daniel cartier (54 Ergebnisse)

Hardcover with dustjacket, 130 pages; in English, German and French; gallery exhibition dates sticker on title page; otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

paperback. Zustand: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Zustand: Very Good. Very Good Condition. Five star seller - Buy with confidence!

SingleIssueMagazine. Zustand: Very Good+. Vol. CXI, No. 4. Edited by Stanley Schmidt. Cover art by Nicholas Jainschigg for "Den of Sorrow" (novelette) by Daniel Hatch. Includes "Creative Constructions, Inc." (novelette) by Kent Patterson; "Time out of Mind" (novelette) by Bob Howe; "Science Fiction" (novelette) by Lawrence Watt-Evans; "The Day the Signals Started" by Francis Cartier; "Eden Regained" by F. M. Busby; "An End to Darkness" by J. H. Ulowetz; "Summer Hopes - Winter Dreams" by Mile Moscoe. Article: "What Goes Around, Comes Around: What To Do About Space Debris?' by Drs. Gay E. Canough & Lawrence P. Lehman. Reader's Departments: "The Editor's Page: Primative Machines"; "The Alternate View" by G. Harry Stine; "In Times to Come"; "The Reference Library" by Tom Easton; "Brass Tacks"; 'The Analog Calendar of Upcoming Events". Illustrated by Nicholas Jainschigg, Arthur George, Broeck Steadman, William R. Warren, Jr., Martin G.Cameron, and Gary Freeman. Glue-shrink; creasijng. Book.

Soft cover. Zustand: As New. Zustand des Schutzumschlags: As New. 1st Edition. 8 3/4 x 8 34/". 33 pp. 12 Black and white photographs, most of them full page. AS NEW CONDITION. FIRST EDITION. to see our other photography books, enter keyword FOTOBX. Language: eng.

Zustand: as new. Wie neu/Like new.

Hardcover without dustjacket as issued, 84 pages; as new condition, clean and crisp; gallery sticker to first page; no internal marks. Foreign shipping may be extra.

Zustand: Very Good. 188 pp., flexible covers, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Audio CD. Zustand: Very Good. Audio CD. Condition: Very Good. CDBY, 2002. 1 disc. Disc Quality: Excellent. Size: 5.66 x 5 x .34. Music CD CD2.

Paperback. Zustand: Very Good. 1888457007. 1996, Musee de L'Elysee, bright clean copy.

hardcover. Zustand: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: new. Paperback. The Never-Taken Images documents a unique long-term project that Swiss photographers Francoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers' installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves. The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schoenegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchatel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art. The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography. Text in English, French and German. AUTHORS: Daniel and Francoise Cartier, freelance photographer and visual artist respectively, form the artist duo F+D Cartier, based in Biel/Bienne, Switzerland. Their experimental work has been shown in solo and group exhibitions internationally, including museums and galleries such as Musee de l'Elysee, Lausanne (Switzerland), Musee de la Photographie, Charleroi (Belgium), Museet for Fotokunst, Odense (Denmark), Rencontres Internationales de la Photographie, Arles (France), Kunstbezirk, Stuttgart (Germany), Cinema Avorio, Rome (Italy), Cornerhouse, Manchester (United Kingdom), Yossi Milo Gallery, New York (US), Houston Center for Photography (US), H Gallery, New York (US), and Minnesota Center for Photography, Minneapolis (US). SELLING POINTS: . Documents a unique long-term artistic project using photo-sensitive media . Artists Francoise and Daniel Cartier have put together the world's largest collection of unfixed photographic papers, glass negatives, and films . Essays by distinguished experts of the history and technology of photography supplement beautifully reproduced facsimiles of the test catalogue compiled by Francoise and Daniel Cartier 1000 colour, 60 b/w illustrations A documentation of a unique long-term artistic project using photo-sensitive media, showcasing the worlds largest collection of unfixed photographic papers, glass negatives, and films. Text in English, French and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Zustand: New.

hardcover. Zustand: New. **HARDBACK**.

Paperback. Zustand: New. The Never-Taken Images documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers' installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves.The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schönegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchâtel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art.The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography.Text in English, French and German.

Zustand: New. In English.

Hardcover. Zustand: New.

Paperback. Zustand: New. The Never-Taken Images documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers' installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves.The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schönegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchâtel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art.The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography.Text in English, French and German.

Zustand: New.

Paperback. Zustand: Brand New. 140 pages. French language. 9.37x6.14x0.47 inches. In Stock.

Zustand: As New. Unread book in perfect condition.

Zustand: NEW.

Paperback. Zustand: Brand New. 224 pages. French language. 12.00x9.50x0.98 inches. In Stock.

Paperback. Zustand: Very Good. French text. Publication of 319 pages. Heavy Book, may require extra postage unless posted within South Africa. The wraps are a little shelf rubbed, small creases and edge worn. The binding is excellent. GK. Our orders are shipped using tracked courier delivery services.

Zustand: New. 2022. Paperback. . . . . .

Zustand: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

OPp Transparent-OU 21x27cm. Zustand: Sehr gut. 128 S. Sehr gut - textsauber 07-02314 3721206002 + + + Versand noch am gleichen Tag bei Bestelleingang werktags bis 15 Uhr + + + Alle Preise inkl. MWSt. + + + Sprache: Englisch Gewicht in Gramm: 738.

Zustand: NEW.

296 pp.; 28 x 23.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held March 14-June 1, 1999. Exhibition curated by, edited by, and with an essay by Kynaston McShine. Texts by artists and Lilian Tone, Birgit Pelzer, Brian Wallis, Susan Stewart, Magdalena Dabrowski, Ecke Bonk, Jodi Hauptman, Kristen Erickson, Coosje van Bruggen, James Trainor, Thomas McEvilley, Sally Yard, Thomas Kellein, James Roberts, Kitty Scott, Kate Linker, Dave Hickey. Extensive illustrations, artist's biographies, bibliography. Artists within exhibition: Vito Acconci, Eve Arnold, Art & Language, Michael Asher, Lothar Baumgarten, Barbara Bloom, Christian Boltanski, Marcel Broodthaers, Daniel Buren, Sophie Calle, Janet Cardiff, Henri Cartier-Bresson, Christo, Joseph Cornell, Jan Dibbets, Lutz Dille, Mark Dion, Herbert Distel, Marcel Duchamp, Kate Ericson and Mel Ziegler, Elliot Erwitt, Roger Fenton, Robert Filliou, Larry Fink, Fluxus, Gunther Forg, Andrea Fraser, General Idea, Hans Haacke, Richard Hamilton, Susan Hiller, Candida Höfer, Komar and Melamid, Louise Lawler, J.B. Gustave Le Gray, Jac Leirner, Zoe Leonard, Sherrie Levine, El Lissitzky, Allan McCollum, Christian Milovanoff, Vik Muniz, Claes Oldenburg, Dennis Oppenheim, Charles Wilson Peale, Hubert Robert, Edward Ruscha, David Seymour, Robert Smithson, Thomas Struth, Hiroshi Sugimoto, Charles Thurston, Thompson, Jeff Wall, Christopher Williams, Fred Wilson, Garry Winogrand. Endpapers of book by Daniel Buren. "Since public museums came into being in the late 18th century, artists have looked upon them with a mixture of reverence, complicity, suspicion, and disdain. In The Museum as Muse, artists of many persuasions speak their minds about museums, their functions and spaces, their practices and politics, and their relationship to the art they contain. More than 60 artists are represented by a wide range of works: photographs of museum patrons by Henri Cartier-Bresson and Elliot Erwitt; 'personal museums' and 'cabinets of curiosities' by Charles Wilson Peale, Marcel Duchamp, and Claes Oldenburg; fantasies of the destruction or transformation of museums by Hubert Robert, Ed Ruscha, and Christo and more, including works created especially for this project by contemporary artists, and an anthology of statements and writings by artists about museums. This volume was published to accompany an exhibition at The Museum of Modern Art, New York." -- publisher's statement. Very Good. Light wear to dust-jacket including a 6 mm. tear to spine edge and bumping of upper edge of recto. Light yellowing of page edges. Contents otherwise clean and unmarked.