buckheim (5 Ergebnisse)

Zustand: Good. No Edition Stated. 160 pages. No dust jacket. Blue pictorial cloth. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and tanning.

Zustand: Fair. 160 pages. No dust jacket. Green pictorial cloth. Inscription to front endpaper. Pages are lightly tanned and thumbed at the edges, with light foxing. Binding has remained firm. Water marks to page edges and corners. Boards are a little rub worn, slight shelf wear to corners, spine and edges. Corners are a little bumped. Spine ends are mildly crushed. Light tanning to spine and edges.

Hard Cover. First Edition. 1st US edition. 1st printing. DJ has tiny scratches on back. NF-/NF-.

Leatherbound. Zustand: NEW. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1950 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 20 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: English.

Hard Cover. Zustand: Good. Rackham, Arthur (illustrator). First Edition. MCMVII at title page; Rackham prefatory note dated 1907 and several pages dated 1907 near gutter. Lt. brown full cloth boards, dark brown cover titles and design, gilt spine titles, moderate shelf wear, rub. Cover features Rackham illustration of Ben the Sailer with his catch of lobsters and turtles. Pages very good. Frontispiece w/tissue guard illustrated with a Fisherman who been piping to make the fish dance. Title page w/vignette of fairies. Prefatory Note by Arthur Rackham refers to "Little Folks" where these tales and illustrations first appeared between 1896 and 1902. Fine string-bind good; hinges intact. Includes the beautifully whimsical imagery of Arthur Rackham. Thirty-six illustrations in total w/several being full-page plates. Majority w/earth toned monochromatic element. Also, headers, tailpieces and vignettes throughout. Tales include: The Maker of Ghosts and the Maker of Shadows, and, The Mines of Experience by A. E. Bonser; Harry and Herodotus: Or, Tales of an Old Traveller by Sidney Woolf; The Stories of Ben the Sailorman by A. E. Bonser; and, Stories from the Edda by E. S. Buchheim. Attractive good example of this rarity. Printed by Cassell & Company, Limited, La Belle Sauvage, Ludgate Hill, London. 4to - over 9¾" - 12" tall. 144 pages. Insured post. Arthur Rackham was one of the great illustrators of the early 20th century, a period which is referred to as the "golden age" in British book design. His works were produced in both limited and mass market editions as there was a large market for ornately illustrated books before the First World War. Rackham used a unique style, thought to mix European and East Asian influences, that involved both pen and India Ink as well as watercolor. His work was displayed all over Europe - and received awards at International Exhibitions in Milan and Barcelona and Rackham would influence heavily many illustrators, especially those of children's books, who came after him. Rackham's illustrations to Grimm, Hans Andersen and Poe show him at his most imaginative and observant of human nature, while his gnomes, fairies and gnarled anthropomorphic trees in Peter Pan, Sleepy Hollow, or A Midsummer Night's Dream represent his more fantastic side. He was - and remains - a soloist in front of an orchestra, a player with the responsibility to interpret and add a personal lustre to great works with variations of infinite subtlety and grace. Size: 4to - over 9¾" - 12" tall.