Croft clare (174 Ergebnisse)
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Zustand: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: Reprint ] Publisher: Criminal Minds Group Pub Date: 1/1/2020 Binding: Paperback Pages: 201 Reprint edition.
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Paperback. Zustand: new. Paperback. Jill Johnston began the 1960s as an influential dance columnist for the Village Voice and by the start of the next decade she was known as a keen observer of postmodern art and lesbian feminist life who challenged how dance, art, and women can and should be seen. The Essential Jill Johnston Re…ader collects dozens of pieces of her writing from across her career. These writings-many of which appeared in the Village Voice and the New York Times-survey the breadth of her work, braiding together her thinking, writing, and activism. From personal essays, travel writing, and artist profiles to dance and visual art reviews as well as her infamous series of columns for the Voice in which she came out as a lesbian, these pieces demonstrate the evolution of her philosophies and writing style. Illustrating how Johnston drew on lessons from dance to reconsider what it means to be a woman, this collection brings a fascinating and brilliant voice of American arts criticism, radical feminism, and gay liberation back to contemporary audiences. From personal essays, travel writing, and artist profiles to dance and visual art reviews as well as her infamous series of columns in the 1960s for the Village Voice in which she came out as a lesbian, this collection brings a fascinating and brilliant voice of American arts criticism, radical feminism, and gay liberation back to contemporary audiences. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Paperback. Zustand: New. Jill Johnston began the 1960s as an influential dance columnist for the Village Voice and by the start of the next decade she was known as a keen observer of postmodern art and lesbian feminist life who challenged how dance, art, and women can and should be seen. The Essential Jill Johnston Reader collec…ts dozens of pieces of her writing from across her career. These writings-many of which appeared in the Village Voice and the New York Times-survey the breadth of her work, braiding together her thinking, writing, and activism. From personal essays, travel writing, and artist profiles to dance and visual art reviews as well as her infamous series of columns for the Voice in which she came out as a lesbian, these pieces demonstrate the evolution of her philosophies and writing style. Illustrating how Johnston drew on lessons from dance to reconsider what it means to be a woman, this collection brings a fascinating and brilliant voice of American arts criticism, radical feminism, and gay liberation back to contemporary audiences.
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Dance Research Journal: Congress on Research in Dance 45/1 (April 2013)
Franko, Mark (ed.); Chatterjea, Ananya; Croft, Clare; Fensham, Rachel; Gonye, Jairos; Satkunaratnam
Verlag: New York University Press, New York, 2013
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In den WarenkorbSoftcover. Sound binding. Clean, bright pages. Wrappers have general light shelf wear. Minor wear to corner tips. Contents: Franko, Global modernities. Chatterjea, On the value of mistranslations and contaminations: the category of "ontemporary choreography" in Asian dance. Croft, Dance returns to American cultural diplomacy: th…e U.S. State Department's 2003 dance residency program and its after effects. Fensham, "Brekin' the rules": Eleo Pomare and the transcultural choreographies of black modernity. Gonye, Mobilizing dance/traumatizing dance: Kongonya and the politics of Zimbabwe. Satkunaratnam, Staging war: performing Bharata Natyam in Colombo, Sri Lanka. Reviews. 10.0" tall; 143 pages. Very Good in No Dust Jacket dust jacket.
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Paperback. Zustand: New. Jill Johnston began the 1960s as an influential dance columnist for the Village Voice and by the start of the next decade she was known as a keen observer of postmodern art and lesbian feminist life who challenged how dance, art, and women can and should be seen. The Essential Jill Johnston Reader collec…ts dozens of pieces of her writing from across her career. These writings-many of which appeared in the Village Voice and the New York Times-survey the breadth of her work, braiding together her thinking, writing, and activism. From personal essays, travel writing, and artist profiles to dance and visual art reviews as well as her infamous series of columns for the Voice in which she came out as a lesbian, these pieces demonstrate the evolution of her philosophies and writing style. Illustrating how Johnston drew on lessons from dance to reconsider what it means to be a woman, this collection brings a fascinating and brilliant voice of American arts criticism, radical feminism, and gay liberation back to contemporary audiences.
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Zustand: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.
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Paperback. Zustand: New. Performer, activist, and writer Jill Johnston was a major queer presence in the history of dance and 1970s feminism. She was the first critic to identify postmodernism's arrival in American dance and was a fierce advocate for the importance of lesbians within feminism. In Jill Johnston in Motion, Clare C…roft tracks Johnston's entwined innovations and contributions to dance and art criticism and activism. She examines Johnston's journalism and criticism-in particular her Village Voice columns published between 1960 and 1980-and her books of memoir and biography. At the same time, Croft attends to Johnston's appearances as both dancer and audience member and her physical and often spectacular participation at feminist protests. By bringing together Johnston's criticism and activism, her writing and her physicality, Croft emphasizes the effect that the arts, particularly dance, had on Johnston's feminist thinking in the 1970s and traces lesbian feminism's roots in avant-garde art practice.
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paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that e…ncompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
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Paperback. Zustand: New. Performer, activist, and writer Jill Johnston was a major queer presence in the history of dance and 1970s feminism. She was the first critic to identify postmodernism's arrival in American dance and was a fierce advocate for the importance of lesbians within feminism. In Jill Johnston in Motion, Clare C…roft tracks Johnston's entwined innovations and contributions to dance and art criticism and activism. She examines Johnston's journalism and criticism-in particular her Village Voice columns published between 1960 and 1980-and her books of memoir and biography. At the same time, Croft attends to Johnston's appearances as both dancer and audience member and her physical and often spectacular participation at feminist protests. By bringing together Johnston's criticism and activism, her writing and her physicality, Croft emphasizes the effect that the arts, particularly dance, had on Johnston's feminist thinking in the 1970s and traces lesbian feminism's roots in avant-garde art practice.
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