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Paperback. Zustand: Brand New. 44 pages. French language. 9.21x6.14x0.09 inches. In Stock.

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

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Paperback. Zustand: new. Paperback. Attributions are central questions in art history. Since theintroduction of new examination methods such as radiography, infraredphotography and reflectography, conventional art history has undergonemajor changes. Technical examinations can provide additional argumentsfor attributing works of art to individual artists or their workshops.However, technical studies often also reveal complex working methods,while new scientific imagery sometimes challenges accepted attributionsand instigates reconsiderations of traditional attributions. The XIXthsymposium for the Study of Underdrawing and Technology in Painting whichwas held in Bruges on 11-13 September 2014 was dedicated to technicalstudies of paintings: problems of attribution (15th-17th centuries). Itfocussed on the various ways in which technical studies can provideanswers to the often complex issue of attribution and will discuss thechallenges that art historians face in proposing conclusive theories.This book captures the variety of twenty-four paperspresented at the symposium. Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their wo Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Zustand: New. 2018. Paperback. . . . . .

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Hardcover. Zustand: New. XXII-377 p. Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their workshops. However, technical studies often also reveal complex working methods, while new scientific imagery sometimes challenges accepted attributions and instigates reconsiderations of traditional attributions. The XIXth symposium for the Study of Underdrawing and Technology in Painting which was held in Bruges on 11-13 September 2014 was dedicated to technical studies of paintings: problems of attribution (15th-17th centuries). It focussed on the various ways in which technical studies can provide answers to the often complex issue of attribution and will discuss the challenges that art historians face in proposing conclusive theories. This book captures the variety of twenty-four papers presented at the symposium.

Paperback. Zustand: new. Paperback. Attributions are central questions in art history. Since theintroduction of new examination methods such as radiography, infraredphotography and reflectography, conventional art history has undergonemajor changes. Technical examinations can provide additional argumentsfor attributing works of art to individual artists or their workshops.However, technical studies often also reveal complex working methods,while new scientific imagery sometimes challenges accepted attributionsand instigates reconsiderations of traditional attributions. The XIXthsymposium for the Study of Underdrawing and Technology in Painting whichwas held in Bruges on 11-13 September 2014 was dedicated to technicalstudies of paintings: problems of attribution (15th-17th centuries). Itfocussed on the various ways in which technical studies can provideanswers to the often complex issue of attribution and will discuss thechallenges that art historians face in proposing conclusive theories.This book captures the variety of twenty-four paperspresented at the symposium. Attributions are central questions in art history. Since the introduction of new examination methods such as radiography, infrared photography and reflectography, conventional art history has undergone major changes. Technical examinations can provide additional arguments for attributing works of art to individual artists or their wo Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Broché. Zustand: As New. Zustand des Schutzumschlags: As New. Catalog Number: 50095 Title: La Peinture Ancienne et ses Procédés: Copie,Répliques,Pastices Price: Euro 125.00 Description: ed. Helene Verougstraete, Jacqueline Couvert. Leuven: Peeters, 2006. 26cm., pbk., 326pp. illus., several color plates. Partial contents: R. BILLINGE, Technical Examination of a Virgin and Child by Luis de Morales in the National Gallery; H. HUDSON, The Materials and Technique of two Panel Paintings attributed to Paolo Ucello: the Oxford Annunciation and the Melbourne Saint George; T.-H. BORCHERT, The Bruges Master of the Legend of Saint Ursula. Investigating Workshop Practices of Anonymous Bruges Painters by Looking into Underdrawing ; C. PÉRIER D¿IETEREN, La copie des ¿uvres de Thierry Bouts; R. BELLUCCI and C. FROSININI, The Replicas after the Venus and Cupid Cartoon by Michelangelo; M.C. GALASSI, On the Legacy of Lorenzo di Credi (1458/59-1537). Replicas and Copies (and one Pastiche); E. BUZZEGOLI and D. KUNZELMAN, Re-use of Cartoons in Paintings by Andrea del Sarto and Pontormo: a Study with High Resolution Digital Scanned IRR; D. WOLFTHAL, Renaissance Fingerpainting; M. P. J. MARTENS and N. PEETERS, Masters and Servants. Workshop Assistants in Antwerp Artists¿ Workshops (1453-1579): a Statistical Approach to Workshop Size and Labour Division; M. LEEFLANG, The Adoration of the Magi in Naples and Detroit: Original and Copy?; M. FARIES, Jan Van Scorel¿s Mary Magdalene: Original and Copy; M. WOLTERS, Two Vegetable Sellers by Joachim Beuckelaer: a Symbiotic Relationship; L. JANSEN, Serial Products in the Workshop of Pieter Coecke Van Aelst: a Working Hypothesis; C. CURRIE and B. GHYS, Design Transfer in Pieter Brueghel the Younger¿s Workshop: a Step by Step Reconstruction based on Technical Examination of his Paintings; A. VILA, N. FERRER and J.F. GARCIA, Chemical Fingerprints. An Appproach to Colour Prints Characterisation and Discrimination; etc. (Le Dessin sous-jacent et la technologie dans la peinture, Colloque XV, Bruges 11-13 septembre 2003) Size: Quarto.

Leather Bound. Zustand: New. Language: francais. Language: francais. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1875. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - francais, Pages: - 52, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 52 52.