davidovich jaime (29 Ergebnisse)

Hardcover. Zustand: As New. No Jacket. 1st Edition. 8vo, hardcover, 240pp. A SEALED and AS NEW copy.

Zustand: New.

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Zustand: As New. Unread book in perfect condition.

Hardcover without dustjacket as issued, 240 pages; in English and Spanish; paper clip impression to top edge of first couple pages; otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Zustand: new. Hardcover. As a fixture on the SoHo-based experimental art scene of the 1970s and 1980s, Argentine-American video/television-art pioneer and conceptual artist Jaime Davidovich (born 1936) has worked in a broad variety of mediums throughout his long career, including video, painting and installation, while also establishing himself as an activist and TV producer. His weekly variety program, The Live! Show (197984), featured performances and interviews with artists such as Laurie Anderson, Eric Bogosian, Tony Oursler and Michael Smith, while other video works included appearances by the artist Stuart Sherman. Davidovich embraced a postmodernists eclecticism and a humorous aesthetic. In this lively conversation with scholar Daniel R. Quiles, Davidovich recounts his early years in postwar Argentina, the 1963 coup detat that led to his relocation to New York and his long, influential career. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Zustand: New. As a fixture on the SoHo-based experimental art scene of the 1970s and 1980s, Argentine-American video/television-art pioneer and conceptual artist Jaime Davidovich (born 1936) has worked in a broad variety of mediums throughout his long career, including video, painting and installation, while also establishing himself as an activist and TV producer. His weekly variety program, The Live! Show (1979-84), featured performances and interviews with artists such as Laurie Anderson, Eric Bogosian, Tony Oursler and Michael Smith, while other video works included appearances by the artist Stuart Sherman. Davidovich embraced a postmodernist's eclecticism and a humorous aesthetic. In this lively conversation with scholar Daniel R. Quiles, Davidovich recounts his early years in postwar Argentina, the 1963 coup d'état that led to his relocation to New York and his long, influential career.

Quiles, Daniel R. JAIME DAVIDOVICH in Conversation with Daniel R. Quiles. 240 pages. 8vo, boards. New York, Fundacion Cisneros, 2017.

Zustand: New.

Zustand: New. Special order direct from the distributor.

Hardback. Zustand: New. New copy - Usually dispatched within 4 working days.

Hardcover. Zustand: Brand New. bilingual edition. 238 pages. 9.25x6.25x1.25 inches. In Stock.

Hardcover. Zustand: Brand New. bilingual edition. 238 pages. 9.25x6.25x1.25 inches. In Stock.

A pristine, unopened copy of this Fundación Cisneros 'Conversaciones / Conversations' series volume devoted to pioneering media and conceptual artist Jaime Davidovich. Issued in bilingual English/Spanish format, the book presents an extended interview conducted by scholar Daniel R. Quiles, offering a first-person account of Davidovich's role in the experimental SoHo art scene of the 1970s-80s. Particular emphasis is placed on his work in early video art, public-access television, and interdisciplinary practices that bridged conceptual art and mass media. The inclusion of an introductory essay by John G. Hanhardt - one of the foremost curators of film and video art - adds further institutional and scholarly weight. Published by ISLAA in collaboration with the Fundación Cisneros, this series is dedicated to preserving firsthand testimonies of major Latin American artists and intellectuals. These volumes are increasingly collected as primary-source materials within contemporary art scholarship. The volume is handsomely produced in hardcover format, with clean modern design and a built-in page ribbon, underscoring its presentation as a durable reference and collector-grade publication. The sealed, untouched condition further enhances its desirability for collectors and institutional buyers. Condition: As New. Still sealed in original publisher shrink-wrap; wrap shows light, typical shelf wear (minor rippling and faint edge creasing). Covers beneath appear clean and bright; unopened. First edition, 2017. No later printings indicated; sealed state consistent with new, uncirculated copies. Jaime Davidovich (1936-2016) was an Argentine-born conceptual and media artist whose work in video, installation, and public-access television placed him at the forefront of experimental art in 1970s-80s New York. His practice helped redefine the relationship between art and broadcast media, making him a key figure in the development of early video art. Issued the year after Davidovich's death, the volume takes on added resonance as a near-contemporary record of the artist's reflections on his work and influence.

Zustand: As New. Unread book in perfect condition.

Hardcover. Zustand: new. Hardcover. As a fixture on the SoHo-based experimental art scene of the 1970s and 1980s, Argentine-American video/television-art pioneer and conceptual artist Jaime Davidovich (born 1936) has worked in a broad variety of mediums throughout his long career, including video, painting and installation, while also establishing himself as an activist and TV producer. His weekly variety program, The Live! Show (197984), featured performances and interviews with artists such as Laurie Anderson, Eric Bogosian, Tony Oursler and Michael Smith, while other video works included appearances by the artist Stuart Sherman. Davidovich embraced a postmodernists eclecticism and a humorous aesthetic. In this lively conversation with scholar Daniel R. Quiles, Davidovich recounts his early years in postwar Argentina, the 1963 coup detat that led to his relocation to New York and his long, influential career. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Zustand: New. KlappentextAs a fixture on the SoHo-based experimental art scene of the 1970s and 1980s, Argentine-American video/television-art pioneer and conceptual artist Jaime Davidovich (born 1936) has worked in a broad variety of mediums througho.

Hardback. Zustand: New. As a fixture on the SoHo-based experimental art scene of the 1970s and 1980s, Argentine-American video/television-art pioneer and conceptual artist Jaime Davidovich (born 1936) has worked in a broad variety of mediums throughout his long career, including video, painting and installation, while also establishing himself as an activist and TV producer. His weekly variety program, The Live! Show (1979-84), featured performances and interviews with artists such as Laurie Anderson, Eric Bogosian, Tony Oursler and Michael Smith, while other video works included appearances by the artist Stuart Sherman. Davidovich embraced a postmodernist's eclecticism and a humorous aesthetic. In this lively conversation with scholar Daniel R. Quiles, Davidovich recounts his early years in postwar Argentina, the 1963 coup d'état that led to his relocation to New York and his long, influential career.

Soft cover. Zustand: Near Fine +. 1st Edition. Very near fine. Very slight bumping to corners and spine. Very light edge wear to covers. A lovely copy. .Appears unread. High quality black and white and colour printing.1950 pages.

Soft cover. Zustand: Very Good. A VERY GOOD FIRST EDITON SOFT COVER.WITH PAMPHLET FROM THE ART SHOW.

Encuadernación de tapa blanda. Zustand: Excelente. 1ª Edición. Diane Brown Gallery, New York, 1988. 24 páginas. Texto de Susana Morgan. Catálogo ilustrado.

72 pp.; 27.9 x 21.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; 1984 issue of the art magazine Art Com edited by Carl E. Loeffler. Articles include "Beta Reports;" "Television Art;" "We Made Home TV," by Lynnette Taylor; "TV Art in New York;" photo essay by Jaime Davidovich; "Art That Gets 53 Miles Per Gallon: Ashley and Sanborn on Perfect Lives," by Mark Dery; "Sanborn and Winkler: The Making of Perfect Lives," by Lynnette Taylor: "Peter Gordon," interview with Mark Rubin; "Seven Templates: The Video Structure of Perfect Lives," by Lynnette Taylor; "Television Art and the Video Conference," by Carl E. Loeffler; "Learning the Language with Anderson and Winkler: Sharkey's Day - A New Video," by Lynnette Taylor; "The Robotic Revolution," by Willoughby Sharp; "Action Notes," by Darlene Tong; "San Francisco Funderground, Cabaret Performance 1979-1982," by Irwin Irwin "Operat Blanc: A Neoist Musical Tragedy," by Frank Stephanus. Very Good. Light rubbing and bumping of cover edges. Contents clean and unmarked and pages are tight to the spine.

First Edition. Softcover. First Edition. Published in conjunction with a group exhibition which opened at Akron Art Institute on December 17, 1972, running through January 28, 1973. Includes black-and-white images of works in the exhibition, along with brief biographical information for each artist. Very Good plus in lightly toned wrappers bound with a black comb.

Softcover, with copy shop plastic binding and title photo affixed to front cover, unpaginted printed 1 side only with description s of videos from 1972-1976 that can be purchased directly from the artist; very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

[8] pp.; 21.5 x 17.7 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Bound & Unbound, New York, December 2 - December 23, 1989 of the mass produced stationary items published by Wooster Enterprises and designed by George Maciunas, Jaime Davidovich and Judith Henry. Includes biographies of the artists and a checklist of the exhibition as well as a looseleaf revised checklist. Reference : No. 454 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 241. Very Good. Bumping of corners with a 3 cm. crease to top right corner of recto. Light rubbing of covers. Contents clean and unmarked. Included inserted revised checklist.

2. New York, Diane Brown Gallery, 1988, in-8°, 24 x 20 cm, 24 pp, black/white ills., original softcover.

52 pp.; 20 x 22.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 9 - July 16, 1981. Exhibition examines the social, cultural, and political elements of the sixties that birthed the "alternative" movement -- specifically Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer -- and charts the effects it had on the art world. Curated by Jacki Apple, with preface by Marcia Tucker and essay by Mary Delahoyd. Artists include Vito Acconci, John Perreault, Robert Newman, Eleanor Antin, Billy Apple, Geoff Hendricks, Jerry Vis, Davi Det Hompson, Artwiser / Artweiser, Roger Welch, Bill Beckley, Susan Hall, Robert Kushner, Brad Davis, Gordon Matta-Clark, Suzanne Harris, Tina Girouard, Larry Miller, Richard Nonas, Jeffrew Lew, Jene Highstein, Nancy Holt, Cecile Abish, Peter Downsbrough, Douglas Davis, Virginia Piersol, Stefan Eins, Christopher McNeur, Dieter Froese, Stuart Sherman, Jaime Davidovich, and Bill Bierne. Includes images of selected works. Good / Very Good. Mild edgewear and yellowing of interior cover. Circular sticker on lower left corner of recto. Sticker adhesive from removed sticker on lower right corner of recto. Clean and unmarked.

Soft cover. Zustand: Very Good. 1st Edition. Buenos Aires: Galeria Lirolay, 1961. Staple-bound softcover. 16 Pages. Spanish language. Very good. Minor wear to spine. Light edge wear to covers. Opening blank tissue paper page has fold at bottom with unobtrusive small closed tear. 5 plates, one by each of the artists with a centerfold featuring biographical information. Scarce early Galeria Lirolay exhibition catalog from 1961, the gallery's second year of existence, featuring early work by Marta Minujin and Jaime Davidovich. Minujin showed paintings in this exhibition; by 1962, in France, she would burn all of her paintings in a public exhibition and turn to happenings, installations and pop art. Jaime Davidovich would exchange a paintbrush for conceptual art, packing tape, video art and television upon moving to New York City in the early '60s. Only one copy located in OCLC.

New York: self-published, [1975]. Oblong octavo (21.6 × 28 cm). Original limp black buckram wrappers with mounted photograph of a video still with the lettering of the title; 20 leaves printed to rectos with xerox copies containing numerous full-page reproductions of video stills. Very good. Rare, handmade catalog featuring a selection of videotapes made by Jaime Davidovich between 1972 and 1975. Each videotape is presented with production information, technical data, and a brief description of the content as well as images. The titles of the tapes are: ?Road?, ?Blue, Red, Yellow?, ?Baseboard?, ?3 Mercer Street?, "Interior", ?Two Windows?, and ?Surveillance? The last page is an order form with Jaime Davidovich's postal address. Jaime Davidovich initially began with the classic art genre of painting. Early on, however, he began to dissolve the boundaries of the medium, for example by attaching the painted canvas directly to walls, and later through installations on walls, floors, stairs, and sidewalks. Davidovich's striving for transgression was already evident here. Before he discovered film tape as a way of dissolving boundaries, he first explored the possibilities of adhesive tape. While this was initially a means of attaching canvas, he increasingly discovered it as a medium itself. When portable video technology finally emerged in the late 1960s, he had already turned to minimalism. Davidovich was one of the pioneers of the new genre of video art. The video works "Road" (1972) and "3 Mercer Street" (1975), which are also presented in the catalog offered here, are among his first experiments in the field of video art. He then turned his attention to video installations. This catalog already marks a transition in Davidovich's work. For when cable television emerged in the mid-1970s, Jaime Davidovich was one of the first artists to transcend this artistic framework. He was involved in the founding of Cable SoHo in 1976 and a year later founded the Artists Television Network, which aimed to use commercial cable television to distribute video art. Television programs were produced in which video art, early music videos, performances and interviews with artists were broadcast until 1984. (Cf. website of the Jaime Davidovich Collection at NYU: >h ttps://findin gaids.library.nyu.e du/fales/mss_155/.