Buettner brigitte (41 Ergebnisse)
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hardcover. Zustand: As New. Hardcover with fine dust jacket. Book is in excellent condition, text is unmarked and pages are tight.
Sprache: Englisch
Verlag: College Art Association/University of Washington Press, Seattle, 1996
- Hardcover
- Erstausgabe
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Hardcover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. This is an As New copy of the first edition (1st printing) in an As New dust jacket. Illustrated. This "Monograph on the Fine Arts Volume L111 (College Art Association).
- Hardcover
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Zustand: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - ENGLISH LANGUAGE - light wear and scuff marks to jacket, pages in nice condition, shipped from the UK.
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The Art Bulletin: A Quarterly Published by the College Art Association, Volume 74, Number 1 (March 1992)
Brilliant, Richard (ed.); Murray, Julia K.; Germer, Stefan; Druker, Johanna; Gould, Karen; Buettner, Brigitte; Hertel, Christiane; Warlick, M. E.; de Jong, Jan L.; Cheney, Iris; others
Verlag: College Art Association, New York, 1992
- Softcover
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In den WarenkorbSoftcover. Sound binding. Underlined passages in one article and small ink mark on contents page. Other pages clean and bright. Wrappers have general handling wear. Contents: Murray, The Hangzhou Portraits of Confucius and Seventy-two Disciples (Sheng xian tu): art in the service of politics. Germer, In search of a beholder: on…the relation between art, audiences, and social spheres in post-Thermidor France. Drucker, Harnett, Haberle, and Peto: visuality and artifice among the proto-modern Americans. Gould, Jean Pucelle and northern Gothic art: new evidence from Strasbourg Cathedral. Buettner, Profane illuminations, secular illusions: manuscripts in late medieval coutly society. Hertel, Irony, dream, and kitsch: Max Klinger's Paraphrase of the Finding of a Glove and German modernism. Warlick, Mythic rebirth in Gustav Klimt's Stoclet frieze: new considerations of his Egyptianizing form and content. de Jong, An important patron and an unknown artist: Giovanni Ricci, Ponsio Jacquio, and the decoration of the Palazzo Ricci-Sacchetti in Rome. Cheney, Comment: The date of Francesco Salviati's French journey. Reviews. 11.5" tall; 178 pages. Good in No Dust Jacket dust jacket.
- Hardcover
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Hardcover. Zustand: VG/VG. A burgundy casebound book. There is a dust jacket with the title in white down a blue spine. Pages: (7), viii-x, 1-139, (58). Contains fifty-seven pages of plates, mostly in black-and-white. "The first surviving illuminated manuscript of the French translation of Boccaccio's De mulieribus claris, known… as the Cleres femmes (now in the Bibliotheque Nationale, Paris), is the subject of this book. The manuscript was commissioned by a Parisian merchant, Jacques Raponde, as a New Year's gift for the duke of Burgundy, Philip the Bold. This innovative aspect of the commission, where a merchant rather than a prince acted as the patron of the manuscript, provides the. Subject for the first part of Buettner's study. In addition to sketching the Valois rulers' practice of collecting illuminated manuscripts and to tracing the reasons for the successful reception of Boccaccio's work in this courtly milieu, the author delineates the role of merchants in Parisian artistic production around 1400." Contents are as follows: I. The Manuscript as Object. Jacques Raponde, Merchant of Manuscripts. The De mulieribus claris as a French Success -- II. Images as Readers. A Pictorial Gallery of Women. System and Reality -- III. Pictorial Elements as Meaning. On Costumes, Bodies, and Gestures. On Colors and Light. On Spatial Inscriptions. On Visualizing Time -- Appendix. Fifteenth-Century Des cleres et nobles femmes Manuscripts.
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Verlag: Journal of The Early Book Society, London, 2001
- Softcover
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In den WarenkorbBooklet - Unbound Pages. Zustand: Very Good. 23 pages. An authentic standalone article, extracted from a larger volume. Not a reprint or reproduction, but an original work in its own right. Supplied without title page or cover. Size: 15 x 22cms. Category: Journal of The Early Book Society; Cosmo Books : 29 years on ABE, 47 years… taking care of customers. A bookseller you can rely on.
Sprache: Englisch
Verlag: College Art Association in Association with University of Washington Press, Seattle, 1996
- Hardcover
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Hardcover. VG (Light edgewear to DJ). Burgundy boards with gilt lettering on the spine; blue DJ with color illustration and white and black lettering; x, 139 pp.; 57 unnumbered pages of plates; richly illustrated. "The first surviving illuminated manuscript of the French translation of Boccaccio's De mulieribus claris, known as…the Cleres femmes (now in the Bibliotheque Nationale, Paris), is the subject of this book. The manuscript was commissioned by a Parisian merchant, Jacques Raponde, as a New Year's gift for the duke of Burgundy, Philip the Bold. This innovative aspect of the commission, where a merchant rather than a prince acted as the patron of the manuscript, provides the. Subject for the first part of Buettner's study. In addition to sketching the Valois rulers' practice of collecting illuminated manuscripts and to tracing the reasons for the successful reception of Boccaccio's work in this courtly milieu, the author delineates the role of merchants in Parisian artistic production around 1400." -- WorldCat. VG- (Light edgewear to boards; light age toning to page edges; interior is clean; binding is solid.).
Sprache: Englisch
Verlag: University of Washington Press, Seattle, Washington, 1996
- Hardcover
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 4to. Cloth, dj. Minor edge wear to jacket. Else a bright, clean copy. Buettner (art, Smith College) provides a detailed examination of the French translation of Boccaccio's illuminated manuscript De Mulieribus Claris , known as the Cleres Femmes . After consi…dering the manuscript as a commercial and cultural object, Buettner provides a semiotics-inspired exploration of the iconography of the 109 miniatures. Includes fine reproductions of the entire cycle in b&w, with four color plates. Annotation c. by Book News, Inc., Portland, Or.
Sprache: Englisch
Verlag: University of Washington Press, Seattle, Washington, 1996
- Hardcover
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 4to. Cloth, dj. Minor shelf wear. Else a bright, clean copy. Buettner (art, Smith College) provides a detailed examination of the French translation of Boccaccio's illuminated manuscript De Mulieribus Claris , known as the Cleres Femmes . After considering th…e manuscript as a commercial and cultural object, Buettner provides a semiotics-inspired exploration of the iconography of the 109 miniatures. Includes fine reproductions of the entire cycle in b&w, with four color plates. Annotation c. by Book News, Inc., Portland, Or.
Image and Word: Art and Art History at Smith College
Foreward by John Davis, Suzannah Fabing, and Barbara Polowy; Contributing authors: James Polshek, Susan Rodriguez, Helen Searing, John Davis, Caroline Houser, Brigitte Buettner, Craig Felton, Jaroslaw Leshko, John Davis, Karen Koehler, Marylin Rhie, Dana Leibsohn, Barbara Kellum, Elliot Offner, Susan Heideman, Gary Niswonger, Dwight Pogue, Richard Joslin, Gretchen Schneider, Martin Antonetti, A. Lee Burns, Chester Michalik, Gary Nisonger, MIchael Goodison, Linda Muehlig, Helen Hall, Christine Swenson, Suzannah Fabing, Barbara Polowy, and Elisa Lanzi.
- Hardcover
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Hardcover. Zustand: Very good condition. Zustand des Schutzumschlags: Very good. VIII, 167 pp. LCC: 2002152654.
Verlag: College Art Assn/Washington UP 1996.; 4to (28cm). x, 140pp; 57 pls, 4 col., 1996
- Hardcover
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In den WarenkorbHardcover. Cloth, dw. BOCCACCIO.
- Hardcover
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Zustand: Very Good.
- Hardcover
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- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
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- Hardcover
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Hardcover. Zustand: As New. 4to (28.5 cm), X, 140 pp, 4 plates in color, 104 in b&w. Publisher's cloth and dust jacket. "The first surviving illuminated manuscript of the French translation of Boccaccio's De mulieribus claris, known as the Cleres femmes (now in the Bibliotheque Nationale, Paris), is the subject of this book. The… manuscript was commissioned by a Parisian merchant, Jacques Raponde, as a New Year's gift for the duke of Burgundy, Philip the Bold. This innovative aspect of the commission, where a merchant rather than a prince acted as the patron of the manuscript, provides the subject for the first part of Buettner's study. In addition to sketching the Valois rulers' practice of collecting illuminated manuscripts and to tracing the reasons for the successful reception of Boccaccio's work in this courtly milieu, the author delineates the role of merchants in Parisian artistic production around 1400." (from the blurb).
- Hardcover
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Zustand: New.
Sprache: Englisch
Verlag: Pennsylvania State University Press, University Park, 2022
- Hardcover
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Hardcover. Zustand: new. Hardcover. Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant mat…eriality, how can we account for the ubiquity of gems in medieval thought?In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of art: the jeweled crown, the pictorialized lapidary, and the illustrated travel account. The global gem trade brought coveted jewels from the Indies to goldsmiths workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europes literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India.Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in medieval art history, material culture, and medieval history. Examines the social roles, cultural meanings, and active agency of precious stones in jeweled crowns, illustrated lapidaries, and illustrated travel accounts in the European Middle Ages. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardback. Zustand: New. Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, ho…w can we account for the ubiquity of gems in medieval thought?In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of art: the jeweled crown, the pictorialized lapidary, and the illustrated travel account. The global gem trade brought coveted jewels from the Indies to goldsmiths' workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe's literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India.Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in medieval art history, material culture, and medieval history.
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Buch. Zustand: Neu. Neuware -Medieval Art, Modern Politics is an innovative volume of twelve essays by international scholars, prefaced by a comprehensive introduction. It examines the political uses and misuses of medieval images, objects, and the built environment from the 16th to the 20th century. In case studies ranging from… Russia to the US and from catacombs, mosques, cathedrals, and feudal castles to museums and textbooks, it demonstrates how the artistic and built legacy has been appropriated in post-medieval times to legitimize varied political agendas, whether royalist, imperial, fascist, or colonial. Entities as diverse as the Roman papacy, the Catholic Church, local arts organizations, private owners of medieval fortresses, or organizers of exhibitions and publishers are examined for the multiple ways they co-opt medieval works of art. Medieval Art, Modern Politics enlarges the history of revivalism and of medievalism by giving it a uniquely political twist, demonstrating the unavoidable (but often ignored) intersection of art history, knowledge, and power. 319 pp. Englisch.
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Buch. Zustand: Neu. Neuware -Medieval Art, Modern Politics is an innovative volume of twelve essays by international scholars, prefaced by a comprehensive introduction. It examines the political uses and misuses of medieval images, objects, and the built environment from the 16th to the 20th century. In case studies ranging from… Russia to the US and from catacombs, mosques, cathedrals, and feudal castles to museums and textbooks, it demonstrates how the artistic and built legacy has been appropriated in post-medieval times to legitimize varied political agendas, whether royalist, imperial, fascist, or colonial. Entities as diverse as the Roman papacy, the Catholic Church, local arts organizations, private owners of medieval fortresses, or organizers of exhibitions and publishers are examined for the multiple ways they co-opt medieval works of art. Medieval Art, Modern Politics enlarges the history of revivalism and of medievalism by giving it a uniquely political twist, demonstrating the unavoidable (but often ignored) intersection of art history, knowledge, and power. 319 pp. Englisch.
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Zustand: New. Brigitte Buettner, Smith College, Northampton, MA, USA William J. Diebold, Reed College, Portland, OR, USA.Medieval Art, Modern Politics is an innovative volume of twelve essays by international sch.
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Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 331 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
