Catterson lynn (40 Ergebnisse)

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Paperback. Zustand: New.

Brossura. Zustand: new. English Text.Todi, 2014; paperback, pp. 120, col. ill., cm 17x24. Compared to painters of '400 Florence, the costs of materials and production for sculptors were significantly higher. Much has been written about demand and the taste of the patron as reflected in the types of projects they commissioned. Yet there must have been the equal but opposing force of supply. To mitigate the high cost of materials, labor and transport, sculptors had to choose materials and seek production processes that increased profit margins and reduced the labor required of the master's hand. While personal passion and commission competition are among the motivators normally seen to engender innovation, there evidently was the less lofty concern for the cost effectiveness of production. And this in turn would stimulate the craving for, and the evolution of, new technologies, and by the end of the '400, a keen savvy for branding and marketing the objects of supply. Using examples from the practice of Ghiberti, Donatello, Luca della Robbia and Michelangelo, this is an examination of the ways in which '400 sculptors successfully negotiated the emergent art-as-commodity market. Libro.…

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Zustand: As New. Unread book in perfect condition.

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Paperback. Zustand: Brand New. 384 pages. 9.75x7.00x1.25 inches. In Stock.

Brossura. Zustand: new. Edited by Catterson L. and Zucker M.English Text.Todi, 2006; paperback, pp. 296, b/w and col. ill., cm 21x30.(L'Umbria nella Storia Letteratura e Arte. 4). Libro.

Paperback. Zustand: New.

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Paperback. Zustand: New.

Paperback. Zustand: Brand New. 384 pages. 9.75x7.00x1.25 inches. In Stock.

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Hardback. Zustand: New. 1st. Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts. All of the essays are rooted in case studies which give voice to the various aspects of supply?from branding to marketing, from inventory to display, from restoration to pastiche to fabrication. Each is incredibly rich in their marshalling of primary sources and archival materials; in sum, they present an impressive array of new research.Contributors are: Fae Brauer, Denise M. Budd, Patrizia Cappellini, Lynn Catterson, Sebastien Chaffour, Laura D. Corey, Flaminia Gennari-Santori, Jacqueline Marie Musacchio, Joanna Smalcerz, Alexandra Provo, AnnaLea Tunesi, and Leanne Zalewski. …

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Hardcover. Zustand: Brand New. illustrated edition. 330 pages. 9.25x6.25x0.75 inches. In Stock.

Zustand: Nuovo. Bross., cm 24x16,5, pp 120, ill. in b/n. - ISBN: 9878885311784.

Zustand: new.

Zustand: As New. Unread book in perfect condition.

Hardback. Zustand: New. 1st. Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus with its essays which examine the many functionaries who participate in the art market network, among them, agents, scouts, intermediaries, restorers, fakers, decorators, advisers and experts. All of the essays are rooted in case studies which give voice to the various aspects of supply?from branding to marketing, from inventory to display, from restoration to pastiche to fabrication. Each is incredibly rich in their marshalling of primary sources and archival materials; in sum, they present an impressive array of new research.Contributors are: Fae Brauer, Denise M. Budd, Patrizia Cappellini, Lynn Catterson, Sebastien Chaffour, Laura D. Corey, Flaminia Gennari-Santori, Jacqueline Marie Musacchio, Joanna Smalcerz, Alexandra Provo, AnnaLea Tunesi, and Leanne Zalewski. …

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Zustand: New.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. Dealing Art on Both Sides of the Atlantic, 1860-1940 aims to bring the marketplace dynamic into sharper focus by examining the functionaries who participate in the art market-agents, scouts, intermediaries, restorers, fakers, decorators, advisers and expert.