Crowdy denis (41 Ergebnisse)
Sprache: Englisch
Verlag: University of Hawaii Press 2017
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
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Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
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Paperback. Zustand: New. During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering musicians who formed a band they named ""Sanguma."" These Melanesian artists heard an imagin…ed future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music.In Hearing the Future, Australian ethnomusicologist Denis Crowdy documents and analyzes the music and activities of the Sanguma band, arguing that their music was a vital form of cultural expression in sync with sociopolitical change then taking place in PNG. Drawing from rock, jazz, and nascent ""world music"" influences, Sanguma reached audiences far from their home nation, introducing the world to modern music, Melanesia-style, with its fusion of old and new, local and global. Performances ranged from ensembles of Melanesian log drums (garamuts) to extended songs and improvisations involving electric guitars, synthesizers, saxophone, trumpet, bamboo percussion, panpipes, and kuakumba flutes. The band sang in a variety of local vernacular languages, as well as in Tok Pisin and English. To further emphasize their ancestral style, the musicians wore decorative headdresses and body decoration from all around the nation, along with distinctive pants featuring indigenous designs.As the optimism of the early years of the nation faded due to harsh economic and social realities, and as an increasingly commercial popular music scene came to dominate public music culture, tensions between a once heard future and the sounding present emerged. Continuing a theoretical trajectory in ethnomusicology, Crowdy explores the role of music in imagining, constructing, and representing national and regional identity. The analysis reveals inherent tensions between distinctly Melanesian ideals and the complexities in navigating the realities of local neoliberal capitalism.
Sprache: Englisch
Verlag: Univ of Hawaii Pr 2017
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
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Sprache: Englisch
Verlag: University of Hawai'i Press 2017
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
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Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
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Sprache: Englisch
Verlag: University of Hawaii Press 2017
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
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Sprache: Englisch
Verlag: University of Hawaii Press 2017
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
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Paperback. Zustand: New. Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a "code musicology," then outlines what that should entail. A code musicology opens a conduit b…etween musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focus-IT and software-centered transnational commerce-as a result of sectorial transformation.Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the author's own music apps and associated distribution infrastructure provides unique insights into the machinations of music "appification.".
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Sprache: Englisch
Verlag: University of Hawai'i Press 2017
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
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Soft cover. Zustand: New. Summary:During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence. It was an exciting time for a diverse group of pioneering musicians who formed a band they named "Sanguma". Australian ethnomusicologist Denis Crowdy argues that the Sanguma band's music was a vi…tal form of cultural expression in sync with sociopolitical change then taking place in PNG.
Verlag: University of Hawai'i Press 2016 2016
- Hardcover
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Imperial octavo hardcover (VG+) in d/w (VG+); all our specials have minimal description to keep listing them viable. They are at least reading copies, complete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.
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Kulele 3: Occasional Papers on Pacific Music and Dance
Don Niles; Julie To'Liman-Turalir; Michael Webb; Anton Krähenheide; Philip Gibbs; Elizabeth Mackinlay; Esther Lakia; Denis Crowdy; Philip Hayward; Justin Tonti-Filippini
Verlag: Institute of Papua New Guinea Studies 2001
- Softcover
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Soft cover. Zustand: Very Good. 124 pp., illustrations, maps, bibliography. Contents: Editors' introduction to Krähenheide's "Music of the Gunantuna in the Vicariate of Rabaul"; Music of the Gunantuna in the Vicariate of Rabaul; Ol Singsing Enga; "Same but Different": musical behavior, gender roles, and the transference of power… in Yanyuwa society; Three traditional songs form Malala, Madang Province; Questions of origin: George Telek and David Birdie's collaborative recordings; Meekamui: music of Bougainville's war; Recording review: Betel Nuts by Christopher Roberts.
- Softcover
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Sprache: Englisch
Verlag: University of Hawaii Press 2016
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
- Hardcover
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Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. Text clean and tight; Music and Performing Arts of Asia and the Pacific; 9.13 X 6.57 X 1.11 inches; 198 pages.
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Sprache: Englisch
Verlag: University of Hawai'i Press 2016
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
- Hardcover
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Hardcover. Zustand: New. Zustand des Schutzumschlags: New. xiii, 183 pages : illustrations, music : 24 cm. Summary:During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering mu…sicians who formed a band they named 'Sanguma'. These artists heard an imagined future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music. In 'Hearing the Future', Denis Crowdy documents and analyzes the music and activities of the Sanguma band.
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Zustand: like_new. Appears unused. Pictures available upon request. Individually inspected by Shadow. Thanks for supporting an independent bookseller.
Sprache: Englisch
Verlag: University of Hawai'i Press, US 2017
Serie: Music and Performing Arts of Asia and the Pacific, Buch 2 von 10. Buch 2 von 10 - Music and Performing Arts of Asia and the Pacific
- Softcover
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Paperback. Zustand: New. During the turbulent decades of the 1970s and 1980s, Papua New Guinea gained political independence from a colonial hold that had lasted almost a century. It was an exciting time for a diverse group of pioneering musicians who formed a band they named ""Sanguma."" These Melanesian artists heard an imagin…ed future and performed it during a socially and politically critical time for the region. They were united under one goal: to create a sound that represented the birth of a new, sovereign, and distinctly Melanesian nation; and to express their values, identities, and cosmology through their music and performance. Sanguma's experimental music sounded the complex expectations and pressures of their modern nation and helped to steer its postcolonial journey through music.In Hearing the Future, Australian ethnomusicologist Denis Crowdy documents and analyzes the music and activities of the Sanguma band, arguing that their music was a vital form of cultural expression in sync with sociopolitical change then taking place in PNG. Drawing from rock, jazz, and nascent ""world music"" influences, Sanguma reached audiences far from their home nation, introducing the world to modern music, Melanesia-style, with its fusion of old and new, local and global. Performances ranged from ensembles of Melanesian log drums (garamuts) to extended songs and improvisations involving electric guitars, synthesizers, saxophone, trumpet, bamboo percussion, panpipes, and kuakumba flutes. The band sang in a variety of local vernacular languages, as well as in Tok Pisin and English. To further emphasize their ancestral style, the musicians wore decorative headdresses and body decoration from all around the nation, along with distinctive pants featuring indigenous designs.As the optimism of the early years of the nation faded due to harsh economic and social realities, and as an increasingly commercial popular music scene came to dominate public music culture, tensions between a once heard future and the sounding present emerged. Continuing a theoretical trajectory in ethnomusicology, Crowdy explores the role of music in imagining, constructing, and representing national and regional identity. The analysis reveals inherent tensions between distinctly Melanesian ideals and the complexities in navigating the realities of local neoliberal capitalism.
Sprache: Englisch
Verlag: Port Moresby/Eigenverlag des Institutes of Papua New Guinea Studies. 2000
- Softcover
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24x18 cm, Softcover/Paperback. Zustand: Gut. 182 S. mit einigen s/w Illustrationen. Seltenes Werk mit den Schwerpunkten "Popular Music", "Traditional Music & Changing Contexts" sowie "Church Music". - Der vordere Buchdeckel weist oben rechts einen kleinen Knick auf. Gut erhaltenes Exemplar. Bitte beachten: Lieferung nach Vorausz…ahlung. An Buchhandel, Antiquariate, Behörden, öffentliche Bibliotheken, Universitäten und Museen liefern wir auf Wunsch mit Rechnung. Sprache: Englisch Gewicht in Gramm: 360.
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Paperback. Zustand: New. Software mediates a great deal of human musical activity. The writing, running, and maintenance of code lies at the heart of such software. Code Musicology: From Hardwired to Software argues why it is time for a "code musicology," then outlines what that should entail. A code musicology opens a conduit b…etween musicology and software studies, providing insights into both of these now interlinked fields along the way. It extends an ethnomusicology of technoculture from the world of hardware and the hardwired to software, code, and algorithms. For popular music studies, it helps direct attention to a newly relevant industrial focus-IT and software-centered transnational commerce-as a result of sectorial transformation.Denis Crowdy demonstrates how analysis from software studies, critical code studies, and the digital humanities offers insights into power relations, diversity, and commerce in music. Crowdy weaves readings of code and application programming interfaces (APIs) into the discussion, as well as ethnomusicological fieldwork exploring music and mobile phones from the Global South. Analysis of the author's own music apps and associated distribution infrastructure provides unique insights into the machinations of music "appification.".
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