Brutin batya (19 Ergebnisse)

hardcover. Zustand: New. 1st.

Hardcover. Zustand: As New. Hardcover with printed boards. Shows light shelf wear, otherwise as new. Pages are clean and unmarked. No notes or highlighting.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: No Dust Jacket As Issued. Text clean and tight; no dust jacket; 8vo 8" - 9" tall; 336 pages.

Hardcover. Zustand: As New. 1st Edition. Book is as new. 196pp with colour and b/w photographs.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Zustand: New. A series of numbers was tattooed on prisoners' forearms only at one location - the Auschwitz concentration camp complex. Children, parents, grandparents, mostly Jews but also a significant number of non-Jews scarred for life. Indelibly etched with a number into their flesh and souls, constantly reminding them of the horrors of the Holocaust. References to the Auschwitz number appear in artworks from the Holocaust period and onwards, by survivors and non-survivor artists, and Jewish and non-Jewish artists. These artists refer to the number from Auschwitz to portray the Holocaust and its meaning. This book analyzes the place that the image of the Auschwitz number occupies in the artist's consciousness and how it is grasped in the collective perception of different societies. It discusses how the Auschwitz number is used in public and private Holocaust commemoration. Additionally, the book describes the use of the Auschwitz number as a Holocaust icon to protest, warn, and fight against Holocaust denial.…

Zustand: new.

Hardcover. Zustand: Brand New. sew edition. 336 pages. 9.40x6.70x0.75 inches. In Stock.

Hardback. Zustand: New. A series of numbers was tattooed on prisoners' forearms only at one location - the Auschwitz concentration camp complex. Children, parents, grandparents, mostly Jews but also a significant number of non-Jews scarred for life. Indelibly etched with a number into their flesh and souls, constantly reminding them of the horrors of the Holocaust. References to the Auschwitz number appear in artworks from the Holocaust period and onwards, by survivors and non-survivor artists, and Jewish and non-Jewish artists. These artists refer to the number from Auschwitz to portray the Holocaust and its meaning. This book analyzes the place that the image of the Auschwitz number occupies in the artist's consciousness and how it is grasped in the collective perception of different societies. It discusses how the Auschwitz number is used in public and private Holocaust commemoration. Additionally, the book describes the use of the Auschwitz number as a Holocaust icon to protest, warn, and fight against Holocaust denial.…

Buch. Zustand: Neu. Neuware - A series of numbers was tattooed on prisoners' forearms only at one location - the Auschwitz concentration camp complex. Children, parents, grandparents, mostly Jews but also a significant number of non-Jews scarred for life. Indelibly etched with a number into their flesh and souls, constantly reminding them of the horrors of the Holocaust. References to the Auschwitz number appear in artworks from the Holocaust period and onwards, by survivors and non-survivor artists, and Jewish and non-Jewish artists. These artists refer to the number from Auschwitz to portray the Holocaust and its meaning. This book analyzes the place that the image of the Auschwitz number occupies in the artist's consciousness and how it is grasped in the collective perception of different societies. It discusses how the Auschwitz number is used in public and private Holocaust commemoration. Additionally, the book describes the use of the Auschwitz number as a Holocaust icon to protest, warn, and fight against Holocaust denial. ; Eine Generation - Juden und Nicht-Juden gleichermaßen - für das Leben gezeichnet: eine Zahl, die im Konzentrationslager Auschwitz unauslöschlich in Fleisch und Seele eingraviert wurde, eine ständige Erinnerung an die Schrecken des Holocaust. Seit der Zeit der Shoah finden sich Bezüge zur Auschwitz-Nummer in vielen Kunstwerken - von Überlebenden und Nachgeborenen, von jüdischen und nicht-jüdischen Künstler/-innen. Der vorliegende Band analysiert den Stellenwert dieses Motivs im Bewusstsein der Künstler/-innen sowie im kollektiven Bewusstsein. Das Buch kompensiert den Mangel an umfassender Forschungsarbeit zu visuellen Darstellungen der Auschwitz-Nummer in der Kunst und untersucht die Art und Weise, wie Künstler/-innen dieses Motiv für die Auseinandersetzung mit zeitgenössischen Themen nutzen.…

hardcover. Zustand: Sehr gut. 229 Seiten; 9783110653168.2 Gewicht in Gramm: 1.

Hardback. Zustand: New. A series of numbers was tattooed on prisoners' forearms only at one location - the Auschwitz concentration camp complex. Children, parents, grandparents, mostly Jews but also a significant number of non-Jews scarred for life. Indelibly etched with a number into their flesh and souls, constantly reminding them of the horrors of the Holocaust. References to the Auschwitz number appear in artworks from the Holocaust period and onwards, by survivors and non-survivor artists, and Jewish and non-Jewish artists. These artists refer to the number from Auschwitz to portray the Holocaust and its meaning. This book analyzes the place that the image of the Auschwitz number occupies in the artist's consciousness and how it is grasped in the collective perception of different societies. It discusses how the Auschwitz number is used in public and private Holocaust commemoration. Additionally, the book describes the use of the Auschwitz number as a Holocaust icon to protest, warn, and fight against Holocaust denial.…

Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | The origin of the phrase 'Arbeit Macht Frei' is in the name of a novel from 1873 written by German philologist and novelist Lorenz Diefenbach (1806-1883). The Weimar Republic's government and the Nazi regime adopted this phrase. The Nazis placed it on several camps' gateways as misdirection, with contempt and irony, to instill false hopes in the prisoners' minds and prevent resistance and insurrection. This book focuses on the various representations, meanings, and interpretations of the image 'Arbeit Macht Frei' in artworks. Among the artists are Holocaust survivors, second-generation descendants of Holocaust survivors, and others. They have used the inscription as a motif from a personal or general point of view to convey political statements and messages, or to present values, morals, or universal perceptions.…

Zustand: New. Arbeit Macht Frei befasst sich mit den verschiedenen Darstellungen, Bedeutungen und Interpretationen des beruechtigten Satzes in der Kunst. Dessen Ursprung liegt in dem Roman des deutschen Philologen Lorenz Diefenbach (1806-1883) aus dem Jahr 187.

Buch. Zustand: Neu. Neuware - Arbeit Macht Frei focuses on the various representations, meanings, and interpretations of the infamous phrase in art. The origin of the expression recalls the novel by German philologist Lorenz Diefenbach (1806-1883) from 1873 and the Weimar Republic, but is most associated with the National Socialists, who used it at the entrances to six of their concentration camps. The Nazis employed the slogan to misdirect with contempt and irony, and to instill false hope in the minds of prisoners to help prevent resistance and insurrection. Batya Brutin discusses Holocaust survivor artists and their descendants who are artists as well as others who use the well-known phrase in their artwork. These artists have used the inscription as a motif from a personal or general point of view to convey political messages, present values, or wrestle with universal perceptions. This is the first booklength treatment of this difficult yet necessary topic in art. ; Arbeit Macht Frei befasst sich mit den verschiedenen Darstellungen, Bedeutungen und Interpretationen des berüchtigten Satzes in der Kunst. Dessen Ursprung liegt in dem Roman des deutschen Philologen Lorenz Diefenbach (1806-1883) aus dem Jahr 1873 und geht auf die Zeit der Weimarer Republik zurück. 'Arbeit macht frei' wird aber vor allem mit den Nationalsozialisten in Verbindung gebracht, die die Phrase an den Eingängen von sechs Konzentrationslagern anbrachten. Mit Verachtung und Ironie sollten die Gefangenen in die Irre geführt und falsche Hoffnungen geweckt, sowie Widerstand und Aufstände verhindert werden. Batya Brutin spricht über Künstler/-innen, die den Holocaust überlebt haben, und Nachkommen, die ebenfalls Künstler/-innen sind, sowie über andere, die die Phrase in ihren (Kunst)Werken verwenden. Sie nehmen in Auseinandersetzung mit und dem Gedenken an den Holocaust einen persönlichen oder allgemeinen Blickwinkel ein, vermitteln politische Botschaften, oder ringen mit universellen Wahrnehmungen. Dies ist das erste Buch, das sich mit diesem schwierigen, aber notwendigen Thema in der Kunst beschäftigt.…

Hardback. Zustand: New. A series of numbers was tattooed on prisoners' forearms only at one location - the Auschwitz concentration camp complex. Children, parents, grandparents, mostly Jews but also a significant number of non-Jews scarred for life. Indelibly etched with a number into their flesh and souls, constantly reminding them of the horrors of the Holocaust. References to the Auschwitz number appear in artworks from the Holocaust period and onwards, by survivors and non-survivor artists, and Jewish and non-Jewish artists. These artists refer to the number from Auschwitz to portray the Holocaust and its meaning. This book analyzes the place that the image of the Auschwitz number occupies in the artist's consciousness and how it is grasped in the collective perception of different societies. It discusses how the Auschwitz number is used in public and private Holocaust commemoration. Additionally, the book describes the use of the Auschwitz number as a Holocaust icon to protest, warn, and fight against Holocaust denial.…

Buch. Zustand: Neu. Neuware - The photographs of the unknown Warsaw Ghetto little boy and the well-known Anne Frank became famous documents worldwide, representing the Holocaust. Many artists adopted them as a source of inspiration to express their feelings and ideas about Holocaust events in general and to deal with the fate of these two victims in particular. Moreover, the artists emphasized the uniqueness of both children, but at the same time used their image to convey social and political messages.By using images of these children, the artists both evoke our attention and sympathy and our anger against the Nazis' crime of killing one and a half million Jewish children in the Holocaust.Because they represent different sexes, and different aspects - Western and Eastern Jewry - of Holocaust experience, artists used them in many contexts.This book will complete the lack of comprehensive research referring to the visual representations of these children in artworks.…

fester Einband. 219 S., 146 farb. Abb. Kart. *neuwertig* A series of numbers was tattooed on prisoners' forearms only at one location - the Auschwitz concentration camp complex. Children, parents, grandparents, mostly Jews but also a significant number of non-Jews scarred for life. Indelibly etched with a number into their flesh and souls, constantly reminding them of the horrors of the Holocaust. References to the Auschwitz number appear in artworks from the Holocaust period and onwards, by survivors and non-survivor artists, and Jewish and non-Jewish artists. These artists refer to the number from Auschwitz to portray the Holocaust and its meaning. This book analyzes the place that the image of the Auschwitz number occupies in the artist's consciousness and how it is grasped in the collective perception of different societies. It discusses how the Auschwitz number is used in public and private Holocaust commemoration. Additionally, the book describes the use of the Auschwitz number as a Holocaust icon to protest, warn, and fight against Holocaust denial. Sprache: Englisch.…