Coroneos con (21 Ergebnisse)

Sprache: Englisch
Verlag: Oxford University Press, 2008
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hardcover. Zustand: Fine. Zustand des Schutzumschlags: Includes dust jacket. First Edition. **1st Edition** **HARDBACK** In unclipped dustjacket No stamps or inscriptions; OUP 2002.
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Zustand: New. Recent literary and cultural criticism is preoccupied with space. Coroneos uses the work of Joseph Conrad to unravel aspects of spatial thought from the geopolitical idea of 'closed space' in the early twentieth century to the influence of Saussurean linguistics in contemporary criticism and theory. Num Pages: 208…pages, bibliography, index. BIC Classification: 2AB; CFA; DSBH; DSK; JFC. Category: (P) Professional & Vocational. Dimension: 224 x 145 x 16. Weight in Grams: 358. . 2002. Hardback. . . . .

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Zustand: New. Recent literary and cultural criticism is preoccupied with space. Coroneos uses the work of Joseph Conrad to unravel aspects of spatial thought from the geopolitical idea of 'closed space' in the early twentieth century to the influence of Saussurean linguistics in contemporary criticism and theory. Num Pages: 208…pages, bibliography, index. BIC Classification: 2AB; CFA; DSBH; DSK; JFC. Category: (P) Professional & Vocational. Dimension: 224 x 145 x 16. Weight in Grams: 358. . 2002. Hardback. . . . . Books ship from the US and Ireland.

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Hardcover. Zustand: new. Hardcover. Recent literary and cultural criticism has taken a spatial turn. Nowadays, to speak is to speak from, to, or in; to know something is to have 'mapped' its discursive operation. This book locates this development within the opposition between a space of things and a space of words, tracing vari…ous aspects of its emergence from the geopolitical idea of 'closed space' which developed in the early twentieth century to the influence of Saussurean linguistics incontemporary criticism and theory.The focus of the study is the work of Joseph Conrad, in whom the opposition between a space of words and a space of things is strikingly figured. Part I deals withseveral versions of closed space, using an ancient spatial paradox of God (as the sphere of which the centre is everywhere and the circumference is nowhere) to raise questions about the relations between geography, language, and interpretation. Part II deals with the agitation around finitude and the limit, and the desperate attempt to discover in the resources of language a means of liberation.Through these ideas the book explores some of the more disreputable, marginal, orunglimpsed elements in modernism - including the rise of spy fiction, anarchist geography, the spiritualist movement, the invention of artificial languages, the history of laughter, and solar energy. Among thefigures drawn into dialogue with Conrad are John Buchan, Woolf, Joyce, Peter Kropotkin, Rene de Saussure (brother of the famous Ferdinand), Henri Bergson, the filmmakers George Melies and Carol Reed and, in particular, Michel Foucault -- this 'nouvelle cartographe' as Gilles Deleuze described him -- whose anxious negotiation with spatial ideas touches the book's deepest understanding. Recent literary and cultural criticism is preoccupied with space. Coroneos uses the work of Joseph Conrad to unravel aspects of spatial thought from the geopolitical idea of 'closed space' in the early twentieth century to the influence of Saussurean linguistics in contemporary criticism and theory. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Zustand: New. Print on Demand pp. 208 44:B&W 5.5 x 8.5 in or 216 x 140 mm (Demy 8vo) Case Laminate on Creme w/Gloss Lam.

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Hardcover. Zustand: new. Hardcover. Recent literary and cultural criticism has taken a spatial turn. Nowadays, to speak is to speak from, to, or in; to know something is to have 'mapped' its discursive operation. This book locates this development within the opposition between a space of things and a space of words, tracing vari…ous aspects of its emergence from the geopolitical idea of 'closed space' which developed in the early twentieth century to the influence of Saussurean linguistics incontemporary criticism and theory.The focus of the study is the work of Joseph Conrad, in whom the opposition between a space of words and a space of things is strikingly figured. Part I deals withseveral versions of closed space, using an ancient spatial paradox of God (as the sphere of which the centre is everywhere and the circumference is nowhere) to raise questions about the relations between geography, language, and interpretation. Part II deals with the agitation around finitude and the limit, and the desperate attempt to discover in the resources of language a means of liberation.Through these ideas the book explores some of the more disreputable, marginal, orunglimpsed elements in modernism - including the rise of spy fiction, anarchist geography, the spiritualist movement, the invention of artificial languages, the history of laughter, and solar energy. Among thefigures drawn into dialogue with Conrad are John Buchan, Woolf, Joyce, Peter Kropotkin, Rene de Saussure (brother of the famous Ferdinand), Henri Bergson, the filmmakers George Melies and Carol Reed and, in particular, Michel Foucault -- this 'nouvelle cartographe' as Gilles Deleuze described him -- whose anxious negotiation with spatial ideas touches the book's deepest understanding. Recent literary and cultural criticism is preoccupied with space. Coroneos uses the work of Joseph Conrad to unravel aspects of spatial thought from the geopolitical idea of 'closed space' in the early twentieth century to the influence of Saussurean linguistics in contemporary criticism and theory. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Buch. Zustand: Neu. Space, Conrad, and Modernity | Con Coroneos | Buch | Gebunden | Englisch | 2002 | OUP Oxford | EAN 9780198187363 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

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Buch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Recent literary and cultural criticism has taken a spatial turn. Nowadays, to speak is to speak from, to, or in; to know something is to have 'mapped' its discursive operation. This book locates this development within the opposition between a sp…ace of things and a space of words, tracing various aspects of its emergence from the geopolitical idea of 'closed space' which developed in the early twentieth century to the influence of Saussurean linguistics in contemporary criticism and theory.The focus of the study is the work of Joseph Conrad, in whom the opposition between a space of words and a space of things is strikingly figured. Part I deals with several versions of closed space, using an ancient spatial paradox of God (as the sphere of which the centre is everywhere and the circumference is nowhere) to raise questions about the relations between geography, language, and interpretation. Part II deals with the agitation around finitude and the limit, and the desperate attempt to discover in the resources of language a means of liberation.Through these ideas the book explores some of the more disreputable, marginal, or unglimpsed elements in modernism - including the rise of spy fiction, anarchist geography, the spiritualist movement, the invention of artificial languages, the history of laughter, and solar energy. Among the figures drawn into dialogue with Conrad are John Buchan, Woolf, Joyce, Peter Kropotkin, René de Saussure (brother of the famous Ferdinand), Henri Bergson, the filmmakers George Méliès and Carol Reed and, in particular, Michel Foucault -- this 'nouvelle cartographe' as Gilles Deleuze described him -- whose anxious negotiation with spatial ideas touches the book's deepest understanding.

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Hardcover. Zustand: new. Hardcover. Recent literary and cultural criticism has taken a spatial turn. Nowadays, to speak is to speak from, to, or in; to know something is to have 'mapped' its discursive operation. This book locates this development within the opposition between a space of things and a space of words, tracing vari…ous aspects of its emergence from the geopolitical idea of 'closed space' which developed in the early twentieth century to the influence of Saussurean linguistics incontemporary criticism and theory.The focus of the study is the work of Joseph Conrad, in whom the opposition between a space of words and a space of things is strikingly figured. Part I deals withseveral versions of closed space, using an ancient spatial paradox of God (as the sphere of which the centre is everywhere and the circumference is nowhere) to raise questions about the relations between geography, language, and interpretation. Part II deals with the agitation around finitude and the limit, and the desperate attempt to discover in the resources of language a means of liberation.Through these ideas the book explores some of the more disreputable, marginal, orunglimpsed elements in modernism - including the rise of spy fiction, anarchist geography, the spiritualist movement, the invention of artificial languages, the history of laughter, and solar energy. Among thefigures drawn into dialogue with Conrad are John Buchan, Woolf, Joyce, Peter Kropotkin, Rene de Saussure (brother of the famous Ferdinand), Henri Bergson, the filmmakers George Melies and Carol Reed and, in particular, Michel Foucault -- this 'nouvelle cartographe' as Gilles Deleuze described him -- whose anxious negotiation with spatial ideas touches the book's deepest understanding. Recent literary and cultural criticism is preoccupied with space. Coroneos uses the work of Joseph Conrad to unravel aspects of spatial thought from the geopolitical idea of 'closed space' in the early twentieth century to the influence of Saussurean linguistics in contemporary criticism and theory. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.