, pop art, and neo-realism. Brusca won critical praise in 1991 for his set and costume designs for Falco's ballet "Escarpot," performed by the Alvin Ailey Dance Theater at City Center in New York. His work is today held by the Whitney Museum and others. Both Falco and Brusca died of complications from AIDS during the height of the HIV/AIDS epidemic in New York in 1993, at the ages of 51 and 56, respectively. 23.25 x 33 inches. Very Good plus. Signed.