De clippel k (8 Ergebnisse)
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Paperback. Zustand: Brand New. illustrated edition. 300 pages. 11.60x8.20x0.60 inches. In Stock.
Mythological Subjects Achilles to the Graces Rubens Corpus Rubenianum Ludwig Burchard XI McGrath, G. Martin, F. Healy, B. Schepers, C. Van de Velde, K. De Clippel
McGrath, G. Martin, F. Healy, B. Schepers, C. Van de Velde, K. De Clippel
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Zustand: gut. Mythological Subjects Achilles to the Graces Rubens Corpus Rubenianum Ludwig Burchard XI In englischer Sprache. pages.
Verlag: , Brussel, Paleis der Academien, 2004.,, 2004
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In den Warenkorbsoftcover , originele geillustreerde uitgeversomslag in kleur, 26x18cm., 183pp, met 79 afb., bibliografie, index, als nieuw!!! ISBN 906569921X. Verhandelingen van de Koninklijke Academie voor Wetenschappen, Letteren en Schone Kunsten van Belgie. Nieuwe reeks, n 11. 550 g.
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Paperback. Zustand: Brand New. 262 pages. Dutch language. 7.01x0.61x10.21 inches. In Stock.
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Zustand: gut. Catharina van Hemessen (1528 - na 1567). Een monografische studie over een uytnemende wel geschickte vrouwe in de conste der schilderyen In deutscher Sprache. pages.
Mythological Subjects Achilles to the Graces / Rubens Corpus Rubenianum Ludwig Burchard XI
McGrath, G. Martin, F. Healy, B. Schepers, C. Van de Velde, K. De Clippel
Verlag: , Brepols , 2016, 2016
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In den WarenkorbHardcover with dusjacket, 2 volumes., 944 pages., 362 b/w ill. + 104 colour ill., 175 x 260 mm Languages: English. ISBN 9780905203676. Corpus Rubenianum Ludwig Burchard XI One remarkable feature of European culture as it developed in the Renaissance was the accommodation it made with ancient paganism. The classical gods and thei…r legends were allegorised, transformed into symbolic figures or emblematic scenes that might accord with Christian morality. At the same time there emerged a new, secular, genre of art devoted to the depiction of the most popular myths, above all the love stories recounted by the ancient poets. These stories were not only attractive in themselves; they offered the opportunity to depict nude figures in narrative action, which the example of antiquity held forth as the highest goal for painting. Rubens was one of the greatest creators of classical allegory; he was also a supreme interpreter of the classical stories. No painter was so at home in the literature of the Greeks and Romans. When he painted for pleasure, which, increasingly in the course of his life, he felt able to do, he used pagan myth to express and celebrate themes of love, beauty and the creative forces of nature, often in wonderfully idiosyncratic ways. Still, as a Christian committed to the ideals of the Catholic Reformation, Rubens respected the restrictions generally placed on the depiction of pagan tales. Most of his mythological paintings were made for private settings, for display within houses (including his own) or in the galleries of princes, noblemen and prelates. It is a happy accident of history that so many of these splendid paintings are now widely visible in the great museums of the world. 0 g.
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Couverture souple. Zustand: As New. Zustand des Schutzumschlags: As New. Edition originale. Description: Turnhout: Brepols, 2011. 30cm., pbk., 220pp. illus. Contents: Katlijne Van der Stighelen, Introduction - Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt - Erna Kok, The Female Nude from Life: On S…tudio Practice and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe - Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory - Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries- Johan Verberckmoes, Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands - Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting. Museums at the Crossroads (MAC) The Nude and the Norm in the Early Modern Low Countries K. Van der Stighelen (ed.) 220 p., 132 b/w ill., 210 x 297 mm, 2011 ISBN: 978-2-503-53569-2 Languages: English Paperback The publication is available. Reta - il price: EURO 85,00 Table of Contents Table of Contents : Katlijne Van der Stighelen, Introduction - Eric Jan Sluijter, The Nude, the Artist and the Model: The Case of Rembrandt - Erna Kok, The Female Nude from Life: On Studio Practice and Beholder Fantasy - Victoria Sancho Lobis, Printed Drawing Books and the Dissemination of Ideal Male Anatomy in Northern Europe - Paul Taylor, Colouring Nakedness in Netherlandish Art and Theory - Hubert Meeus, Two Founts of Ivory: Nudity on Stage in the Seventeenth Century Low Countries- Johan Verberckmoes, Is that Flesh for Sale? Seventeenth-Century Jests on Nudity in the Spanish Netherlands - Ralph Dekoninck, Art Stripped Bare by the Theologians, Even: Image of Nudity / Nudity of Image in the Post-Tridentine Religious Literature - Veerle De Laet, Een Naeckt Kindt, een Naeckt Vrauwken ende Andere Figueren: An Analysis of Nude Representations in the Brussels Domestic Setting language : english text Size: 210 X297 Mm.
Corpus Rubenianum Ludwig Burchard. Part. XI vol. One/Two. Mithological Subjects 1 Achilles to the Graces.
McGrath E. - Martin G. - Healy F. - Schepers B. - Van de Velde C. - De Clippel K.
Verlag: Harvey Miller Londra 2016, 2016
Anbieter: EDITORIALE UMBRA SAS, Foligno, PG, ItalienEDITORIALE UMBRA SAS
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In den WarenkorbZustand: Nuovo. 2 voll.ril. in tela con sovr., cm 27x18, pp 469+470. Vol. One : 21 ill. in b/n. Vol. Two: 410 tavv. e ill. a col. e b/n. - ISBN: 9781909400474/7.
