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Paperback. Zustand: new. Paperback. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Georgian painter Pirosmani (1862-1918) the forgotten hero of the avant-garde--on display again: a large retrospective at the Albertina in Vienna examines his paintings in the context of art history.tory. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Taschenbuch. Zustand: Neu. Neuware -Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the 'Paris of the East.' Born into a peasant family, NIKO PIROSMANI (1862 - 1918) arrived in Tbilisi in 1870. Painting portraits and tavern signs for room and board, he came to the attention of the Georgian and Russian avant-garde in 1912, who presented him a year later as the 'Rousseau of the East' in the Moscow exhibition Mischén alongside works of Natalia Goncharova, Mikhail Larionov, Kazimir Malevich and Marc Chagall. An exhibition in Paris was planned, yet never to happen due to the First World War. Pirosmani died impoverished in 1918. Today he is Georgia's most celebrated artist. 200 pp. Englisch.

Taschenbuch. Zustand: Neu. Neuware -Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the 'Paris of the East.' Born into a peasant family, NIKO PIROSMANI (1862 - 1918) arrived in Tbilisi in 1870. Painting portraits and tavern signs for room and board, he came to the attention of the Georgian and Russian avant-garde in 1912, who presented him a year later as the 'Rousseau of the East' in the Moscow exhibition Mischén alongside works of Natalia Goncharova, Mikhail Larionov, Kazimir Malevich and Marc Chagall. An exhibition in Paris was planned, yet never to happen due to the First World War. Pirosmani died impoverished in 1918. Today he is Georgia's most celebrated artist. 200 pp. Englisch.

Paperback. Zustand: new. Paperback. A Legendary Artist Revisited Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration-and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the "Paris of the East." Georgian painter Pirosmani (1862-1918) the forgotten hero of the avant-garde--on display again: a large retrospective at the Albertina in Vienna examines his paintings in the context of art history.tory. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Zustand: Neu. Neuware - Unknown to many, Niko Pirosmani is revered as a legend in his native Georgia. Conveying a sense of poignant empathy, his portraits, animal paintings, landscapes and scenes from everyday life painted around 1900 in a flourishing Tbilisi draw on medieval iconography and testify to a deeply felt sense of belonging. At the same time, the avant-garde recognised a novel and radically new form of painting in his work. Like Henri Rousseau or Marc Chagall, Pirosmani is one of the exceptional yet difficult to categorize proponents of early modern art. This catalogue demonstrates Pirosmani's qualities in numerous illustrations, showing how his rapid brushstrokes on black oilcloth give the sparsely applied colors a glow as if coming from a dark depth. Pirosmani was a master of concentration and a storyteller. As expertly explained in the catalogue by a selection of Georgian art historians, he was a unique artist, a contradictory figure and an important part of the art scene in Tbilisi, then considered the 'Paris of the East.' Born into a peasant family, NIKO PIROSMANI (1862 - 1918) arrived in Tbilisi in 1870. Painting portraits and tavern signs for room and board, he came to the attention of the Georgian and Russian avant-garde in 1912, who presented him a year later as the 'Rousseau of the East' in the Moscow exhibition Mischén alongside works of Natalia Goncharova, Mikhail Larionov, Kazimir Malevich and Marc Chagall. An exhibition in Paris was planned, yet never to happen due to the First World War. Pirosmani died impoverished in 1918. Today he is Georgia's most celebrated artist.

Paperback. Zustand: New.

Zustand: Sehr gut. Baumann, Daniel (Hrsg.) 343 S., 4°, Leinen mit rotem Prägedruck, mit farbigen Abb., Publikation anlässlich der gleichnamigen Ausstellung, Kunsthalle Zürich, 9.6.-5.8.2018. Sprache(n)/language(s): de, enEinband mit minimen Gebrauchsspuren, sonst tadellos.

Zustand: New. Die Kuenstlerin Rebecca Horn versteht sich als Erfinderin, Regisseurin, Autorin, Komponistin, Poetin,aber allem voran als Choreografin. Sie nutzt die Idee von Inkorporierung und schafft Sinnbildertechnisch-koerperlicher Vernetzung: von ihren ersten Papierarbe.

Paperback. Zustand: New.