collaert hans (40 Ergebnisse)

Bruxelles, Bibliothèque Royale, 2005, format in-8°, 164 pp, couverture souple d'origine; Text en français, publié lors d'une exposition.

Album with the complete series of Collaert's views around Brussels, here in its first unnumbered state, published by Hans van Luyck in Antwerp. Hans I Collaert (ca. 1525/30 - 1585) was a painter-draughtsman who founded the influential Collaert dynasty of engravers and print publishers. The views show villages, castles and abbeys in the vicinity of Brussels, engraved in a very naturalistic way. The series includes a view of the cloister of Zevenborren (south of Sint-Genesius-Rode), views of Schaarbeek, Elsene, Etterbeek, Stal, Eggevoort and Bosvoorde, and views of the some castles, including those of Brussels, Coensborg (south of Laken) and Carloo. Some references attribute the drawing of the views to Hans Bol because of an inscription added to the first plate of the later Visscher edition, but the "related drawings are not consistent with Bol's style" (New Hollstein). Others name Jacob Grimmer as an alternative candidate for the artist who drew the views.With a 20th-century manuscript inscription on the first free endleaf, mistakenly identifying the series as the second state published by Visscher, which is however numbered in the plates in contrast to the present series in an unnumbered first state. Binding slightly worn around the edges, some slight marginal foxing, stains, browning and soiling, but overall a beautiful album, complete and therefore rare with all the plates of Collaert's views around Brussels, here in its first state.l Hollstein IV, 149-172; New Hollstein, The Collaert dynasty V, 1229-1252; cf. New Hollstein, The Collaert dynasty I, pp. xlix-liii. Modern red half cloth, marbled sides. Series of 24 engravings (plate size ca. 20 x 14 cm) with views of landscapes around Brussels, by Hans I Collaert possibly after Hans Bol or Jacob Grimmer, each with a caption in the plate (plates 8 and 20 also with Van Luyck and Collaert's monograms "H.V.L.EX[cudit]" and "H.C.F[ecit]"). Trimmed down to the plate edge and mounted on album leaves, numbered in pencil on the album leaves, next to the engravings. Pages: [24] ll.

Pas de couverture. Zustand: Moyen. Très rare planche de la série des 7 vertus d'après Crispin van der Broeck. Cette très belle et très rare planche a été coupée sur 1 cm à gauche et a été privée de sa légende en bas. Dans le fond, l'incendie du palais de Sardanapale. Excudit de Adrianus Hubertus (Adriaen Huybrechts). Le Blanc non cité. 17,7 x 24,5 cm.

Jan Snellinck (I) (illustrator). Judges Elon and Abdon. Abdon holds a staff in his hand. In the background, in the landscape, the forty sons and thirty grandsons each ride a donkey stallion. Below the performance explanatory texts in Latin.Made by Hans Collaert (I) after Jan Snellinck (I) .Medium: Engraving on hand laid (verge) paper.Sheet size: 29 x 23 cm (11.42 x 9.06 inch). Image size: 26.3 x 21.7 cm. (10.35 x 8.54 inch).RELIGION-AHIALON-ABDON | PCO-E17-19BACKGROUND INFORMATIONThe Twelve Judges of Israel (series title). Thesaurus sacrarum historiarum veteris testamenti (.) (series title). Publisher: Gerard de Jode.Reference: Mielke 15-1(2).Biography engraver: Jan Collaert the Elder or (I), Hans Collaert the Elder or Johannes Collaert (Brussels, between 1525 and 1530 - Antwerp, October 1580) was a Flemish printmaker, publisher, draftsman, tapestry designer, glass painter and designer and engraver of swords. He was the founder of a dynasty of engravers that would play a significant role in establishing Antwerp as one of the leading centres for printmaking in Europe in the second half of the 16th century and the early 17th century.Biography artist: Jan Snellinck or Jan Snellinck (I) (c. 1548 - 1 October 1638) was a Flemish painter, draughtsman and designer of tapestries, prints and frescoes. He is known for his large altarpieces and was also recognized as a leading battle painter in his time. Snellinck was active as an art dealer and art collector. Condition: good, given age. Small tear at top right. Larger tear at bottm middle, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Bulino. L'incisione mostra l'epilogo della storia con la scena della lapidazione dei due vecchioni che avevano insidiato Susanna, quarta incisione da una serie di quattro, in calce l'iscrizione. Formato: 175x260mm.

Ambrosius Francken I (illustrator). 'IN PARTES CLAMIDEM FISSENS SCINDIT AHIAS PRAEFECTUM REGNI IEROBOAMQUE NOTAT. 3. REG. II.'The prophet Ahijah tears his cloak into twelve pieces, handing ten of them to Jeroboam, symbolizing the division of the kingdom of Israel. A walled city appears in the background.Made by Hans Collaert I (attributed) after Ambrosius Francken I.Medium: Engraving on hand laid (verge) paper. Watermark: Pot.Sheet size: 29.2 x 20.7 cm (11.5 x 8.15 inch). Image size: 29 x 20.5 cm. (11.42 x 8.07 inch).JEROBOAM, AHIJAH, OLD TESTAMENT, PROPHETS, KINGSHIP, 10 TRIBES, DIVISION OF ISRAEL, HANS COLLAERT, AMBROSIUS FRANCKEN, DE JODE, THESAURUS | PCO-A56-18BACKGROUND INFORMATIONThesaurus sacrarum historiarum veteris testamenti, Gerard de Jode, Antwerp (1579 or 1585).Reference: Mielke 25-1(2); New Hollstein Dutch 53-2(3).Early edition.Biography engraver: Hans Collaert I (ca. 1530-1580), prominent Flemish engraver from the Collaert dynasty, known for his collaboration with Antwerp publishers such as Gerard de Jode and Philips Galle.Biography artist: Ambrosius Francken I (ca. 1544-1618), Flemish painter and designer of religious and historical scenes, active in Antwerp and associated with the Francken family of painters. Condition: good, given age. Light foxing, creasing and soiling. Narrow margins. Small tear at top middle, backed. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Burin. Belle épreuve finement doublée; rognée à la limite de la cuvette. De la série "Vie de la Sainte Vierge". Excudit de Adrien Hubert. D'après Van den Broeck. Planche d'une série de 20, d'après Crispin van den Broeck. Le Blanc T.2, P.38, n° 56-75. 26,2 x 18,4.

Burin. Belle épreuve finement doublée; rognée à la limite de la cuvette. De la série "Vie de la Sainte Vierge". Excudit de Adrien Hubert. D'après Van den Broeck. Planche d'une série de 20, d'après Crispin van den Broeck. Le Blanc T.2, P.38, n° 56-75. 26,5 x 18,6.

Zustand: buona. Bulino. Il vangelo di San Luca (19, 1-10) racconta che quando Gesù andò a Gerico, il pubblicano Zacheo voleva vederlo ed essendo di bassa statura salì su un albero di Sicomoro, Gesù lo vide e si fece accompagnare alla sua casa dove Zacheo si convertì. Ottima impressione, buone condizioni. Formato: 195x285mm.

Zustand: ottimo. Bulino. Gesù, assieme agli apostoli, chiama a sè Matteo il pubblicano (esattore delle tasse), che si alza dal tavolo dove stava contando il danaro. Impressione molto buona in ottimo stato di conservazione. Formato: 200x275mm.

Ambrosius Francken (I) (illustrator). 'IN TENEBRAS RAPITUR DENSAS SINE VESTE IUGALI A DOMINO MENSA FORTE REPERTUS HOMO. MATH. 22.'"Parabel van het bruiloftsfeest van de koning" (Parable of the King's Wedding Feast) At the king's wedding feast, guests feast on a meal. The person on the left at the table is not wearing wedding clothes. He is forcibly taken away. Next to him is the king. He judges that "many are called, but few are chosen" (Matt. 22:14).Made by Hans Collaert (I) after Ambrosius Francken (I).Medium: Engraving on hand laid (verge) paper.Sheet size: 36.5 x 27.1 cm (14.37 x 10.67 inch). Image size: 27.4 x 21.3 cm. (10.79 x 8.39 inch).KING-GUEST-WEDDING-GARMENT-ROYAL | PCO-E8-16BACKGROUND INFORMATIONParabels van het Nieuwe Testament (series title) in an early edition.Biography engraver: Jan Collaert the Elder or (I), Hans Collaert the Elder or Johannes Collaert (Brussels, between 1525 and 1530 - Antwerp, October 1580) was a Flemish printmaker, publisher, draftsman, tapestry designer, glass painter and designer and engraver of swords. He was the founder of a dynasty of engravers that would play a significant role in establishing Antwerp as one of the leading centres for printmaking in Europe in the second half of the 16th century and the early 17th century.Biography artist: Ambrosius Francken I (1544-1618) was a Flemish painter known for his religious works and historical allegories painted in a late Mannerist style. He was a prominent member of the Francken family of artists, which played a very important role in the Flemish art scene from the late 16th to middle 17th century. Condition: good, given age. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.

Pas de couverture. Zustand: Bon. Très rare estampe représentant Mutius Scevola mettant la main dans le feu devant le roi Porsenna. La planche est signée Hans Collaert fecit; et porte l'excudit de Adri(anus) Hubertus (Adriaen Huybrechts).Contrecollée en plein. Le Blanc non cité. 21,3 x 29,8 cm.

An album of engravings from the most famous natural history artists of the late sixteenth and early seventeenth centuries, collected and bound for an English patron Oblong quarto (260 by 170mm), 176 engraved plates, numbered in an early hand 1-46, 48-54, 57-69, 80-189, including 8 title-pages, all with fine contemporary hand-colour in full, occasionally heightened in silver, two plates torn with slight loss to image and with early repairs, six plates with slight worming to margins, and three plates trimmed to neatline and laid down on old paper, front free endpaper with later ownership inscription; mid-seventeenth century English red morocco, elaborately gilt, silver clasps and catches. A magnificent album of natural history engravings, collected and bound for an English patron, containing two complete suites of plates: Hoefnagel's 'Diversæ insectarum volatilium'; and Woutneel's 'Cognoscite lilia agri quomodo crescent', often bound as the fifth part, 'Altera Pars', to the Crispin de Passes' 'Hortus Floridus' - the "most ambitions, if not the first, early effort to employ Continental resources to produce a set of [botanical] engravings designed for the English market" (Gerard); and nine near complete, or partial suites, including an early issue of tulip plates from the 'Hortus Floridus'. All plates have been numbered consecutively in manuscript at the time of binding to a rudimentary scientific rubric: insects first, then aquatic animals, quadrupeds, birds, and botanicals last, but not least. As a result, some plates are bound with like subject rather than with their original publications. The album represents the work of some of the most famous natural history artists of the late sixteenth and early seventeenth centuries. The majority are published by Claes Jansz Visscher (1587-1652), the most important publisher of prints and maps in Amsterdam of his day. Recorded as an engraver in Amsterdam as early as 1608, he built a distinctive inventory of prints after the designs of Flemish artists, which proved extremely popular and formed the basis ofVisscher'searly success as a publisher. INSECTS HOEFNAGEL, Jacob. Diversæ insectarum volatilium: icones ad vivum accuratissmè depictæ per celeberrimum pictorem D.I. Hoefnagel typisq. Mandatae a Nicolao Ioannis Visscher anno 1630 Engraved title-page, complete with 15 numbered plates of insects, misbound including some upside-down, bound with plates 11 and 12 from 'Volatilium varii generis effigies' after Nicolaes de Bruyn, all with contemporary hand-colour heightened in silver, consecutively numbered in an early hand 1-18. North German insects, with the exception of the tarantula and scorpion. Engraved by Visscher after those by Jacob Hoefnagel, 1573-1632, court painter for Emperor Rudolph from 1607, son of Joris Hoefnagel, whose drawings of animals, flowers and insects he engraved and published as the 'Archetypa Studiaque Patris Georgii Hoefnagelii' (1592). He also engraved plates for Braun and Hogenburg's 'Civitates Orbis Terrarum' (1512 - 1617). Ebert 798; Hagen I, 371f; Hollstein IX, 46, 1-16; Nissen 1955; Horn-Schenkl. 10473. AQUATIC ANIMALS BRUYN, Nicolaes de. Libelius [sic] varia genera piscium compectens, pictoribus, sculptoribus etc mire utilis et necessaries Nicolaes de Bruyn inventor Claes Ianss. Visscher excudit. [interspersed with]: COLLAERT, Adrian. Piscium vivae icones inventae ab Adrian Collardo et excusae a Nicolao Ioannis Visscher anno 1634 Engraved allegorical title-page for 'Libillus', 11 (of 12, without the sea-horse) plates of aquatic animals and sea-monsters; 19 (of 20) engraved plates of aquatic animals, numbered in an early hand 19-44, followed by the allegorical title-page for 'Piscium', numbered 45, all with contemporary hand-colour, all annotated in an early hand with common names in English. An early state of the title-page for de Bruyn's 'Libellus' before correction. Nicolaes de Bruyn (1571-1656) is best known for his large engraved landscapes "after designs by artists such as Gillis van Coninxloo and David Vinckboons from around 1600 his pupil and brother-in-law [was] Jan van Londerseel" (Hollstein online) A near complete suite of plates from a later edition of Collaert's famous work on fish, first published in about 1598, in which the original engravings included elaborate landscape backgrounds. For his version, Claes Visscher has incorporated his harpoon monogram into the dramatic title-page. Collaert (1560-1618) married engraver and publisher Philippe Galle. WEYER, Gabriel. Monstra marina dat is verscheydon zee-monsters ge inventeert door Gabriel Weyer gedrucht by Claes Ianss. Visscher a.o 1634 Engraved allegorical title-page, 7 (of 12) plates of mermaids and mermen, all with contemporary hand-colour, numbered in an early hand 46, 48-54. Berliner 'Ornamentstichkatalog' 4292 I; Nagler XXIV, S. 220, I QUADRUPEDS BOLSWERT, Boetius Adams, after Adrien BLOEMAERT. Natus Dei solius ad servitium, cinctis homo, per hund, creates imperat. Volentibus promisq.e; ut huic puessulo blande Leo Jouisq.e ales submittitur. ABloemaert invent: BA. Bolsuerd: sculp C Visscher excudebat 1632 G. Ryckius [interspersed with]: BRUYN, Nicolaes de. [Animalium quadrupedum varii generis effigies Allerley viervuessiger thier eigentliche abbildung, den goltschmieden dienlich], 1594. 8 (of 14, without plates 1, 5 and 11, plates 12, 13, 14 bound below with 'Volatilium') engraved plates of pastoral scenes from 'Natus'; 11 (of 12, bound without the title-page) engraved plates of animals from 'Animalium', all with contemporary hand-colour, numbered in an early hand 57-69, and 80-85, allegorical title-page for 'Natus' numbered 86, annotated with the common names in English. The artistic Bolswert and Bloemaert families of Utrecht seem to have been very close, frequently working together. Bloemaert met a grisly death at the hands of one of his students in 1666. 'Animalium' cf Hollstein 303-310; 'Natus' cf Hollstein 406-419 BIRDS BRUYN, Nicolaes de. Vola.

First Edition - Primera edición. Países Bajos, Hans van Luyck, c.1578. (145 x 144)mm. Diámetro de la estampación 142mm. 12 grabados calcográficos en talla dulce realizados por Adriaen Collaert sobre dibujos de Hans Bol. Primera edición, primera emisión, con la dirección del impresor Hans van Luyck, de estos doce magníficos grabados que representan los doce meses del año, con escenas de la vida ciudadana y campesina, en el ambiente de cada estación y mes. Dibujadas por el pintor flamento Hans Bol y grabados en talla dulce por Collaert, uno de los hombres más sobresalientes en el grabado al metal de todos los tiempos. La filigrana del papel corresponde a "Utrech,1578". Hans Bol (1534-1593) fue un pintor flamenco célebre por sus miniaturas y trabajos a escala reducida, donde representaba grandes paisajes con paisajes y mansiones, así como la vida cotidiana en los pueblos y ciudades. Su trabajo exquisito como miniaturista en el Libro de Horas de Duque d'Alencon (1582, BnF), refleja el cuidado y detalle de uno de los mejores miniaturistas de todos los tiempo. Adriaen Collaert (1560-1618) era un grabador al aguafuerte y buril de gran reputación en su tiempo. Trabajó para su suegro Phillip Galle y posteriormente para los impresores Plantín y Moretus. Referencias: Le Blanc 1856; New Hollstein (Dutch & Flemish) 1327.I (The Collaert Dynasty); Hollstein 66-77 (after Hans Bol) 145x144mm. (5¾x5¾").

"Épreuve rogné à la limite de la cuvette . Angles coupés. Le Blanc n° 34.

Zustand: Gut. Format (Platte): 267 x 192 mm. Blattgröße: 345 x 265 mm. *New Hollstein (Dutch & Flemish) 512-527 (The Collaert Dynasty). This is one of a series of twenty plates showing the life of the Virgin after Crispin van den Broeck. Sprache: Deutsch Gewicht in Gramm: 800.

Single Sheet. Zustand: Near Fine. Original Engraving. Original Engraving, 6 3/8 X 3 5/8". Maarten De Vos Of Antwerp (1532-1602). De Vos Studied In Rome 1551,Then To Venice Where He Was The Pupil And Friend And Collaborator Of Tintoretto. In 1558 He Returned To Antwerp Where He Worked As A Painter. He Executed Some Engravings, And Was A Prolific Source Of Drawings That Were Then Engraved And Published By Others. In The Twenty Pieces Depicting The Celebrated Women Of The Old Testament, His Drawings Were Engraved By Adrien Collaert (C. 1560-1618) And Karel De Mallery (C, 1576-After 1631), Two Of Phillip Galle's Sons-In-Law, And Adrien's Brother Hans / Jan Collaert (1566-1628). Sara (New Holl. De Vos 224 Ii/Ii), Published In Antwerp By Phillip Galle (1537-1612). This Example Is A Fine, Very Eary Printing, All Lines And Shade Lines Very Sharp. Mounted On A Fragment Of An Album Sheet. Part Of A Large Collection Of Original Antique Engravings Formed By A Southern California Artist In The Early To Middle Twentieth Century. Each Plate Has Small Glue Marks On Reverse Where They Were Tipped In To An Album.

Komplette Folge von sechs Kupferstichen von H. Collaert I. (1525-1580) nach Jan Snellinck (c. 1548-1638) von ca. 1579. -- Knapp beschnitten und alt aufgezogen. -- Blatt-Maße: ca. 21 x 26 cm. -- teils nur leicht fleckig, sonst gut erhalten. || Original copper engravings by H. Collaert I. (1525-1580) after Jan Snellinck (c. 1548-1638) from ca. 1579. -- Narrowly cut and laid down. -- Rare complete set of 6 engravings depicting the twelve judges of Israel. -- partly slightly stained, otherwise in good condition. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 100.

Komplette Folge von 4 Kupferstichen der Serie "Die vier Evangelisten"; nach Ambrosius Francken, von ca. 1580. Es wurde eine Zuschreibung an Hans Collaert vorgeschlagen (?). -- Knapp beschnitten und alt aufgezogen. -- Blatt-Maße: ca. 25 x 28 cm. -- gut erhalten. || Original copper engravings after Ambrosius Frankcen from ca. 1580. Complete series of 4 engravings pertaining to the series on the Four Evangelists. An attribution to Hans Collaert has been suggested. -- Narrowly cut and laid down. -- in good condition. || // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. la Gewicht in Gramm: 100.

Twelfth plate of a series of twenty plates showing the life of the Virgin after Crispijn van den Broeck; sixteen plates are engraved by Hans Collaert I, two by Jan Ditmaer, and two by an anonymous engraver. The set was first published in 1576 by Adriaen Huybrechts (fl. 1573-1614) On plate 12 (after the drawing in the National Gallery of Scotland, Edinburgh, inv.no.D3125) The Circumcision of Christ: inside a temple with the high-priest performing the operation at centre, the Virgin and St Joseph holding the Christ child are surrounded by other parents waiting with their babies. Lettered on the bottom center: 'CVB in.' and towards the left: 'Adrianus hubertus excudit 1576'. New Hollstein (van den Broeck, 175) l Engraving, no margins, trimmed around the drawn frame, text underneath is missing; state I or II/2; total: 245 x 185 mm; repaired damages on the right and lower borders. PB01NT.

22,0 27,1 cm (Blattgröße). Am linken Rand knapp beschnitten und mit kleineren Ausbrüchen. Links unten und in der rechten oberen Ecke Einrisse von alter Hand mit Papier unterlegt. Sonst gut. Hans Collaert der Ältere, Niederlande: 1525/1530 - 1580. Sprache: lat.

Zustand: guter Zustand. Collaert d. Ä., Hans. Excrementa hominum Panthera (Leopardenjagd).1630. Kupferstich / Linienstich. Originale Künstlergrafik, von Hans Collaert d.Ä., nach Jan van der Straet. 19,9 x 26,5 cm (Darstellung / Platte), 22,5 x 29,5 cm (Blatt).Aus: Stradanus (Jan van der Straet), Venationes Ferarum, Auium, Piscium. Pugnae bestiariorum: & mutuae bestiarum (Antwerpen: Jan Galle [1630]). Blatt Nr. 15 der Folge. Im linken Rand hinterlegter größerer Einriss. Obere linke Ecke leicht knickspurig. Sonst aber noch guter Zustand.Hans Collaert d.Ä. (1530 - 1580/81 Antwerpen). Auch Jan Collaert I. Niederländischer Kupferstecher in Antwerpen. Stach u.a. nach Crispijn van den Broeck, Lambert Lombard und Hieronymus Cock.Jan van der Straet (1523 Brügge - 1605 Florenz). Auch Johannes Stradanus oder Giovanni Stradano. Flämischer Maler und Zeichner. Erste Ausbildung in der Werkstatt. Später dann war er Schüler von Pieter Aertsen in Antwerpen. Seit 1545 Mitglied der Lukasgilde. Ab 1550 für Giorgio Vasari bzw. die Medici tätig. Rechts unten signiert: Ioan. Stradannus invent. Ioan. Collaert sculp. Unterhalb der Darstellung bezeichnet: Excrementa hominum panthera avido appetit ore : / Altius in vase haec quam ut saltu attingere possit, / Pastores pendunt : languens saltu illa frequenti, / Concidit : insigni spoliatur mortua pelle. 19,9 x 26,5 cm (Darstellung / Platte), 22,5 x 29,5 cm (Blatt).

Zustand: buona. Bulino. Gesù legato al centro di una stanza, mentre gli viene messa in testa la corona di spine, in calce l'iscrizione. Buone condizioni, ottimo stato di conservazione. Formato: 165x215mm.

Zustand: buona. Bulino. Davide si allontana da un accampamento, in secondo piano il re Saul dorme nella sua tenda, in calce l'iscrizione. Bell'impressione, buone condizioni. Formato: 215x275mm.

Zustand: buona. Bulino. L'artista ha condensato la sequenza del racconto evangelico mostrando i protagonisti che cercano il tesoro, in calce l'iscrizione. Piccolo margine, buone condizioni. Formato: 215x275mm.

Episode of the New Testament, Christ and the woman of Samaria. Numbered on the bottom right:'3'. According to Hollstein this is the third state, possibly from the 1643 'Theatrum Biblicum' published in amsterdam by C.J. Visscher or from 1674 'Theatrum Biblicum' published in Amsterdam by Nicolaus Visscher. l Engraving on paper with small margins; platemark: 199 x 280 mm, total: 205 x 285 mm; state III/3, in great conditions, Hollstein 311.

A river scene with a group of men hunting otters with long tridents from several rowing boats and from the bank; an otter swims with a fish in its mouth up the centre of the waterway, while two dogs swim towards it from behind; at left, an otter coming onto shore meets a hunter with a trident; in the background a landscape with rock mountains and several towers; after Hans Bol. Lettered 'Sic anidas [sic, avidas] Lutras venantur Lintre cauata,/Per refluas vncis feriuntq[ue] tridentibus vndas.'; numbered '32' l Engraving on paper with margins; platemark: 75 x 220; total: 88 x 231 mm; New Hollstein [Collaert] 1553.

Bust portrait of Gerard van Wassenaer in an oval. Inscribed in the oval:'GERARDUS A WASSENAER J.V.D. ET CURIAE ULTRAJECTINAE, DUM VIVERET, ADVOCATUS, OBIIT. AC. CHRISTI 1664. AETAT 75.' On the bottom Latin text:'Hunc loquitur jam Fama Virum, quo jura loquente, Belgarum hic CRESCENS Papinianus erat. / L. v. P.' l Engraving and etching on paper, small margins; platemark: 249 x 153 mm; total: 255 x 158 mm; only state; Hollstein 79; W. 66; M. 5945. PP01W (Wassenaer) / black folders A-D.

Zustand: buona. Bulino. L'incisione mostra il miracolo della moltiplicazione dei pani e dei pesci, a destra Gesù con due apostoli e un bambino che porge un pane e due pesci, in calce l'iscrizione. Buone condizioni, ottimo stato di conservazione. Formato: 210x255mm.

The return of the Prodigal Son, last plate of a set of four originally published in Antwerp in 1585 by Gerard de Jode.Numbered on bottom right corner: 4.Inscribed below in Latin: "Fit supplex veniamque petit veniamque reportat A patre. vera salus non aliunde venit. Luc 15.20." Engraving on paper, remargined; total: 224 x 305 mm; state II/2; some smudges due to handling on margins especially, otherwise in good condition. New Hollstein 299.