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Hardcover. Zustand: gut. 2023. Women in Arts, Architecture and Literature : Heritage, Legacy and Digital Perspectives In deutscher Sprache. pages.

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Hardback, Pages: 380 pages, Size:178 x 254 mm,Illustrations:11 b/w, 82 col. Language(s):English, Italian, Spanish. ISBN 9782503606828. In the last few decades, the study of women in the arts has largely increased in terms of scholars involved in research and investigation, with the reception of the outcomes especially acknowledged by museums which are dedicating part of their mission to organizing exhibitions and/or acquiring the works of women. The Annual International Women in Arts Conference seeks to advance contemporary discussions on how female creativity has helped shape European culture in its heterogeneity since the Middle Ages. This volume collects the proceedings of the first conference organised in Rome, in October 2021. It focuses on the role of women in literature, art,?and architecture. Throughout history, these domains were often seen as very masculine. Yet, there have been many women who have made their mark as writers, illuminators, artists and architects, or have played a decisive role as patrons and supporters in these arts. This collection of essays aims to bring these women to the fore and sheds a new light on the heritage and legacy of women in the creative arts and architecture from the Middle Ages until the 20th century. 1500 g.…

Hardback, 240 pages, Size:178 x 254 mm, Illustrations:8 b/w, 62 col., Language: English. ISBN 9782503621074. Summary This volume is the proceeding of "Women's Legacies in Natural Studies, Health, and Liberal Arts" the second edition of AIWAC, held in Rome in 2022. The past decade has seen a considerable amount of research centered on the legacy of women as patrons of the arts, artists, writers, philosophers. The book focuses on the correlation between women and naturalism from ancient times to contemporaneity, and explores the topic more thoroughly in the context of Natural Studies, seen as a subject of investigation in multiple disciplines. In presenting these essays, this work continues the mission of AIWAC: to build an interdisciplinary and international community dedicated to rewriting cultural history in ways that fully acknowledge the significant role of women. The work begun here points toward future research, future dialogues, and future conferences in which the legacies of women in the arts will continue to be made visible, valued, and celebrated. TABLE OF CONTENTS Introduction Consuelo Lollobrigida The 'lux vivens' and Hildegard's New Senses Tools for Knowledge of God and Nature Teodoro De Giorgio Why Have There Been So Many Women Pioneers in Still-Life? Patricia Simons A Gendered Nature Women and Naturalism in Early Modern Bologna Patricia Rocco lisabeth Vig e Le Brun e la malattia dell'artista Stefania Biancani Women-Founders of Prague Loreto in the Context of the Iconographic Motif of the Miraculous Nativity According to St Bridget of Sweden Marie Vymazalov Elizabeth Gould, 'The Queen of All Naturalists' Leah Tharpe L'opera di una vita Il giardino di carta di Mary Delany Alessia Muroni Ramus 'Uccellami e fiorami' for History and Poetry in Grand Ducal Florence The Naturalistic Drawings of Suor Maria Benigna Cavalcanti (Convent of Le Murate) and Suor Caterina Angelica della Vacchia (Convent of Santa Chiara) Loretta Vandi Household Manuals and the Early Modern Dutch Dollhouse The Seventeenth-and Eighteenth-Century Home as Site of Knowledge Production Michelle Moseley-Christian Neroli, the Essence of Princesse des Ursins' Legacy The Blooming of a Legend Alba Carballeira 'She Ruled Our King' Artemisia Gentileschi's Weaning Madonna and Marian Reinvention in Counter-Reformation Rome Margaret M. Barnes Today's Madonnas The Image of Motherhood as Depicted by Hungarian Female Painters in Interwar Art Anna Kop csy Female Bodies in Motion from Hysterical Dancing to Art Performance Laura D'Angelo and Luana Testa Francesca Alinovi: Critique as Performance A Source for Art History Francesca Valentini Unseen Modernities Re-imagining the Visionary 'Real' in the Art of Marianne Stokes, 1880s-1910s Juliet Simpson Sneaky Peeks Women in the Bedroom Lara Demori A Marriage between Nature and Architecture Feminine Biophilic Francesca Riccardo POSTFACE: Some Thoughts on Women, Art, Nature, Science Female Pioneers in Still Life, Botanical Painting, and Scientific Illustration Adelina Modesti List of illustrations 0 g.…

Paperback. Zustand: New.

Paperback. Zustand: New.

Rilegato. Zustand: nuovo. Zustand des Schutzumschlags: nuovo. prima edizione. Browse Authors Contact & Info News BOOK SERIES Women in the Arts, vol. 01 About this series Women in Arts, Architecture and Literature: Heritage, Legacy and Digital Perspectives Proceedings of the First Annual International Women in the Arts Conference Consuelo Lollobrigida, Adelina Modesti (eds) Pages: 380 p. Size:178 x 254 mm Illustrations:11 b/w, 82 col. Language(s):English, Italian, Spanish Publication Year:2023 € 165,00 RETAIL PRICE ISBN: 978-2-503-60682-8 Hardback Available This collection of essays from the Annual International Women in Arts Conference sheds a new light on the female genius in literature, manuscript illumination, and architecture from the Middle Ages until the end of the 18th century. SUBJECT(S) Women's & gender studies Illumination & illustration of books Patronage and sponsorship Renaissance art history Baroque & Rococo art history 19-21 C art history Architecture SUMMARY In the last few decades, the study of women in the arts has largely increased in terms of scholars involved in research and investigation, with the reception of the outcomes especially acknowledged by museums which are dedicating part of their mission to organizing exhibitions and/or acquiring the works of women. The Annual International Women in Arts Conference seeks to advance contemporary discussions on how female creativity has helped shape European culture in its heterogeneity since the Middle Ages. This volume collects the proceedings of the first conference organised in Rome, in October 2021. It focuses on the role of women in literature, art, and architecture. Throughout history, these domains were often seen as very masculine. Yet, there have been many women who have made their mark as writers, illuminators, artists and architects, or have played a decisive role as patrons and supporters in these arts. This collection of essays aims to bring these women to the fore and sheds a new light on the heritage and legacy of women in the creative arts and architecture from the Middle Ages until the 20th century. TABLE OF CONTENTS Preface Introduction Keynote María Elena Díez Jorge, From the Palace to the House: Women and Architecture in Sixteenth-Century Spain Part I - Literature and Illumination Laura Mercader, Amicizia per il matrimonio. A proposito del discorso sull'amicizia di Mary Beale Silvia Palandri, La Marchesa Colombi e l'istruzione femminile nelle sue opera Carolin Gluchowski, Female Agency in den Gebetbüchern aus dem ehemaligen Zisterzienserinnenkloster Medingen bei Lüneburg Part II - Patrons and Collectors Catherine Powell, Labour and Art Succeed Where Nature Fails: The Patronage, Agency, and Networking of Agnes Block (1629-1704) Nadette Xuereb, The Role of Cosmana Navarra (c.1600-1687) as a Female Patron of the Arts in Baroque Malta Katarzyna Chrzanowska, Franciszka Wiszowata (1701-1777): ANun as Patron of the Arts and Artist in Cracow in the 18th century Part III - Women at Work Lynn Fitzpatrick, Medieval Textile Production: Warp Weighted Looms and the Women who Wove Them Naya Carolina Beatriz and Ana Agreda Pino, Done by and for women: precious materials and women's embroidery in Renaissance Spain Alexandra Massini, Marie Mancini, the Woman behind the Colonna Tapestries Nicoletta Marconi, La pratica dell'architettura al femminile: donne nei cantieri romani di XVI - XVIII secolo Part IV - Early Modern Annalisa Rinaldi, Dalle Parasole e Claudine Bouzonnet Stella. Protagoniste e "registe" nelle bottega Antonio Jommelli, Per mano della pittrice Caterina Ginnasi (1581-1660), 'piissime ac religiosissime feminae' Caterina Bavosi and Alessandro Serrani, Su un equivoco storiografico della pittura bolognese del '600: Ginevra Cantofoli e alcune artiste contemporanee Language : Italian,English and spanish.…