contre coup press (22 Ergebnisse)

No Binding. Zustand: Fine. Single sheet of Mohawk Letterpress folded once to form four 10 by 6 1/2 inch printed pages. One of 125 copies handset in Centaur type for the 2019 Annual Wayzgoose of the APA in Nashville. A fine copy.

No Binding. Zustand: Fine. Single sheet of Mohawk Letterpress folded once to form four 10 by 6 1/2 inch printed pages. One of 125 copies handset in Centaur type for the 2019 Annual Wayzgoose of the APA in Nashville. A fine copy.

No Binding. Zustand: Fine. Broadside on glossy white paper measuring 13 1/2 by 10 inches, handset and printed on Times New Roman type. One of 20 copies. A fine copy.

No Binding. Zustand: Fine. Single sheet of Fabriano mouldmade paper, folded once to form four 8 by 6 inch pages. One of 20 copies printed from handset Times New Roman type by Timothy Hawley. A fine copy.

No Binding. Zustand: Fine. Sheet of white paper folded once to form four printed pages measuring 10 by 6 1/2 inches, One of 125 copies printed in green and black for Parenthesis 27. A fine copy.

No Binding. Zustand: Fine. "until that distant day when the conscientious objector enjoys the same reputation and prestige that the warrior does today". Broadside measuring 11 by 7 1/4 inches. One of 40 copies printed in red, blue and black from handset Perpetua type on laid paper. A fine copy.

No Binding. Zustand: Fine. "until that distant day when the conscientious objector enjoys the same reputation and prestige that the warrior does today". Broadside measuring 11 by 7 1/4 inches. One of 40 copies printed in red, blue and black from handset Perpetua type on laid paper. A fine copy.

No Binding. Zustand: Fine. Single sheet folded to form four 7 3/4 by 5 3/4 inch printed pages. One of 20 copies handset in Cochin type. The lyrics from a song that appeared on the 1986 abum "Big World". A fine copy.

No Binding. Zustand: Fine. Broadside on tan mouldmade paper measuring 9 1/2 by 6 3/8 inches, printed in red and black. One of 20 copies printed by Timothy Hawley. A fine copy.

No Binding. Zustand: Fine. Broadside on white Fabriano paper measuring 9 1/2 by 12 3/4 inches. One of 20 copies printed from handset Perpetua type by Timothy Hawley. A fine copy.

Soft cover. Zustand: Fine. Sewn brown Ingres wrappers printed in black, slender large 12mo., 10, (1) pages. The first publication of Timothy Hawley's Cerberus Press, before adopting the Contre Coup Press name. One of 60 copies printed from Deepdene type. The first book printed by Private Press printer Hawley, with many superb books and broadsides to follow. A fine copy. Scarce.

No Binding. Zustand: Fine. Single sheet of Arches Text Wove paper folded once to measure 12 1/2 by 9 1/2 inches, handset and printed from Post Medieval type. Enclosing the original broadside by Leonard F. Bahr, which he printed in blue, black and gold. This broadside is one of the most attractive and pleasing examples of the hundreds of ephemeral items Bahr printed over his four-decade career, and is one of the best expressions of the philosophy of the private press. One of 75 copies printed for inclusion in the Duensing Tribute Portfolio. A fine copy.

No Binding. Zustand: Fine. Broadside on creme Fabriano CMF Ingres paper measuring 20 by 7 inches, handset and printed from Cochin type. A keepsake for the opening of the exhibition of "The Laundry Book" at the University of Louisville. One of 50 copies. A fine copy.

No Binding. Zustand: Fine. Single sheet of Arches Text Wove paper folded once to measure 12 1/2 by 9 1/2 inches, handset and printed from Post Medieval type. Enclosing the original broadside by Leonard F. Bahr, which he printed in blue, black and gold. This broadside is one of the most attractive and pleasing examples of the hundreds of ephemeral items Bahr printed over his four-decade career, and is one of the best expressions of the philosophy of the private press. One of 75 copies printed for inclusion in the Duensing Tribute Portfolio. A fine copy.

No Binding. Zustand: Fine. Broadside on creme Fabriano CMF Ingres paper measuring 20 by 7 inches, handset and printed from Cochin type. A keepsake for the opening of the exhibition of "The Laundry Book" at the University of Louisville. One of 50 copies. A fine copy.

No Binding. Zustand: Fine. Twenty five 7 1/2 by 5 1/2 inch broadside Christmas cards created by Leonard Bahr at his Adagio Press. These typographic cards are printed in many colors on a wide variety of papers. This collection offers almost all the cards listed in Tanner and Allstrom, and a few others not in their list. Fine copies.

No Binding. Zustand: Fine. Grey portfolio printed in blue and black enclosing an introductory sheet set in Lutetia type and printed on Basingwerk paper, printed by Contre Coup, and eight Adagio Press broadsides measuring 10 by 8 inches, printed in colors on various papers. This collection of all but the first two Typographs was distributed to the Typocrafters by Timothy Hawley in 1998. A fine copy.

No Binding. Zustand: Fine. Grey portfolio printed in blue and black enclosing an introductory sheet set in Lutetia type and printed on Basingwerk paper, printed by Contre Coup, and eight Adagio Press broadsides measuring 10 by 8 inches, printed in colors on various papers. This collection of all but the first two Typographs was distributed to the Typocrafters by Timothy Hawley in 1998. A fine copy.

Soft cover. Zustand: Fine. Stab-bound thick brown printed wrappers, tall 4to, (25) pages. One of 18 numbered copies printed by Timothy Hawley fom Bembo type on Frankfurt paper. TLS from Hawley presenting and discussing the book to a Frieda Fitzenmeyer (Carol Blinn) is loosely inserted. A fine copy.

Hardcover. Zustand: Fine. Quarter dark orange cloth gilt with copper marbled paper-covered boards, 4to., (iv), 38, (5) pages. Transcribed and edited, with introduction, shoulder notes, foot notes and appendix by Theophile Homard (Timothy Hawley). One of 100 copies designed, set by hand and printed by Hawley from Lutetia type on Mohawk Letterpress. Signed by Hawley with his initials in pencil. Bound by the Campbell-Logan Bindery. Four-page prospectus with original printed envelope laid in. A fine copy in archival mylar. Signed by the Printer.

Contre Coup Press (illustrator). tall 12mo. cloth-backed marbled paper-covered boards, paper spine label. (vi), viii, 47, (3) pages. Limited to 100 hand-printed copies. 'Non-errata' sheet loosely inserted. Spine label lightly foxed, else a fine copy. Reproduction of the diary kept by Mrs. Tompkins while living in the wilderness area of Wisconsin. With a number of tipped-in reproductions of early photographs. cloth-backed marbled paper-covered boards, paper spine label.

Hardcover. Zustand: Fine. Hardcover. One of 24 copies. Signed by the illustrator on the colophon. This is a particularly fine press production of one of Hemingway's stories and is uncommon in commerce, with OCLC showing only seven copies. It is one of the more elaborate works of Tim Hawley's now defunct Contre Coup Press, a fine press publisher specializing in limited edition books and broadsides, often created on vintage printing equipment. This edition includes a previously unpublished 8 page afterword. The press was run by Timothy Hawley for its entirety and known for its beautiful typography and unique typographic interpretations of rare manuscripts. The vintage printing equipment utilized included the Vandercook SP20 and hand set typography using various vintage typefaces. The press's books often featured typographic interpretations of rare manuscripts or literary works, such as this, one of Hemingway's finest Nick Adams stories. It was inspired by his affinity for nature and need for solace after returning from World War I. It was written in 1924, when Hemingway was just 25 years old and originally published in 1925 in the author's collection of stories, In Our Time. The creator of the engraved illustrations was Nick Baute. He is the owner and operator of the Hound Dog Press in Louisville, KY. In operation since 2008, HDP specializes in custom invitations, greeting cards, stationery, posters, art prints, and design. All work is produced on vintage letterpress equipment that ranges from 1892-1960, and they continue to hand-set metal and wood and hand carve wood and linoleum blocks to illustrate their prints. From the colophon: This book was set by hand in the Luteria typeface. The book was printed by hand on a Vandercook SP20 press. The book was bound at the Campbell-Logan Bindery in brown decorated paper boards with a brown cloth spine with a white paper title label. The wood engravings were designed and cut by Nick Baute, and were printed directly from the blocks. Each book is signed in pencil by the artist, and is accompanied by a portfolio of four of the engravings printed on Johannot, a mouldmade paper, and also signed by the artist. They are housed in a letterpress printed orange paper portfolio. There were a total of 24 copies printed on Yale, a wove paper, and 12 copies were printed on Arthur's Prairie, a laid paper, all handmade at the Twinrocker paper mill. This is one of the 12 copies printed on Arthur's Prairie laid paper." In fine condition. Measures 7.5 x 11.5 inches. 33 pages plus separate suite of 4 prints of the engravings. 33 pages : illustrations ; 30 cm + suite of 4 loose-leaf of print. Signed.