David rathman (31 Ergebnisse)

Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: New.

Paperback or Softback. Zustand: New. As Good as a Dog: The Custody Trial. Book.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New.

Soft cover. Zustand: Very Good. POST CARD. Color plate to one side. Not mailed.

Zustand: New.

Zustand: New. In English.

Zustand: New.

Softcover. Zustand: Fine. First English Language. A pristine copy, tight and crisp, with no signs of prior use or wear. The text is free of any markings. Fast shipping, with tracking number supplied.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Near Fine. 1st Edition. A nice copy of the first edition/first printing. Grey cloth-covered boards, gilt spine lettering, 8 1/2 x 5 3/4 inches, 376 pp., index, b/w illustrations. Book very good plus (modest foxing, fore-edge; mild dust soiling, top edge of book block; previous owner's signature, title page). Dustcover near fine. (1722RO090).…

Poster. This is not a book. The original announcement poster/flyer for a group exhibition of work by Minneapolis-based artists titled "Minets A Polis" (Minneapolis) and held at Cohan and Leslie gallery, NYC, June 23 - August 19, 2005. The six artists in the show were Rob Fischer, Chris Larson, Todd Norsten, David Rathman, Alec Soth, and Aaron Spangler. Single sheet of matte paper, printed one side; 12 x 9 inches. Condition: Fine, machine-folded as issued. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. International postage may be less than quoted.…

Exhibition Announcement Cards. This is not a book. Three original announcement cards for gallery exhibitions of work by David Rathman, all at the Clementine Gallery, NYC. These represent the artist's first three exhibitions in New York City: To Hell With Them Small Towns, Sept. 6 - Oct. 6, 2001; I Threw Away the Rose, Feb. 12 - March 13, 2004; and Somebody's Got to Go, Apr. 20 - May 20, 2006. All three: card stock; printed both sides; 1 b&w image; 6 x 4.25 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Softcover, staple-bound, 20 pages; very good condition, except residue from removed price sticker and light rubbing to covers; no internal marks.

Paperback. Zustand: New.

PAP. Zustand: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PF. Zustand: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

PAP. Zustand: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

6 1/2 x 11 3/4 in., 30 pp., cloth over boards. "[Rathman's work] is primitive. with figural distortions and patterning spill across the page, creating an undeniable undercurrent of rhythm and energy." -Betty Bright, curator "I am not interested in illustration per se, as much as I am in illuminating the text. I try simultaneously to contrast and harmonize the visual imagery with the text-to distill the spirit of the writing and then amplify it." -David Rathman, "lluminating the Text" Pictures of the Crucifixion pairs eight lucid poems, seven of them previously unpublished, by the acclaimed poet Jerome Rothenberg, a pioneer in the fields of performance poetry and ethnopoetics, with five vivid drawings by David Rathman, a painter whose works are deeply influenced by writing. Designed and printed letterpress by Philip Gallo at The Hermetic Press. Bound in cloth over boards by Jill Jevne. This is no. 13 from an edition of 130 copies, of which the first 30 are hors commerce and 31-100 are for sale; each signed by the poet and artist. This copy is from the library of Jerome Rothenberg. Near fine with only a mild scuff to the top edge of the black cloth on the back cover and a bright and clean interior.…

Paperback. Zustand: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Paper wrappers with coptic stitching, 14 pp., letterpress. In character with Gallo's other printing projects, this book's primary subject of contemplation is typography, and its effect on the transmission and interpretation of an early Scottish ballad. The ballad that forms the subject of this book was suspected to have been revised in both its textual and oral states prior to its inclusion in Bishop Thomas Percy's influential Reliques of Ancient English (in 1765)a text whose ballads provided serious inspiration to English Romantic poets such as William Wordsworth and Samuel J. Coleridge. The intrigue around this poem occurred in part due to its unique orthography: including "qu" for "w" and "z" for "y," the latter of which sometimes replaces a "thorn" (the Old English character). To render this tension typographically, Gallo juxtaposes the contemporary advertising type of Aurora Bold Condensed against a ninth century uncial, Visigoth. In addition to this typesetting, he replicated worn type on orange-printed initials from a title page of a book printed in Edinburgh in 1614. David Rathman, a painter from Minneapolis long involved in the book arts through Granary Books and others, provides the startling illustration that Gallo has printed with a plate. This is from an edition of 50 copies.…

Printed gray cloth over boards, 17 1/8 x 12 3/4 in., 36 printed pp.This book reproduces ink and watercolor drawings made by David Rathman in 2010. Printed at Location Books and bound at Campbell-Logan Bindery. This is no. 79 from an edition of 200 signed by the artist. Fine.

Hardcover. Zustand: Fine. Small quarto. (10)ff. Throughout, Rathman's linocuts, gothic and mythic in their intensity, evoke the nervous, even violent edge of the text. The tale is inspired by and adapted from Amos Tutuola's The Palm-Wine Drinkard, the first African novel to be published in English outside of Africa. Tutuola based his original text on Yoruba folktales, and his style, epitomized by the novel, has become a considerable landmark in discussions regarding colonial (and decolonized) literature and language. Although Rathman's adaptation has smoothed over some of Tutuola's idiosyncrasies, his linocuts conjure similar feelings of mysticism and urgency which are indelible to folklore. Printed with aid from Gerald Lange of the Bieler Press and Norman Fritzberg of the Hansestadt Letterfoundry, and funded in part by the Minnesota Center for the Book Arts. Sheet held loose in four-flap portfolio with illustrated paper label to upper cover. Fine. One of thirty-five copies. Signed by the artist.…

Edition limited to 30 copies, plus 7 artist's/printer's proofs, and 6 "unfolded deluxe copies" for a total edition of 43; this is printer's proof no. 3 (of 4) signed by David Rathman; oblong 4to; 9 double-page spreads, each approx. 14" x 34½", "hand-printed in lithography and silkscreen by Steve Andersen, Philip Barber, and Todd Norsten on BFK Rives paper," and contained in the original hinged wooden box with a branded title burned into the cover over acid stains, as issued; fine. This copy obtained directly from Rathman himself. Most of the edition was not boxed. Rathman tells me only "ten or so" boxes were ever made, and not more than a dozen of the edition were ever sold. What wasn't sold was lost in a bankruptcy case, and the sheets are now ostensibly resting in a warehouse in Milwaukee where they have been for nearly 30 years. OCLC locates 4 copies only: Minnesota Historical, Phoenix Public Library, University of Wisconsin at Madison, and the Getty, to which we add the Minneapolis Institute of Art, and Columbia.…

Limited Edition. One of 20 copies (plus three Artist's Proofs) specially bound and signed by Rathman, this being copy no.20. Quarto (33.5cm); text is letterpress printed on Rives BFK, wire-bound into grey cloth-covered boards, with pictorial label inset on front cover; publisher's matching cloth slipcase; [26]pp; illustrated with 9 three-color engravings from relief prints and etchings by David Rathman. Fine in a Fine slipcase. An elaborate production, pairing the poetry of Russell Edson (1935-2014) with the artwork of Minneapolis-based visual artist David Rathman. Edson, a Guggenheim Fellow, has been called the "godfather of the prose poem in America." Uncommon, evidently sold out prior to publication; OCLC notes 8 holdings.…

Edition limited to 20 copies plus 3 artist's proofs (this, copy no. 19), signed by David Rathman; 4to; 13 double leaves, illustrated with 9 three-color "intaglios printed from relief plates and lift-ground etchings with aquatint created and printed by Rathman; typography and letterpress printing by Philip Gallo at the Hermetic Press; the text is set in Studio and printed on Rives BFK; bound in grey cloth boards in exposed wire-binding by Jill Jevne after the wire-binding structure devised by Daniel Kelm; mounted color illustration on the upper cover; grey cloth clam shell box with printed paper label on spine. Fine. This is a remarkable collaboration between two of the Twin Cities' greatest book artists at work during the last quarter of the 20th century, and into the 21st: the printmaker David Rathman and the letterpress printer, Philip Gallo. The book was sold out immediately and even though these guys are my friends, this is the first time I've been able to offer a copy for sale in 25 years.…

No Binding. Zustand: Fine. 1st Edition. The collection one of 7 artist's proofs signed by Rathman on a limitation leaf. Portfolio, complete set of nine folding original lithographs, unfolding to 14" x 34", with tissue guards. Bright and unmarked. Signed by Illustrator(s).

Edition limited to 40 copies consisting of 5 printer's proofs and 35 in the edition (this, copy no. 11); 4to, [10] unbound sheets printed on rectos only, and contained in a black cloth-covered portfolio with printed paper label on spine and pictorial pastedown on upper cover; fine. Rathman's first book printed at Vermillion Editions under the guidance of Steve Anderson. Gerald Lange of the Bieler Press and Norman Fritzberg of the Hansestadt Letterfoundry were responsible for the typographic design and composition. The portfolios were constructed by the Campbell-Logan Bindery. "Mythological in conception and Nigerian in origin.the linocut illumination that accompanies the text exhibits such regimented verve that it almost seems as if a scourge has been placed upon each page. The jags, curves, and swirls of the elemental, naturalistic borders take on pantheistic qualities as they move organically into the inner sanctum . harbors dangerous, disorderly creatures, alongside humans with their primitive and fantastic accoutrements. Gesture, posture, and facial expressions of beasts, trees, and humans.exhibit a stunning force of feeling and an atavistic quality that illuminates meaning and emotion." (Pamela Sund, in Artscape, Volume 2, no. 4).…

Taschenbuch. Zustand: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - AS GOOD AS A DOG A DOG CAN LIE ABOUT SOMEONE BUT NOT LIE ABOUT SOMEONE 'The justice system is, unfortunately, often not a friend of the family or the truth.' For what crime can a person be accused, judged, convicted, and sentenced without trial or chance to speak the truth ANSWER: CHILD ABUSE In what court is 'perjury' permitted ANSWER: 'PERJURY' IS RARELY CONSIDERED IN DOMESTIC RELATIONS CASES. The answer to the question above was written in a book describing how to succeed in your divorce case. An internet ad states, 'Revenge in your domestic relations case can be achieved thru using the children, finances and assets.' Another ad states, 'What is being made available are the dirtiest divorce tactics known.' And what is the dirtiest tactic It is a three letter word, 'LIE.' LIE to the police, doctors, lawyers, and judges. LIE to the Custody Evaluator and the Custody Master. LIE to personnel in CYS, family, and friends. And what is a second dirty tactic Have them LIE for you. The point of 'AS GOOD AS A DOG' is to show how these 'dirty tactics' were used and to present a means to fight them. I have given the proposal for state legislature to a member of the state senate. It is based on the experience of my wife and I, my daughter, and my grandsons. …