Cheng joyce (52 Ergebnisse)
The Tragic Muse. Art and Emotion, 1700-1900
Leonard, Anne with Joyce Suechun Cheng, Glenn W. Most, Erin Nersted, Sarah Nooter, and Thomas Pavel
Sprache: Englisch
Verlag: Smart Museum of Art/Univ. Of Chicago, Chicago, 2011
- Softcover
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Paperback. Zustand: Fine. 118pp. Color and b&w illustrations. Size: 4to - over 9¾" - 12" tall.
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paperback. Zustand: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.
Sprache: Englisch
Verlag: National Library of Ireland (Joyce Studies), Dublin, Ireland, 2004
- Softcover
- Erstausgabe
Anbieter: Dorley House Books, Inc., Hagerstown, MD, USADorley House Books, Inc.
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Paperback. Zustand: Near Fine. 1st Edition. black w/gray printed wraps; 59 clean, unmarked pages/end notes.
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Zustand: As New. Unread book in perfect condition.
Tragic Muse : Art and Emotion, 1700-1900
Leonard, Anne; Cheng, Joyce Suechun; Most, Glenn W.; Nerstad, Erin; Nooter, Sarah
- Softcover
Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices
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Zustand: As New. Unread book in perfect condition.
Tragic Muse : Art and Emotion, 1700-1900
Leonard, Anne; Cheng, Joyce Suechun; Most, Glenn W.; Nerstad, Erin; Nooter, Sarah
- Softcover
Anbieter: GreatBookPrices, Columbia, MD, USAGreatBookPrices
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- Softcover
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Paperback or Softback. Zustand: New. The Persistence of Masks: Surrealism and the Ethnography of the Subject. Book.
- Softcover
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- Softcover
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Paperback. Zustand: Brand New. 256 pages. 10.00x7.00x0.50 inches. In Stock.
- Softcover
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- Softcover
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Paperback. Zustand: new. Paperback. An examination of surrealism's unofficial ethnography of marginalized subjectivities In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as "ethnographic surrealism." In The Persistence of Masks, Joyce Suechun Che…ng considers the ethnographic dimension of the surrealist movement in its formative years through a close look at the reviews Documents (192930) and Minotaure (193339) as well as the surrealist writer-turned-ethnographer Michel Leiris's ethnography of possession. Analyzing surrealist aesthetic criticism, art, poetry, and field research in terms of a common interest in marginalized modes of subjectivity, Cheng argues that the surrealists used the figures of the mask, the veil, the hand, and the hat to radically reconceive the subject as nonhegemonic, nonanthropocentric, and feminine-identified. Though ethnographic surrealism usually refers to the collaboration between professional ethnologists at the Institut de l'Ethnologie in Paris and Georges Bataille's so-called dissident circle of surrealists, Cheng demonstrates that surrealism's unofficial ethnography began long before the founding of the movement. Starting with Andre Breton's wartime text "Subject" (1916), written when he was still a young psychiatric intern treating traumatized soldiers, she shows how the future surrealist poet shifted from a clinical to a para-ethnographic approach to subjectivity when adopting his patient's first-person voice as a textual mask. Revealing surrealism to be always implicitly ethnographic, Cheng uncovers deep affinities between archrivals Breton and Bataille, highlights psychiatry's underacknowledged role in surrealism's lay ethnography, and theorizes the surrealists' feminine identification as a means of critiquing power. By broadening the scope of ethnographic surrealism, The Persistence of Masks offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Softcover
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- Softcover
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Paperback. Zustand: New. An examination of surrealism's unofficial ethnography of marginalized subjectivities In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as "ethnographic surrealism." In The Persistence of Masks, Joyce Suechun Cheng consider…s the ethnographic dimension of the surrealist movement in its formative years through a close look at the reviews Documents (1929-30) and Minotaure (1933-39) as well as the surrealist writer-turned-ethnographer Michel Leiris's ethnography of possession. Analyzing surrealist aesthetic criticism, art, poetry, and field research in terms of a common interest in marginalized modes of subjectivity, Cheng argues that the surrealists used the figures of the mask, the veil, the hand, and the hat to radically reconceive the subject as nonhegemonic, nonanthropocentric, and feminine-identified. Though ethnographic surrealism usually refers to the collaboration between professional ethnologists at the Institut de l'Ethnologie in Paris and Georges Bataille's so-called dissident circle of surrealists, Cheng demonstrates that surrealism's unofficial ethnography began long before the founding of the movement. Starting with AndrÉ Breton's wartime text "Subject" (1916), written when he was still a young psychiatric intern treating traumatized soldiers, she shows how the future surrealist poet shifted from a clinical to a para-ethnographic approach to subjectivity when adopting his patient's first-person voice as a textual mask. Revealing surrealism to be always implicitly ethnographic, Cheng uncovers deep affinities between archrivals Breton and Bataille, highlights psychiatry's underacknowledged role in surrealism's lay ethnography, and theorizes the surrealists' feminine identification as a means of critiquing power. By broadening the scope of ethnographic surrealism, The Persistence of Masks offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture.
- Softcover
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- Softcover
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Paperback. Zustand: New. An examination of surrealism's unofficial ethnography of marginalized subjectivities In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as "ethnographic surrealism." In The Persistence of Masks, Joyce Suechun Cheng consider…s the ethnographic dimension of the surrealist movement in its formative years through a close look at the reviews Documents (1929-30) and Minotaure (1933-39) as well as the surrealist writer-turned-ethnographer Michel Leiris's ethnography of possession. Analyzing surrealist aesthetic criticism, art, poetry, and field research in terms of a common interest in marginalized modes of subjectivity, Cheng argues that the surrealists used the figures of the mask, the veil, the hand, and the hat to radically reconceive the subject as nonhegemonic, nonanthropocentric, and feminine-identified. Though ethnographic surrealism usually refers to the collaboration between professional ethnologists at the Institut de l'Ethnologie in Paris and Georges Bataille's so-called dissident circle of surrealists, Cheng demonstrates that surrealism's unofficial ethnography began long before the founding of the movement. Starting with AndrÉ Breton's wartime text "Subject" (1916), written when he was still a young psychiatric intern treating traumatized soldiers, she shows how the future surrealist poet shifted from a clinical to a para-ethnographic approach to subjectivity when adopting his patient's first-person voice as a textual mask. Revealing surrealism to be always implicitly ethnographic, Cheng uncovers deep affinities between archrivals Breton and Bataille, highlights psychiatry's underacknowledged role in surrealism's lay ethnography, and theorizes the surrealists' feminine identification as a means of critiquing power. By broadening the scope of ethnographic surrealism, The Persistence of Masks offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture.
Tragic Muse : Art and Emotion, 1700-1900
Leonard, Anne; Cheng, Joyce Suechun; Most, Glenn W.; Nerstad, Erin; Nooter, Sarah
- Softcover
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes KönigreichGreatBookPricesUK
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- Softcover
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- Softcover
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Zustand: As New. Unread book in perfect condition.
Tragic Muse : Art and Emotion, 1700-1900
Leonard, Anne; Cheng, Joyce Suechun; Most, Glenn W.; Nerstad, Erin; Nooter, Sarah
- Softcover
Anbieter: GreatBookPricesUK, Woodford Green, Vereinigtes KönigreichGreatBookPricesUK
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- Softcover
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- Softcover
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paperback. Zustand: New. Special order direct from the distributor.
Sprache: Englisch
Verlag: New York New York, Cambridge University Press, 1992
- Hardcover
- Erstausgabe
Anbieter: Ocean Tango Books, Palm Springs, CA, USAOcean Tango Books
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Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. GIFT QUALITY as pictured First edition Very good condition hard cover nice dust jacket gently read clean pages.
- Softcover
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Paperback. Zustand: Brand New. 256 pages. 10.00x7.00x0.50 inches. In Stock.
- Softcover
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Zustand: New. This volume looks at masking and unmasking as indivisible aspects of the same process. It gathers articles from a wide range of disciplines and addresses un/masking both as a historical and a contemporary phenomenon. By highlighting the performative dime.
- Softcover
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Paperback. Zustand: New. An examination of surrealism's unofficial ethnography of marginalized subjectivities In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as "ethnographic surrealism." In The Persistence of Masks, Joyce Suechun Cheng consider…s the ethnographic dimension of the surrealist movement in its formative years through a close look at the reviews Documents (1929-30) and Minotaure (1933-39) as well as the surrealist writer-turned-ethnographer Michel Leiris's ethnography of possession. Analyzing surrealist aesthetic criticism, art, poetry, and field research in terms of a common interest in marginalized modes of subjectivity, Cheng argues that the surrealists used the figures of the mask, the veil, the hand, and the hat to radically reconceive the subject as nonhegemonic, nonanthropocentric, and feminine-identified. Though ethnographic surrealism usually refers to the collaboration between professional ethnologists at the Institut de l'Ethnologie in Paris and Georges Bataille's so-called dissident circle of surrealists, Cheng demonstrates that surrealism's unofficial ethnography began long before the founding of the movement. Starting with AndrÉ Breton's wartime text "Subject" (1916), written when he was still a young psychiatric intern treating traumatized soldiers, she shows how the future surrealist poet shifted from a clinical to a para-ethnographic approach to subjectivity when adopting his patient's first-person voice as a textual mask. Revealing surrealism to be always implicitly ethnographic, Cheng uncovers deep affinities between archrivals Breton and Bataille, highlights psychiatry's underacknowledged role in surrealism's lay ethnography, and theorizes the surrealists' feminine identification as a means of critiquing power. By broadening the scope of ethnographic surrealism, The Persistence of Masks offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture.
- Softcover
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- Softcover
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Paperback. Zustand: new. Paperback. An examination of surrealism's unofficial ethnography of marginalized subjectivities In interwar Paris, the encounter between surrealism and the nascent discipline of ethnology led to an intellectual project now known as "ethnographic surrealism." In The Persistence of Masks, Joyce Suechun Che…ng considers the ethnographic dimension of the surrealist movement in its formative years through a close look at the reviews Documents (192930) and Minotaure (193339) as well as the surrealist writer-turned-ethnographer Michel Leiris's ethnography of possession. Analyzing surrealist aesthetic criticism, art, poetry, and field research in terms of a common interest in marginalized modes of subjectivity, Cheng argues that the surrealists used the figures of the mask, the veil, the hand, and the hat to radically reconceive the subject as nonhegemonic, nonanthropocentric, and feminine-identified. Though ethnographic surrealism usually refers to the collaboration between professional ethnologists at the Institut de l'Ethnologie in Paris and Georges Bataille's so-called dissident circle of surrealists, Cheng demonstrates that surrealism's unofficial ethnography began long before the founding of the movement. Starting with Andre Breton's wartime text "Subject" (1916), written when he was still a young psychiatric intern treating traumatized soldiers, she shows how the future surrealist poet shifted from a clinical to a para-ethnographic approach to subjectivity when adopting his patient's first-person voice as a textual mask. Revealing surrealism to be always implicitly ethnographic, Cheng uncovers deep affinities between archrivals Breton and Bataille, highlights psychiatry's underacknowledged role in surrealism's lay ethnography, and theorizes the surrealists' feminine identification as a means of critiquing power. By broadening the scope of ethnographic surrealism, The Persistence of Masks offers new insights that challenge longstanding beliefs about this multifaceted movement in poetry, the arts, and culture. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
