Clarke hutton illustrations (13 Ergebnisse)

Hardcover. Zustand: Used - Very Good. The Heritage Press, copyright 1964. 221 pages. Illustrated. 10.5 x 7.5", cloth, slipcase. The Heritage Club Sandglass Number IX: 29 inserted. Bookplate University of Massachusetts Professor Arthur F. Kinney. Clean, tight, very good/very good.

Hardcover. Zustand: Very Good. LIMITED EDITION. (1976). 4to. LIMITED NUMBERED EDITION one of 2000 copies SIGNED by Hutton, this copy unnumbered. Cracks to slipcase edges with exposure. VG in VG slipcase. Illustrator.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Signed by illustrator / in slipcase.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: N/A. Limited to 2000 copies Signed by the artist Clarke Hutton. This is copy 301. NO SLIPCASE.

Hardcover. Zustand: Very good. 7 1/2 x 10 1/2 in. 221 pages. Sandglass No. ix : 29 included. Condition is VERY GOOD ; covers clean, spine lightly toned, minor shelf wear, endpapers lightly toned. Binding tight, text unmarked. Slipcase is very good; very light edge wear, faded at edges . Fic. Stax.

Zustand: Fine. Collector's Edition. Part of the Collector's Library of Famous Editions. Notes From the Archives included. Introduction by David Daiches. Full red leather, decoratively gilt. Illustrations by Clarke Hutton (illustrator).

Full-Leather. Zustand: Near Fine. First Edition. Easton Press Collector's Edition in gilt-stamped full blue leather with 2 raised spine hubs, part of Easton's Library of Famous Editions with the delightful illustrations of Clarke Hutton, 1st Printing Thus, Notes from the Archives pamphlet laid in, moire fabric endsheets, satin ribbon marker bound-in, all page edges gilt, a few slight marks top page edge gilt, bookplate to first white page, else Fine; 4to; 219pp illus. …

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. First U. S. A. edition, 1952. Coloured lithographic illustrations throughout. Publishers decorated blue cloth slightly unevenly faded through dustwrapper and some slight fraying to the top and bottom of the spine. The dustwrapper spine is chipped at the top and the back panel has a chip to the top of spine edge and the spine is slightly water marked. The front and rear panel is foxed and marked. A couple of very short tears to the top front panel and some general rubbing. Still a mostly complete and good dustwrapper. Scarce in dustwrapper. Coloured lithographic illustrations throughout. (illustrator).…

Cloth. Zustand: Fine. No. 1455 of 2000 copies, signed by illustrator. Gilt-decorated yellow cloth, narrow 4to, 246 pp. Spine just a bit faded. Slipcase is a bit handled, dustsoiled, bumped at extremities, with a few small tears.

Hardcover. Limted Edition. Book condition is Very Good+ bound in yellow boards with gilt decorations ; housed in a Very Good yellow slipcase. Some rubbing and scuffing to slipcase. Slight toning to spine and slight edge wear to boards. Text is clean and unmarked, illustrated throughout. ; 8vo. 11 1/4"h x 7 1/4"w. Limited to 2000 copies signed by the artist Clarke Hutton, of which this is copy 313.…

Hard Cover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First Thus. Hard Cover. Fine/Fine. First Thus. Signed by Illustrator. HBDJ, 1966, 1st Limited SIGNED edition , #995/1500 copies, Clear Glassine DJ tiny edge tear, In Beautiful Brown Slipcase with Gold gilt decorations on Spine, F/F, AS-IS, Overall Light Wear, 529 Pages + authors Notes,Beautiful Mustard Yellow patterned Cloth with Black deocrated label with Gold Gilt on Spine, Interior Nice, Tight. Signed by Illustrator. …

1971, Limited edition of 1500 signed copies. (4to in slipcase) Very good, no dust jacket. 210pp. Signed by the illustrator. Varicolored narrow-striped satin-finish fabric binding with leather shelfback label stamped in gold. Illustrations, color plates. The spine is very slightly faded and there is a tiny fray in the fabric over the label. "This Edition of Northanger Abbey was designed by Richard Ellis and composed under his supervision by Westcott & Thomson, Inc., Philadelphia. Fifteen hundred copies have been printed from type for the Members of the Limited Editions Club, at the Garamond Press, Baltimore. The illustrations were made by Clarke Hutton who here signs this copy, which is Number 306". Illustrations by Clarke Hutton. Publisher series: Limited Editions Club 2 . Designed by Richard Ellis. (Fiction).…

Full leather. This is an exquisite, finely bound, strikingly unconventionally illustrated edition of The Sonnets by poet, playwright, dramatist, and primus inter pares, William Shakespeare. 300 copies were produced thus of which this is number 44, signed on the colophon by Robert Graves (who contributes a substantive Preface), Edward Burrett (the book designer), and Clarke Hutton (the illustrator). A troika of features distinguish this copy. First is exceptional condition. Second, this copy is accompanied by the original publisher's prospectus and order form. Third, this is a designer's presentation copy, evidenced by a lengthy, signed, and dated 1975 gift inscription by Edward Burrett and his wife, Cecile, on the recto of the blank preceding the half title. Edward Burrett (1909-1995) was a noted specialist and connoisseur in book design, a founding member of the Society of Typographic Designers, and founding proprietor of the Penmiel Press.This large volume measures 10 x 14 inches (25.4 x 35.6 cm) bound in full Niger Morocco goatskin by Sangorski and Sutcliffe, the contents printed on laid paper with each of the one hundred and fifty-four Sonnets allocated a single page. The volume is housed in a felt-lined, purple and gold paper-covered slipcase featuring an interlocking pattern of swallows, which is mirrored on the pastedowns of the book. The Sonnets features 40 illustrations on various tinted papers by Clarke Hutton (1898-1984) "one of the most eminent and influential book illustrators of his time". Hutton adds something unique to Shakespeare's work, which so often comes accompanied by traditional engravings, rather than modernist line work. The colophon features the signatures of Robert Graves, Edward Burrett and Clarke Hutton below the limitation number "44". The signatures of the book designer, Edward Burrett, and his wife, Cecile, are also found beneath their autograph gift inscription. Laid in are the large and beautifully printed publisher's prospectus, featuring a specimen page and extensive information about the edition. Also laid in is the publisher's order form.The volume is in truly fine condition, with no appreciable wear or flaws to either the binding or contents. The slipcase remains bright and fully intact, with superficial overall scuffing. William Shakespeare (1564-1616) left a cultural and literary legacy whose continuing influence is difficult to overstate. His stature so dominates English letters that it verges on biblical proportion. To the point, Shakespeare is often assumed to have been born on 23 April, St. George's Day, so that England's national poet and her patron saint share the same day of celebration, akin to how Christ's birthday is asserted onto the winter solstice. Shakespeare's plays are the most conspicuous aspect of his literary legacy, but, as Robert Graves states in his Preface, "Shakespeare built up a double reputation in literature; as a classic English playwright and as author of the Sonnets, his profound meditations on love. In the plays we are frequently aware of Shakespeare the poet; in the Sonnets we recognize his role as dramatist. The author of the Sonnets became incomparably greater than his contemporaries precisely because he needed to see himself and his beloved in dramatic and human terms." Robert Graves (1895-1985) was an English poet, novelist, critic, and translator perhaps best known today as a pioneer and master of the historical fiction genre for his Claudius series, compellingly fictionalizing the Roman Emperor. Born to a middle-class family with an Irish Gaelic scholar father, Graves's early life shaped his love for myth and poetry, even as boxing shaped his repeatedly broken nose. In 1913 he received a scholarship to study classics at St John's College, Oxford. However, he did not take his place at the university until after WWI; in 1914 he enlisted almost immediately after the outbreak of war, joining a regiment which included fellow war poet Siegfried Sassoon.…