Crooks william (55 Ergebnisse)

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

hardcover. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Very Good. First Edition. Lexington, VA Shenandoah / Washington and Lee University . Very Good. 2001. First Edition. Softcover. First edition. Magazine. Pictorial cover. Crease top corner front cover, small edge tear to the rear cover. See photos clph.

Hardcover. Zustand: Very Good. ORIGINAL 1967 PUBLICATION; softcover text and three large folded plates (complete for this publication) in hardcover slipcase; in very good condition. Book.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

softcover. Zustand: Collectible; Very Good. First Edition; First Printing. 10 full page color plates, plus text illustrations. With an essay by Susan Viebrock. Published on the occasion of the exhibition at Scott White Contemporary Art, San Diego, CA, September 17 - November 6, 2004. ; Tight, clean and crisp. A tougch of light shelf/edge wear, otherwise a gently read book in Very Good condition. No inscriptions. Not ex-library.…

Hardcover. Zustand: Very good condition. Zustand des Schutzumschlags: good. First edition. Hardcover, Olive Cloth Folio. Embossed white print on cover and spine. Photographic dust jacket. Published in conjunction with Spring 2012 Exhibition at the Oceanside Museum of Art. "While his images may include railroad crossings, trucks, trees and buildings, the real subjects of Crooks' oil paintings are the opacity of light and the transparency of shadow. Born and raised in San Diego, and currently working in Imperial Beach, Crooks' outdoor "snapshots" bring a new freshness and local appeal to the landscape genre. Working in the spirit of realism with a romantic bent, Crooks' luminous landscapes function as interpretive windows of daily life. Marking the first museum exhibition of his work, The Point of View features twenty-three paintings created over the last twenty-five years that emphasize cityscapes, nostalgic urban scenery and expansive landscapes based on photographs taken throughout the West Coast. With a nod to the landscape painters of the 1800s such as Albert Bierstadt and Frederic Church, Crooks has the ability to transform landscapes into metaphors that emphasize his perceptions of the natural world around him. Crooks also draws influence from the narratives of Edward Hopper, the color field paintings of Mark Rothko, the liberating techniques of Wolf Kahn, and the lumanism of John Frederick Kensett." -Oceanside Museum of Art. Hardcover very good condition with minor 2 inch crease in dust jacket.…

Paperback. Octavo, [8.5 by 8.5inches], 3-fold brochure, pp. 6. Fully Illustrated with colour plates, &tc. Please feel free to inquire as to particulars and/or additional photographs. William Glen Crooks has gained national and international recognition for depicting a unique and ethereal light, also inherent to San Diego where the artist was born and raised. Crooks' canvases depict subjects ranging from landscapes, cityscapes, and seascapes, to figurative works as well. No matter what the subject, Crooks' masterful execution of achieving this luminous glow has won him critical acclaim and recognition. Robert Pincus of the San Diego Union-Tribune observed this of Crooks' last solo exhibition at Scott White Contemporary Art: "The luminous look of his paintings isn't overtly spiritual, but it does give them a transcendental glow that would have made such 19th-century greats as poet Walt Whitman or painter Martin Johnson Heade smile approvingly." In exceptionally good condition.…

Zustand: New.

Hardcover. Zustand: Very good condition. Zustand des Schutzumschlags: fine. First edition. Hardcover, Olive Cloth Folio. Embossed white print on cover and spine. Photographic dust jacket. Published in conjunction with Spring 2012 Exhibition at the Oceanside Museum of Art. "While his images may include railroad crossings, trucks, trees and buildings, the real subjects of Crooks' oil paintings are the opacity of light and the transparency of shadow. Born and raised in San Diego, and currently working in Imperial Beach, Crooks' outdoor "snapshots" bring a new freshness and local appeal to the landscape genre. Working in the spirit of realism with a romantic bent, Crooks' luminous landscapes function as interpretive windows of daily life. Marking the first museum exhibition of his work, The Point of View features twenty-three paintings created over the last twenty-five years that emphasize cityscapes, nostalgic urban scenery and expansive landscapes based on photographs taken throughout the West Coast. With a nod to the landscape painters of the 1800s such as Albert Bierstadt and Frederic Church, Crooks has the ability to transform landscapes into metaphors that emphasize his perceptions of the natural world around him. Crooks also draws influence from the narratives of Edward Hopper, the color field paintings of Mark Rothko, the liberating techniques of Wolf Kahn, and the lumanism of John Frederick Kensett." -Oceanside Museum of Art.…

Zustand: New.

Zustand: New. In English.

PF. Zustand: New.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. Fine book in a fine jacket--visible in photos.

Paper Wrappers. Zustand: Fine. All the advertisements are intact (they're missing from reprints or scans). Jourdain's article corrections to his article on Bertrand Russell a year earlier. Mach's article is "Psychic and Organic Life". Bode's is on Pragmatism. Book.

Soft cover. Zustand: Very Good. 5th or later Edition. Fifth edition, Volume II. Solid paperback with no marks inside or out. Minimal wear to cover. Very good plus.

Zustand: very_good.

Zustand: acceptable. The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.…

Zustand: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Zustand: Very Good -. (1967), 79pp, illus., includes booklet (in wraps) & 3 maps in binder w/ pockets, some sun fading & wear to cover.

Paperback. Zustand: New. Print on Demand. Embark on a fascinating journey into the intricate world of scale insects with this meticulously detailed scientific exploration. The author delves into the distinctive characteristics of the species within the Lecanium genus, a group of insects known for their economic impact on agriculture. Set against the backdrop of the early 20th century's growing awareness of the challenges posed by pests like the San Jose scale, this book offers valuable insights into the identification and differentiation of Lecanium species. Through detailed morphological descriptions and illustrations, the author unveils the subtle yet crucial features that distinguish these insects. The text explores the external anatomy of Lecanium species, examining their body structure, antennae, legs, and other key characteristics. It delves into the unique adaptations of these insects, such as the formation of protective coverings for their young and the presence of specialized glands. By meticulously analyzing the morphology of various Lecanium species, this book provides a foundation for accurate identification and classification, ultimately contributing to a deeper understanding of these fascinating creatures and their impact on the natural world. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book. print-on-demand item.…

Hardcover. Demy folio, [27.75cm/11inches], full gilt-embossed cloth with mylar-protectected dust jacket, pp. . Illustrated with b-w halftones, colour plates &tc. Published in conjunction with the Spring 2012 Exhibition at the Oceanside Museum of Art. Please feel free to ask for particulars and/or additional photographs. . The E. S. Lawrence Gallery of Aspen, Colorado notes: "Incorporating a seamless network of influences, garnered from his study of Art History, William Glen Crooks portrays the world around him in a strictly personal and contemporary manner. For the last fifteen years, William Glen Crooks has been a painter of the American landscape; landscapes depicted by the rural vistas and suburban structures that he witnesses on a day to day basis. These scenes are not grandly romanticized, but instead reveal an intimacy and vitality in what might otherwise be described as mundane. A hidden grandeur in the everyday subjects is uncovered through William Glen Crook's deft application of color and light. It is a manner similar to that of Edward Hoper, who dramatized local scenes of ordinary description, through his use of light and shadows. The remarkable radiance in William Glen Crook's work references renown for creating sublime abstractions through color modulation. William Glen Crooks' work finds a distinct balance in contemporary art, by synthesizing such extreme poles as minimalism and photorealism. By integrating his life's experiences, William Glen Crooks has created unique visions of a distinctly American reality". In exceptionally good condition.…

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.…

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Zustand: New.

Trade Paperback. Will Crooks (1852-1921) was a noted British trade unionist and politician from Poplar, London, and member of the Fabian Society. He is particularly remembered for his campaigning work against poverty and inequality. In 1889 he became a member of the London County Council and subsequently became the first working-class member and later Chairman of the Poplar Board of Governors. In 1900 he became the first Labour mayor of Poplar and two years later was elected to Parliament where he remained until 1921 when ill-health forced his retirement. Harry Gosling (1861-1930) was a Labour Party politician and trade union leader. 1. Holograph letter: letterhead of London County Council, Spring Gardens. S. W. '3rd March 1896. Dear Whelan, I have every reason to believe that the London Trade Council are moving in the matter and the Parliamentary Committee of the Trade Union Congress have the subject in hand & are getting resolutions through the various union _____. The proposed whittling down of the fair wages clause at every meeting I attend. We invariably get a resolution through against Mr. Goshings (?) actions. Yours, W. Crooks.' 2. Typed letter signed: blind-stamped 'House of Commons': '8th May 1917. Dear Whelen, I am obliged by your letter but I cannot accept your kind inviation to lunch as I am away in Herefordshire for the benefit of my health and I do not expect to get back to town until after Whitsuntide. I wish your project every success. Yours sincerely, (signed) Will Crooks.'.…