Cawthra benjamin (39 Ergebnisse)

- Hardcover
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Hardcover. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

- Hardcover
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Hardcover. Zustand: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

- Hardcover
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Hardcover. Zustand: Excellent condition. Excellent dust jacket . 392 pages As described - NO defects or marks of any kind.A very nice copy. B&W Photographs (illustrator).

- Hardcover
- Erstausgabe
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Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Edition. (w/dj)A clean tightly bound hardcover copy. Unmarked, gently read, showing gentle head and foot wear to the spine and edges of the dust jacket and lightly bumped corners. A really nice copy overall. Read descriptions carefully. Avoid GLASSFRO…GBOOKS, ERGODOBOOKS, MORE BOOKS, IRISH BOOKSELLERS, PRO QUO/BAYSIDE BOOKS, BOOKSPLEASE, RIA CHRISTIE, DISCOVER BOOKS, BOOKS2ANYWHERE, BOOKS EXPRESS, CHIRON MEDIA! These "Booksellers" have no books of their own. they buy honest booksellers' books, upcharge you and have no idea what the book is really like. Support your local and small bookstore owners! These "Booksellers" have no books of their own. they buy honest booksellers' books, upcharge you and have no idea what the book is really like. Support your local and small bookstore owners.
Verlag: University of Chicago Press, 2011 2011
- Hardcover
- Erstausgabe
Anbieter: Longhouse, Publishers & Booksellers, Brattleboro, USALonghouse, Publishers & Booksellers
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In den WarenkorbFirst edition, first printing Retired from one library in search of another with minimal library ID. Fine and bright in like pictorial dust jacket with crisp bright text. Profusely illustrated with vintage photographs of musicians, locations, portraits and materials. A strong compendium on the subject of jazz.

- Softcover
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Paperback. Zustand: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

- Softcover
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Paperback. Zustand: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

- Hardcover
- Signiert
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Hardcover. Zustand: Like New. Inscribed by Benjamin Cawthra on title page. Hardcover and dust jacket. Good binding and cover. Minor shelf wear. Corner bumped. Clean, unmarked pages. *Autographed by author.* "A brilliant study of the complex relationships among jazz, photography, racial identity, racial politics, and definitions…of black masculinity. A must-have for anyone seriously interested in the politics and sociology of jazz and how it was perceived from the 1930s through the 1960s." - Library Journal. Signed.

- Hardcover
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Hardcover. Zustand: new. New Copy. Customer Service Guaranteed.

- Hardcover
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Hardcover. Zustand: New.

- Softcover
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Zustand: New. Brand New.

- Hardcover
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- Signiert
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Hardcover. Zustand: Near Fine. Near Fine. First Edition. Signed by the author on the title page - no inscription. Both book and dustjacket are in pristine condition. "A selective and essayistic history on how the still-image camera conferred cultural legitimacy to jazz as black music, for the most part between the late 1930s and… the mid-1960s." [nytimes] ; Square 4to 9" - 11" tall; 345 pages; Signed by Author.

- Softcover
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Zustand: new.

- Hardcover
- Erstausgabe
- Signiert
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Hard Cover. Zustand: Near Fine. Near Fine. First Edition; First Printing. SIGNED and warmly inscribed by Benjamin Cawthra to photographer Herb Snitzer. ; Tight, clean and crisp. A hint of light shelf wear, otherwise a gently read book in excellent condition. No remainder mark. Not ex-library. With dustjacket now protected in a n…ew removable Mylar cover. ; 10.1 X 7.4 X 1.1 inches; 392 pages; Signed by Author.

- Softcover
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Zustand: New. Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. Blue Notes in Black and White charts the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the '60s. Num Pages: 392 pages, 65 halftones. BIC Classification:…AJ; AVGJ. Category: (G) General (US: Trade). Dimension: 254 x 178 x 23. Weight in Grams: 680. . 2013. Illustrated. Paperback. . . . .

- Softcover
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Zustand: New. pp. 392.

- Softcover
- Erstausgabe
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Soft cover. Zustand: Very Good. 1st Edition. 345 Pages With The Index., In Very Good Condition. Soft Cover. Reprint.

- Softcover
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Zustand: New. Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. Blue Notes in Black and White charts the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the '60s. Num Pages: 392 pages, 65 halftones. BIC Classification:…AJ; AVGJ. Category: (G) General (US: Trade). Dimension: 254 x 178 x 23. Weight in Grams: 680. . 2013. Illustrated. Paperback. . . . . Books ship from the US and Ireland.

- Hardcover
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Zustand: new.

- Softcover
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Paperback. Zustand: Brand New. reprint edition. 345 pages. 9.75x7.00x1.00 inches. In Stock.

- Hardcover
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- Hardcover
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Zustand: New. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the '60s, this title offers an account of the partnership between two of the twentieth century's innovative art forms. It introduces us to the great jazz photographers - including Gjon Mili, William Gott…lieb, Herman Leonard, and more. Num Pages: 392 pages, 65 halftones. BIC Classification: 1KBB; AJ; AVGJ. Category: (G) General (US: Trade). Dimension: 261 x 189 x 26. Weight in Grams: 814. . 2011. Hardcover. . . . .

- Softcover
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Zustand: New. pp. 392.

- Hardcover
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Hardback. Zustand: New. Illustrated. Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. John Coltrane, one hand behind his neck and a finger held pensively to his lips. These iconic images have captivated jazz fans nearly as much as the music has. Jazz photographs are vis…ual landmarks in American history, acting as both a reflection and a vital part of African American culture in a time of immense upheaval, conflict, and celebration. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the '60s, "Blue Notes in Black and White" is the first of its kind: a fascinating account of the partnership between two of the twentieth century's most innovative art forms. Benjamin Cawthra introduces us to the great jazz photographers - including Gjon Mili, William Gottlieb, Herman Leonard, Francis Wolff, Roy DeCarava, and William Claxton - and their struggles, hustles, styles, and creative visions. We also meet their legendary subjects, such as Duke Ellington, sweating through a late-night jam session for the troops during World War II, and Dizzy Gillespie, stylish in beret, glasses, and goatee.Cawthra shows us the connections among the photographers, art directors, editors, and record producers who crafted a look for jazz that would sell magazines and albums. And on the other side of the lens, he explores how the musicians shaped their public images to further their own financial and political goals. This mixture of art, commerce, and racial politics resulted in a rich visual legacy that is vividly on display in "Blue Notes in Black and White". Beyond illuminating the aesthetic power of these images, Cawthra ultimately shows how jazz and its imagery served a crucial function in the struggle for civil rights, making African Americans proudly, powerfully visible.

- Softcover
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Paperback / softback. Zustand: New. New copy - Usually dispatched within 4 working days.

- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
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Hardcover. Zustand: Brand New. 392 pages. 10.50x7.50x1.25 inches. In Stock.

- Hardcover
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Zustand: New. pp. xii + 345 Illus.

- Hardcover
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Zustand: New. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the '60s, this title offers an account of the partnership between two of the twentieth century's innovative art forms. It introduces us to the great jazz photographers - including Gjon Mili, William Gott…lieb, Herman Leonard, and more. Num Pages: 392 pages, 65 halftones. BIC Classification: 1KBB; AJ; AVGJ. Category: (G) General (US: Trade). Dimension: 261 x 189 x 26. Weight in Grams: 814. . 2011. Hardcover. . . . . Books ship from the US and Ireland.

Sprache: Englisch
Verlag: The University of Chicago Press, Chicago, IL 2011
- Hardcover
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Hardcover. Zustand: new. Hardcover. Miles Davis, supremely cool behind his shades. Billie Holiday, eyes closed and head tilted back in full cry. John Coltrane, one hand behind his neck and a finger held pensively to his lips. These iconic images have captivated jazz fans nearly as much as the music has. Jazz photographs are visu…al landmarks in American history, acting as both a reflection and a vital part of African American culture in a time of immense upheaval, conflict, and celebration. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the 60s, Blue Notes in Black and White is the first of its kind: a fascinating account of the partnership between two of the twentieth centurys most innovative art forms. Benjamin Cawthra introduces us to the great jazz photographersincluding Gjon Mili, William Gottlieb, Herman Leonard, Francis Wolff, Roy DeCarava, and William Claxtonand their struggles, hustles, styles, and creative visions. We also meet their legendary subjects, such as Duke Ellington, sweating through a late-night jam session for the troops during World War II, and Dizzy Gillespie, stylish in beret, glasses, and goatee. Cawthra shows us the connections between the photographers, art directors, editors, and record producers who crafted a look for jazz that would sell magazines and albums. And on the other side of the lens, he explores how the musicians shaped their public images to further their own financial and political goals. This mixture of art, commerce, and racial politics resulted in a rich visual legacy that is vividly on display in Blue Notes in Black and White. Beyond illuminating the aesthetic power of these images, Cawthra ultimately shows how jazz and its imagery served a crucial function in the struggle for civil rights, making African Americans proudly, powerfully visible. Charting the development of jazz photography from the swing era of the 1930s to the rise of black nationalism in the '60s, this title offers an account of the partnership between two of the twentieth century's innovative art forms. It introduces us to the great jazz photographers - including Gjon Mili, William Gottlieb, Herman Leonard, and more. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.