Cross dressing archive (1 Ergebnisse)
Weitere Bilder- Foto
Anbieter: Max Rambod Inc, Woodland Hills, CA, USAMax Rambod Inc
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht
EUR 2.000,42
EUR 8,63 VersandVersand innerhalb von USAAnzahl: 1 verfügbar
In den WarenkorbCross dressing and female impersonation photo archive documenting gender masquerade in postcard portraiture, club entertainment, and informal social photography from the early twentieth century through 1939, with direct relevance to LGBTQ+ visual history and the history of gendered dress outside ordinary convention. Seventeen ph…otographs by unidentified amateur and studio photographers record women posed in men's suits and hats, men posed in dresses, and performers working in female impersonation, showing how gender inversion circulated through social clubs, theatrical performance, mailed postcards, and private amusement well before modern drag culture achieved wider public visibility. The identified Billie Manders postcard places part of the group within British concert party entertainment, while the Rockridge Women's Club photographs locate another part within organized women's social life and Halloween masquerade culture. Photo archive of 18 vernacular photographs, including 7 real photo postcards, silver gelatin snapshots, ranging from approximately 3.5 x 2.5 to 3 x 6 inches, Rockridge and other unidentified locations, circa 1910s to 1940s with a small later instant-photograph subgroup. Seven real photo postcards form the earliest portion of the archive; one is captioned "Mr. Billie Manders, Female Impersonator," identifying the Rhyl performer in tailored dress and theatrical pose, while others show women adopting masculine attire in formal portrait settings. Six photographs from a single event are tied by an en verso inscription reading "Halloween masquerade Dance," "39," and "Rockridge Womens Club," establishing a 1939 club setting for costume-based gender reversal. Rockridge is a neighborhood in Oakland, near Berkeley, CA. The later instant photographs extend the same visual practice into domestic and family space: three men in dresses posed with three young children, a man and woman posed together in reversed conventional attire, and a scene in which a woman in suit and top hat pours a drink while a man in a dress stands beside her holding a glass. One verso inscription reads, "When you see this you will remember these good wines I've sent you for your birthday," linking the image to gift exchange and shared social memory. From the 1910s through the late 1930s, postcard circulation, amateur theatricals, holiday masquerades, and club entertainments created public and semi-private settings in which cross dressed performance could be staged, photographed, mailed, and preserved. This group is strongest not as a generalized survey of queer history but as direct evidence of how gender masquerade operated across distinct cultural settings: commercial performance, women's club festivity, and informal social photography. Good condition overall, with light general handling wear consistent with age. The archive offers concrete visual evidence of gender inversion as a recurring social practice rather than an isolated novelty.
